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Nov 23, 2020

FRITZ ASCHER SOCIETY Newsletter December 2020

Rachel Stern2020-12-01T06:51:39-05:00November 23rd, 2020|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter December 2020

Dear Friends, With Thanksgiving upon us, we announce our last events for 2020: Kitra Cahana, The Cult of Maria Lionza: Fire, 2009. ©Kitra Cahana "A subject passes through me," explains Kitra Cahana. Here, a man who has taken on an Indian spirit and therefore has the power to touch fire, jumps through a fire pit without even flinching on October 12, 2009 during the Baile en Candela - "The Fire Dance" at the entrance to Sorte mountain in Venezuela. On the eve of the 12th of October every year The Fire Dance takes place on the mountain, wherein Maria Lionza practitioners will dress up as Indians take on [...]

FRITZ ASCHER SOCIETY Newsletter November 2020

Rachel Stern2020-11-23T23:33:37-05:00November 1st, 2020|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter November 2020

Dear Friends, First of all, IF YOU ARE AN US CITIZEN, PLEASE VOTE! John Heartfield, Krieg und Leichen – Die letzte Hoffnung der Reichen, Montagefotografie für die Arbeiter-Illustrierten-Zeitung, 1932, Nr. 18, Silbergelatineabzug, kaschiert Akademie der Künste, Berlin, Inv.Nr. JH 1955 © The Heartfield Community of Heirs / VG Bild-Kunst, Bonn 2020 This will be an extremely busy month at FAS, starting on November 4, 2020 at 12:00pm ET with Rosa von der Schulenburg’s lecture “About John Heartfield’s Political Engagement and Private Life in London”, which is part of our monthly zoom series “Fight or Flight. stories of artists under repression,” generously funded by Allianz Partners. (SEE EVENT HERE) John [...]

Fritz Ascher Society for Persecuted, Ostracized and Banned Art

Newsletter #6, May 2016

Rachel Stern2018-12-04T12:44:40-05:00May 19th, 2016|Newsletter|Comments Off on Fritz Ascher Society for Persecuted, Ostracized and Banned Art

Newsletter #6, May 2016

Dear Friends, As we are drawn to spend more time outside in the lovely spring weather, this newsletter is all about Fritz Ascher’s late landscapes that became the focus of his work after 1945. Trees, late 1950s ©Bianca Stock, Munich Frank Auerbach, Mornington Crescent Looking South, 1997 ©Frank Auerbach, courtesy Marlborough Fine Art In dozens and dozens of intense paintings and gouaches intoxicated with color, Ascher turns to nature painting in the broadest sense. Among them are landscapes, woodland scenes, portraits of individual trees, groups of trees, all inspired by hours of walking in the nearby Grunewald. In his catalogue essay accompanying the upcoming Fritz Ascher retrospective, Eckhart Gillen relates the aesthetic practice and behavior of the two painters Fritz [...]