Rachel Stern2019-09-23T17:36:19-04:00September 23rd, 2019|Newsletter|
Dear Friends, Fall is finally upon us. Fritz Ascher’s “Landscape with a Cloudy Sky” from c. 1960 captures the rich colors and dramatic light of late afternoon, brought forth with spontaneous, dynamic brushstrokes that characterize the artist’s late work. Fritz Ascher, Landscape with a Cloudy Sky, 1960s. Oil on canvas, 39.4 x 37.4 in. While he was hiding from the Nazis 1942-1945, the artist wrote: I have spent the summer re-reading the poems I have access to, marveling at their rich verbal imagery and thinking about a publication of this powerful manifestation of the artist’s creativity, which translates so easily into disciplines other than the visual [...]
Rachel Stern2020-03-03T07:55:35-05:00August 10th, 2019|Events, Past Events|
ZWISCHEN UTOPIE UND EXIL ARCHITEKTUR, MALEREI UND FILM IM POTSDAM UM 1930 Eine musikalische Zeitreise mit dem Bus in drei Etappen Auf dieser Bustour wird das Potsdam am Ende der Weimarer Republik wieder lebendig. Lassen Sie sich überraschen von der Vielfalt der modernen Architektur und den faszinierenden Kunstwerken jener Zeit, oft gespiegelt in den wechselvollen Lebenswegen ihrer Schöpfer. Zum Abschluss der Exkursion sind im selten zugänglichen Studio des Filmorchester Babelsberg die großen Hits der UFA-Zeit ebenso zu erleben wie die spannenden Geschichten ihrer Entstehung. 10.30 Uhr Musikalischer Auftakt im Nikolaisaal Matthew Rubenstein, Klavier 11.00 Uhr Erste Etappe Die Architektur der Potsdamer Moderne (Rundfahrt mit Stopps u.a. am Luftschiffhafen) Referentin: Prof. Karin Flegel, Urania Potsdam 12.30 Uhr Intermezzo: Mittagessen im Kongresshotel [...]
Rachel Stern2019-01-14T00:10:25-05:00December 27th, 2018|Newsletter|
Dear Friends, I am filled with gratitude for your interest and support that enabled us this year to initiate and organize five exhibitions, numerous lectures and exhibition tours, two world premiere concerts featuring musical interpretations of Fritz Ascher’s poems by Potsdam composer Gisbert Näther, as well as the emotional ceremony placing a stumbling block in front of Niklasstraße 21/23 in Berlin-Zehlendorf memorizing Fritz Ascher at the location of his parental home. Thank you to everyone who made these events possible! Thank you to Wolfgang Gustavus, whose unexpected death deeply saddens us, for donating works by Fritz Ascher to the Potsdam Museum and Museum Charlottenburg-Wilmersdorf Berlin. As 2018 is winding down, I hope you are enjoying some peace and fun [...]
Rachel Stern2018-11-26T05:40:08-05:00September 4th, 2018|Newsletter|
Dear Friends, I know, this summer I seem obsessed with Fritz Ascher’s I know, this summer I seem obsessed with Fritz Ascher’s Dancers from 1921. But there is one more thought about the drawing that I want to share. Fritz Ascher, Dancers, 1921. Private collection. Photo Malcolm Varon ©2018 Bianca Stock Fritz Ascher, Dancers, 1921. Private collection. Photo Malcolm Varon ©2018 Bianca Stock When the drawing was created,“Freikörperkultur” (FKK) or “free body culture” had become popular in Germany. Founded in 1898 in Essen, Germany, the nudist culture was about celebrating the body unencumbered by clothes, in nature and sunlight. Many of the naturists came from the Wandervogel movement, the pre-eminent German youth movement, founded to escape the repressive and [...]
Rachel Stern2018-12-04T11:47:15-05:00March 23rd, 2018|Newsletter|
Dear Friends, I was touched by how many neighbors and friends from near and far came out into the chilly but sunny winter weather on February 21 to celebrate Fritz Ascher and recognize his persecution by the National Socialists by laying a “Stolperstein” (stumbling stone) at Niklasstraße 21/23 in Berlin-Zehlendorf, where his family lived from 1909. Thank you to the anonymous donor for making this event possible, to Dirk Jordan (AG Stolpersteine), Michael Rohrmann (Projekt Stolpersteine) and Wolfgang Ellerbrock for organizing it, to Cornelie von Bismarck for creating a beautiful context, and to Sabine Witt from Museum Charlottenburg-Wilmersdorf in Berlin and Jutta Götzmann from Potsdam Museum for supporting it. A special thank you to the students from Potsdam for reciting [...]
Rachel Stern2018-12-04T11:50:09-05:00February 8th, 2018|Newsletter|
Dear Friends, Fritz Ascher is getting a “Stolperstein” (stumbling stone)! Please join us for the ceremony on Wednesday, February 21 at 11:00am at Niklasstr. 21/23 in Berlin-Zehlendorf Stolpersteine (stumbling stones) is a project of the artist Gunter Demnig. The project commemorates people who were persecuted by the Nazis between 1933 and 1945. Stolpersteine are concrete blocks measuring 10x10cm which are laid into the pavement in front of the last voluntarily chosen places of residence of the victims of the Nazis. Their names and fate are engraved into a brass plate on the top of each Stolperstein. In Berlin, thousands Stolpersteine were installed since 1996. Today, Stolpersteine can be found in 1099 German cities and in 20 European countries. (link) We [...]
Rachel Stern2018-12-04T11:57:56-05:00December 27th, 2017|Select Press Coverage|
Fritz-Ascher-Retrospektive „Leben ist Glühn“ Die Wiederentdeckung des Expressionisten Fritz Ascher: eine Doppelausstellung in der Villa Oppenheim und im Potsdam Museum. by Elke Linda Buchholz Einen so vollständig vergessenen Künstler zurückzuholen in die Aufmerksamkeit, braucht Kraft, Geduld und kreative Energie. Vor 30 Jahren stieß die deutsch-amerikanische Kuratorin Rachel Stern bei einem Sammler auf Arbeiten von Fritz Ascher. Sie hatte noch nie von ihm gehört. Jetzt ist sie als quasi weltweit einzige Expertin für den 1893 geborenen Maler wieder zurück in der Stadt, wo auch er einst gelebt und gearbeitet hat. Hier bei Max Liebermann holte der junge Wilde sich als 16-Jähriger nach abgebrochener Schule die höheren Weihen einer Empfehlung an die Königsberger Kunstakademie und startete zwischen Secessionisten und Expressionisten seine Karriere. [...]
Rachel Stern2018-12-04T12:05:52-05:00December 26th, 2017|Select Press Coverage|
Der vergessene Expressionist Das Potsdam-Museum zeigt Werke des von den Nazis verfolgten Malers Fritz Ascher by Mathias Richter Sie gehören zur sogenannten verlorenen Generation. Künstler wie Gertrude Sandmann, Magda Langenstrass-Uhlig oder Eric Isenburger. Sie hatten Anfang der 30er Jahre grosse Ambitionen und wahrscheinlich eine grosse Karriere vor sich. Doch mit dem Machtantritt von Adolf Hitler erhielten sie Berufsverbot, wurden verfolgt, ihre Werke als "entartete Kunst" verfemt. Wer die Nazi-Zeit überlebte war vergessen und stand vor dem Nichts. Einer der Angehörigen dieser verlorenen Generation ist Fritz Ascher. Das Potsdam-Museum widmet dem radikalen Berliner Expressionisten in Kooperation mit der Villa Oppenheim in Berlin-Charlottenburg von Sonntag an eine Sonderausstellung. 80 Gemälde und Grafiken sind in den beiden Museen zu sehen, davon etwa 50 [...]
Rachel Stern2018-12-04T12:07:01-05:00December 25th, 2017|Select Press Coverage|
Ein Zerrissener Das Potsdam Museum entdeckt Fritz Ascher, der sich in Potsdam vor den Nazis versteckte by Lena Schneider Wer war Fritz Ascher? Das Potsdam Museum hat diesem Unbekannten eine Sonderausstellung gewidmet. „Leben ist glühn“ heißt sie. Ein Bild, das hier hängt, kann man als bestürzende Antwort auf die Frage lesen. „Bajazzo“ heißt es, nach dem italienischen Bruder des Harlekin. Zu sehen ist eine schemenhafte Gestalt, in gelbem Kostüm. Im weiß geschminkten Gesicht ist so etwas wie ein trostloser Schatten des Clownsgenres auszumachen: schwarze Augen, die rot überzogen Mundwinkel krümmen sich nach unten. Das ganze Bild ist wie zerschossen von Farbpunkten. Die Antwort darauf, wer Fritz Ascher, geboren 1893 als Kind jüdischer Eltern, war, findet sich im Entstehungsdatum des Bildes: [...]
Rachel Stern2018-12-13T19:05:14-05:00December 22nd, 2017|Exhibitions, Past Exhibitions|
Stiftung Gedenkstätte Lindenstrasse in Potsdam examines for the first time the history of the Potsdam police prison, the prison where Fritz Ascher spent almost 5 months in 1939. When the prison building in what is today Henning-von-Tresckow-Strasse was torn down in 2002, Potsdam historian Hannes Wittenberg was able to save two original artefacts, both today in the collection of the Potsdam Museum: an original prison door and a model of the prison building built by prisoners in the 1980s for fire protection exercises. Both objects are on display in the exhibition, together with original photographs and documents of the prison building. Fritz Ascher is one of the former prisoners, whose biography is being told. (website link) Questions being asked in [...]
Rachel Stern2018-12-04T12:14:23-05:00December 22nd, 2017|Newsletter|
Dear Friends, I am humbled and honored to have received the Lea and Hans Grundig Prize for my work about Fritz Ascher. Right on time for his 125th birthday, the Fritz Ascher retrospective is now open in Berlin and Potsdam, the two places where the artist lived and worked. Museum Charlottenburg-Wilmersdorf in der Villa Oppenheim in Berlin exhibits an overview of the artist’s creative development, with a focus on works that relate to Berlin. We see his sketch of the artist Max Liebermann as well as his love for music and performance in Weimar Republic paintings like “Beethoven” and “Bajazzo and Artists”. After surviving the Nazi terror regime in hiding in the Berlin Grunewald neighborhood, he painted these works over [...]
Rachel Stern2018-12-04T12:15:18-05:00December 21st, 2017|Newsletter|
Dear Friends, Today I am excited to share with you some photos of last week’s opening of “Beauteous Strivings: Fritz Ascher, Works on Paper”, which is on view at the New York Studio School daily 10:00am-6:00pm until December 3 (website link). In this exhibition, “powerful emotions seem to lurk just beneath the apparent directness and economy of the tree and flower paintings” of the 1950s and 1960s, observes curator Karen Wilkin in the catalogue that accompanies the exhibition. She continues: “A sense of near-obsession, of ferocious concentration, of focus that excluded everything else, was palpable, made visible in the traces of his rapidly moving hand, driving across the paper, making loops and whorls, and then abruptly changing direction. At the [...]
