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Jewish Artist

May 11, 2021

Through the Prism of Time:
John H. Less (1923-2011)
and His Visual Impressions of
Holocaust Refuge in Shanghai

2022-02-18T05:25:20-05:00May 11th, 2021|, , |Comments Off on Through the Prism of Time:
John H. Less (1923-2011)
and His Visual Impressions of
Holocaust Refuge in Shanghai

Presentation by Steven Less, PhD Senior research fellow emeritus of the Max Planck Institute for Comparative Public Law and International Law and son of the artist in Heidelberg (Germany) and Hannah-Lea Wasserfuhr PhD Candidate at the Center for Jewish Studies in Heidelberg, Heidelberg (Germany) Moderated by Rachel Stern Director and CEO of the Fritz Ascher Society in New York Born in Berlin, John Hans Less (1923 – 2011) fled to Shanghai in September 1940 as a 16-year-old together with his family to escape Nazi persecution. Largely dependent on relief organizations to survive, the Less family soon went through further disruptions when the Japanese occupied the city and later confined Jewish refugees to the Hongkew [...]

May 11, 2021

#EVERYNAMECOUNTS
LIVE ZOOM DATA ENTRY EVENT

2022-02-18T06:42:00-05:00May 11th, 2021|, |Comments Off on #EVERYNAMECOUNTS
LIVE ZOOM DATA ENTRY EVENT

Join the Fort Tryon Jewish Center (FTJC) and the Fritz Ascher Society for a LIVE DATA ENTRY EVENT to help build the world’s largest digital monument to victims of the Holocaust: the Arolsen Archives’ #everynamecounts. THIS EVENT WAS NOT RECORDED. Opening Remarks Rabbi Guy Austrian Fort Tryon Jewish Center in New York Rachel Stern Director and CEO of the Fritz Ascher Society in New York Introduction and Moderation Elizabeth Berkowitz Digital Interpretation Manager of the Fritz Ascher Society in New York #everynamecounts is a crowd-sourced data entry initiative to return the names of Holocaust victims, their families, and details of their lives into the findable, keyword-searchable public record. Participants enter information about Nazi victims and family members from digitized [...]

Mar 4, 2021

Building the Largest Digital Memorial
to the Victims of Nazism:
The Arolsen Archives
with Floriane Azoulay and Giora Zwilling, Arolsen

2022-02-18T06:37:23-05:00March 4th, 2021|, |Comments Off on Building the Largest Digital Memorial
to the Victims of Nazism:
The Arolsen Archives
with Floriane Azoulay and Giora Zwilling, Arolsen

The International Tracing Service (ITS), since 2019 called Arolsen Archives, was established by the Allies in 1948 as a central search and information center. They house the world’s most extensive collection of documents about the victims of National Socialist persecution, including documents from Nazi concentration camps, ghettoes and penal institutions, documents about forced laborers, and documents from the early post-war period about Displaced Persons, mainly Holocaust survivors, former concentration camp prisoners, and forced laborers. People who had fled the sphere of influence of the Soviet Union for political reasons are also included. The archive's holdings consist of 30 million documents in total and belong to UNESCO’s Memory of the World. At this event, Floriane Azoulay (Director) and Giora Zwilling (Deputy [...]

Mar 3, 2021

Oskar Kokoschka (1886-1980):
The Making of an Artist
by Rüdiger Görner, London (UK)

2022-02-18T06:04:58-05:00March 3rd, 2021|, , |Comments Off on Oskar Kokoschka (1886-1980):
The Making of an Artist
by Rüdiger Görner, London (UK)

The Austrian artist Oskar Kokoschka (1886-1980) achieved world fame with his intense expressionistic portraits and landscapes. Rüdiger Görner, author of the first English-language biography, depicts the artist in all his fascinating and contradictory complexity. He traces Kokoschka’s path from bête noire of the bourgeoisie and a so-called ‘hunger artist’ to a wealthy and cosmopolitan political and critical artist who played a major role in shaping the European art scene of the twentieth century and whose relevance is undiminished to this day. In 1934, Kokoschka left Austria for Prague, and in 1938, when the Czechs began to mobilize for the expected invasion by the German Wehrmacht, Kokoschka fled to the United Kingdom, where he remained during the war. Although he [...]

Feb 22, 2021

Becoming Jewish:
The Sculptor Benno Elkan (1877-1960)
Christian Walda, Dortmund with
Wolfgang Weick and Ori Z. Soltes

2022-02-18T07:06:06-05:00February 22nd, 2021|, , |Comments Off on Becoming Jewish:
The Sculptor Benno Elkan (1877-1960)
Christian Walda, Dortmund with
Wolfgang Weick and Ori Z. Soltes

Born 1877 in Dortmund, the sculptor Benno Elkan (1877-1960) first studied painting in Munich and Karlsruhe. At the end of his studies, he turned to sculpture. As a young artist, he spent time in Paris, Rome, and Frankfurt. Elkan’s oeuvre was largely made up of commissions. In the beginning, he mainly created tombs. Medals, portrait busts of well-known personalities, monuments to victims and candelabras follow, partly for the religious (Jewish and Christian) context. Elkan fled persecution by the German Nazi regime to Great Britain in 1934and lived with his family in London until the end of his life. Perhaps the most important work besides the Menorah in Jerusalem (1956) was never built: Memorial to the Defenseless Victims of the Bombing [...]

Feb 17, 2021

Cartoon Crusader:
Arthur Szyk’s War against Nazism
Steven Luckert, Washington DC

2022-02-18T06:31:18-05:00February 17th, 2021|, , |Comments Off on Cartoon Crusader:
Arthur Szyk’s War against Nazism
Steven Luckert, Washington DC

During the first four decades of the twentieth century, Polish Jewish artist Arthur Szyk (1894–1951) was best known for his richly detailed book illustrations and magnificent illuminations on Jewish themes. He portrayed the Jews as a heroic nation that had resisted oppression through the ages and eventually triumphed. His Jews were fighters for their own freedom and the freedom of others. Szyk sought to redefine how the Jews viewed themselves and how others viewed them. His works thus challenged the notion that Jewish history was merely one long saga of suffering and, at the same time, refuted the then common antisemitic canard that the Jews were a cowardly people. With the coming to power in Germany of Adolf Hitler [...]

Mar 23, 2018

FRITZ ASCHER SOCIETY Newsletter #19, March 2018

2018-12-04T11:47:15-05:00March 23rd, 2018|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter #19, March 2018

Dear Friends, I was touched by how many neighbors and friends from near and far came out into the chilly but sunny winter weather on February 21 to celebrate Fritz Ascher and recognize his persecution by the National Socialists by laying a “Stolperstein” (stumbling stone) at Niklasstraße 21/23 in Berlin-Zehlendorf, where his family lived from 1909. Thank you to the anonymous donor for making this event possible, to Dirk Jordan (AG Stolpersteine), Michael Rohrmann (Projekt Stolpersteine) and Wolfgang Ellerbrock for organizing it, to Cornelie von Bismarck for creating a beautiful context, and to Sabine Witt from Museum Charlottenburg-Wilmersdorf in Berlin and Jutta Götzmann from Potsdam Museum for supporting it. A special thank you to the students from Potsdam for reciting [...]

Dec 22, 2017

FRITZ ASCHER SOCIETY Newsletter #17, December 2017

2018-12-04T12:14:23-05:00December 22nd, 2017|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter #17, December 2017

Dear Friends, I am humbled and honored to have received the Lea and Hans Grundig Prize for my work about Fritz Ascher. Right on time for his 125th birthday, the Fritz Ascher retrospective is now open in Berlin and Potsdam, the two places where the artist lived and worked. Museum Charlottenburg-Wilmersdorf in der Villa Oppenheim in Berlin exhibits an overview of the artist’s creative development, with a focus on works that relate to Berlin. We see his sketch of the artist Max Liebermann as well as his love for music and performance in Weimar Republic paintings like “Beethoven” and “Bajazzo and Artists”. After surviving the Nazi terror regime in hiding in the Berlin Grunewald neighborhood, he painted these works over [...]

Dec 21, 2017

FRITZ ASCHER SOCIETY Newsletter #16, October 2017

2018-12-04T12:15:18-05:00December 21st, 2017|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter #16, October 2017

Dear Friends, Today I am excited to share with you some photos of last week’s opening of “Beauteous Strivings: Fritz Ascher, Works on Paper”, which is on view at the New York Studio School daily 10:00am-6:00pm until December 3 (website link). In this exhibition, “powerful emotions seem to lurk just beneath the apparent directness and economy of the tree and flower paintings” of the 1950s and 1960s, observes curator Karen Wilkin in the catalogue that accompanies the exhibition. She continues: “A sense of near-obsession, of ferocious concentration, of focus that excluded everything else, was palpable, made visible in the traces of his rapidly moving hand, driving across the paper, making loops and whorls, and then abruptly changing direction. At the [...]

Oct 25, 2017

2017, March 22 – Matthias Zwarg in Freie Presse

2018-12-04T12:21:16-05:00October 25th, 2017|Select Press Coverage|Comments Off on 2017, March 22 – Matthias Zwarg in Freie Presse

Bilder eines Vereinsamten Das Museum Gunzenhauser erinnert an den kaum bekannten jüdischen Künstler Fritz Ascher: Dessen expressionistisch-symbolistische Bilder sind eine echte Wiederentdeckung wert, denn zwei Weltkriege konnten seine künstlerische Kraft nur schwächen - aber nicht brechen Matthias Zwarg CHEMNITZ - Es gibt ein Porträt von Fritz Ascher aus dem Jahr 1912, gemalt von seinem Freund Eduard Bischoff. Es zeigt einen optimistischen jungen Mann: Anzug, rote Krawatte, frech den Kopf auf den Arm gestützt, lächelt er froh und selbstbewusst dem Betrachter entgegen. Und es gibt ein Selbstporträt von Fritz Ascher aus dem Jahr 1953: Weiss und grau über schwarzer Tusche, Aquarell-Farbtupfer wie Wunden in dem Gesicht, in das so etwas wie die Suche nach Fassung nach dem Entsetzen eingeschrieben ist. Dazwischen [...]

Sep 17, 2017

2017, July 24 – Sven Goldmann in Der Tagesspiegel

2018-12-04T12:26:37-05:00September 17th, 2017|Select Press Coverage|Comments Off on 2017, July 24 – Sven Goldmann in Der Tagesspiegel

Der Gezeichnete Sven Goldmann Gefördert von Max Liebermann, geschätzt wie Grosz, Dix und Heartfield – doch es bedurfte des 125. Hertha-Geburtstages, um dem Maler Fritz Ascher neue Aufmerksamkeit zu verschaffen. Schwarze Tusche und Grafit auf Papier: „Fußball konnte er also auch malen.“ Verena Veldes Augen huschen über den Ausstellungskatalog, „Leben ist Glühn“, Abbildung 37 auf Seite 202. Eine Zeichnung mit sechs kräftigen Burschen in knielangen Hosen. Einer kommt von links mit kräftigem Spreizschritt herangestürmt, zu spät, der Ball befindet sich schon in den Händen des Torhüters, der drückt ihn zugleich zärtlich und energisch an sich. Konzentriertes Schweigen am anderen Ende des Tisches. So sah Fußball vor 100 Jahren aus – gar nicht so viel anders als heute. „Gefällt mir“, sagt [...]

Sep 17, 2017

2017 – Wiebke Hölzer. Fritz Ascher. Biographisch-Bibliographisches Kirchenlexikon (BBKL), vol. 38. Nordhausen: Verlag Traugott Bautz GmbH. pp. 66-71

2018-12-21T06:00:22-05:00September 17th, 2017|Selected Publications|Comments Off on 2017 – Wiebke Hölzer. Fritz Ascher. Biographisch-Bibliographisches Kirchenlexikon (BBKL), vol. 38. Nordhausen: Verlag Traugott Bautz GmbH. pp. 66-71

Wiebke Hölzer. Fritz Ascher. Biographisch-Bibliographisches Kirchenlexikon (BBKL), vol. 38, Nordhausen: Verlag Traugott Bautz GmbH. pp. 66-71 Download PDF Geboren am 17.10.1893 in Berlin, gestorben am 26.03.1970 in Berlin; expressionistischer Maler und Grafiker, Dichter. Er wuchs als Sohn der jüdisch assimilierten Eltern Hugo Ascher (27.7.1859-18.08.1922) und Minna Luise Ascher, geb. Schneider (17.01.1867-17.10.1938) zusammen mit seinen zwei jüngeren Schwestern Charlotte (08.10.1894-06.12.1978) und Margarete (11.06.1897-15.01.1973) auf. 1899 trat Hugo Ascher mit seinen Kindern aus dem Judentum aus und ließ Fritz 1901 evangelisch taufen. Sein Vater war durch die Entwicklung von künstlichem Zahnschmelz zu Wohlstand gekommen und konnte somit Wohnungen in der Friedrichstraße und der Jägerstraße und später den Bau einer Villa in der Niklasstraße in Zehlendorf finanzieren. 1909 besuchte Ascher — durch das [...]

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