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February 2023
The Kunstmuseum Basel’s department of classic modernism houses one of the most prestigious collections of its kind. It was in fact assembled at a comparatively late date. In the summer of 1939 — shortly before the outbreak of World War II — Georg Schmidt (1896–1966), the museum’s director at the time, managed to acquire twenty-one avant-garde masterpieces all at once. The works were among those denounced in 1937 by Nazi cultural policy as “degenerate” and forcibly removed from German museums. The Third Reich’s Ministry of Propaganda correctly assumed that a portion of such works would find buyers abroad and bring in foreign currency. In this way certain artworks deemed “internationally exploitable” reached the art market via various channels. [...]
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Inspired by a visit to his birth country in the 1990s, American artist Philip Orenstein (b. 1938) created seven murals about the French complicity in the persecution of Jews in France during World War II. At that time, the French government had not admitted it had taken part in the persecution. The murals have been shown in various galleries and museums in the United States. In 1999, William Zimmer wrote in the New York Times, “Mr. Orenstein’s method involves combining poignancy with the determination that the viewers not miss the story. To this end, Mr. Orenstein skillfully, and wittily, employs the look of today’s splashy graffiti.” The works have not yet been shown in France. Born in Paris, France, in 1938, [...]
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Dorothy Bohm was born Dorothea Israelit in Königsberg, East Prussia (now Kaliningrad, Russia) in 1924 into an assimilated, affluent and cultured Jewish milieu. In 1932 her father chose to move the family to Memel (now Klaipeda) in Lithuania, but following the Nazi occupation of Memelland in March 1939, her parents decided to send their daughter, aged 14, to the safety of England, where she arrived in June 1939. She wasn’t to see her parents and sister again for over twenty years. Image above (appears as detail): Dorothy Bohm, Venice Carnival, 1987 © Dorothy Bohm Archive REGISTER FOR THIS ZOOM EVENT HERE Dorothy Bohm, Self-Portrait, 1942, age 18. © Dorothy Bohm Archive Dorothy Bohm, [...]
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The program features a talk by Lembersky’s granddaughter, Yelena Lembersky, co-author of the recent and highly acclaimed memoir, Like a Drop of Ink in a Downpour: Memories of Soviet Russia. Yelena will be introduced by Georgetown University professor, Ori Z Soltes, who has known her for many years and has written extensively on the work of Felix Lembersky. “We are merely honest people and see what is good and bad, and we cannot be confused.” – Felix Lembersky, Leningrad, the Soviet Union, 1960 Image above: Felix Lembersky, At the Train Station, ca 1960-64. © Felix Lembersky estate REGISTER FOR THIS ZOOM EVENT HERE Felix Lembersky (1913-1970) was a Soviet Jewish painter, teacher, theater sets designer, and an organizer of [...]
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The artistic work of Maria Luiko (1904-1941), born Marie Luise Kohn in Munich, is characterized by an impressive diversity. In addition to drawings, watercolors and oil paintings, she created prints using various printing processes and paper cuts, and designed book illustrations, stage sets and marionettes. Already during her studies at the local Academy of Fine Arts and her training at the School of Applied Arts she was included in exhibitions in the Munich Glass Palace (Münchner Glaspalast). Her career was brutally cut short by the Nazi regime. In 1933 Luiko was expelled from the Reich Association of Fine Artists and was banned from exhibiting. Until 1939 she contributed to the Jewish Cultural Association and the Marionette Theater of [...]
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