Fritz Ascher Gesellschaft

Dec 8, 2020

Helene Klodawsky, Film Director (Canada) and
Sabine Rollberg, Expert of Documentary Film (Germany) discuss
“Undying Love.” Stories of Romance, Marriage and Rebirth in Displaced Persons’ Camps

2022-02-18T05:51:58-05:00December 8th, 2020|, |Comments Off on Helene Klodawsky, Film Director (Canada) and
Sabine Rollberg, Expert of Documentary Film (Germany) discuss
“Undying Love.” Stories of Romance, Marriage and Rebirth in Displaced Persons’ Camps

This exclusive program features two award winners: Helene Klodawsky, Independent Filmmaker, Writer and Director of "Undying Love", Montreal (Canada) in conversation with Sabine Rollberg, Professor of Artistic Television Formats, Film and Television, Freiburg (Germany) Moderated by Rachel Stern, Director of the Fritz Ascher Society, New York (USA) Undying Love tells the poignant, enduring, and miraculous love stories of the survivors of World War II. Against the brutalized landscape of post-war Europe, this film focuses on how survivors struggled to reconstruct personal identities and forge intimate relationships. Using searing testimonies, poetic dramatizations, archives and images of romantic love from the pre- and post-Holocaust era, Undying Love is a textured retelling of several extraordinary love stories which emerged “out [...]

Dec 3, 2020

Excluded and yet entangled in two dictatorships:
The political constructivist Oskar Nerlinger
Eckhart Gillen, Berlin

2022-02-18T07:13:15-05:00December 3rd, 2020|, , |Comments Off on Excluded and yet entangled in two dictatorships:
The political constructivist Oskar Nerlinger
Eckhart Gillen, Berlin

Oskar Nerlinger (1893-1969) was one of the most important artists of the committed art scene in the Weimar Republic. He was a member of the Association of Proletarian Revolutionary Art (ASSO for short), which was founded in 1928 and belonged to the KPD, which cooperated with the Soviet avant-garde artist group Oktober. At that time there was no conflict between positions of aesthetic modernism and KPD politics. In 1932 the political and artistic avant-garde in the Soviet Union fell apart, with serious consequences for left-wing artists in Germany. Almost at the same time, the Nazi system broke with all forms of modernity. With his idea of art suddenly doubly isolated within his own party, which followed Stalin's art verdict, [...]

Dec 2, 2020

Biala (1903-2000):
The Rash Acts of Rescue and Escape
Jason Andrew, New York

2021-01-11T06:14:12-05:00December 2nd, 2020|, , |Comments Off on Biala (1903-2000):
The Rash Acts of Rescue and Escape
Jason Andrew, New York

WATCH THE RECORDING OF THIS EVENT HERE. More information about Janice Biala is available HERE. Lecture featuring Jason Andrew Independent Scholar, Curator and Producer in New York Introduced by Rachel Stern Executive Director of the Fritz Ascher Society in New York Biala (1903-2000) was a Polish born American painter whose career stretched over eight decades and spanned two continents. Through it all, she retained an intimacy in her art rooted in Old World Europe—sensibilities that began with memories of her childhood in a Polish village, shaped by School of Paris painters like Bonnard, Matisse and Braque, inspired by Velázquez and the Spanish Masters, and broadened by the community of loft-living artists in Post World War II Downtown New York. Her [...]

Nov 23, 2020

FRITZ ASCHER SOCIETY Newsletter December 2020

2020-12-01T06:51:39-05:00November 23rd, 2020|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter December 2020

Dear Friends, With Thanksgiving upon us, we announce our last events for 2020:  Kitra Cahana, The Cult of Maria Lionza: Fire, 2009. ©Kitra Cahana "A subject passes through me," explains Kitra Cahana. Here, a man who has taken on an Indian spirit and therefore has the power to touch fire, jumps through a fire pit without even flinching on October 12, 2009 during the Baile en Candela - "The Fire Dance" at the entrance to Sorte mountain in Venezuela. On the eve of the 12th of October every year The Fire Dance takes place on the mountain, wherein Maria Lionza practitioners will dress up as Indians take on [...]

Nov 1, 2020

FRITZ ASCHER SOCIETY Newsletter November 2020

2020-11-23T23:33:37-05:00November 1st, 2020|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter November 2020

Dear Friends, First of all, IF YOU ARE AN US CITIZEN, PLEASE VOTE! John Heartfield, Krieg und Leichen – Die letzte Hoffnung der Reichen, Montagefotografie für die Arbeiter-Illustrierten-Zeitung, 1932, Nr. 18, Silbergelatineabzug, kaschiert Akademie der Künste, Berlin,  Inv.Nr. JH 1955 © The Heartfield Community of Heirs / VG Bild-Kunst, Bonn 2020 This will be an extremely busy month at FAS, starting on November 4, 2020 at 12:00pm ET with Rosa von der Schulenburg’s lecture “About John Heartfield’s Political Engagement and Private Life in London”, which is part of our monthly zoom series “Fight or Flight. stories of artists under repression,” generously funded by Allianz Partners. (SEE EVENT HERE) John [...]

Oct 28, 2020

Legacy And Creativity:
The Filmmaking and Photography of Kitra Cahana
In Conversation with Ori Z Soltes

2020-11-25T16:10:20-05:00October 28th, 2020|, , |Comments Off on Legacy And Creativity:
The Filmmaking and Photography of Kitra Cahana
In Conversation with Ori Z Soltes

WATCH THE RECORDING OF THIS EVENT HERE. Conversation featuring Kitra Cahana, Documentary Photographer, Videographer and Photo/Video Artist and Ori Z Soltes, Teaching Professor at Georgetown University in Washington DC Introduced by Rachel Stern, Executive Director of The Fritz Ascher Society in New York NY Kitra Cahana's award winning work ranges from photographic studies of American Teens for National Geographic Magazine to documentaries on the annual life-saving dance competition in a small town in northern Canada. She is renowned for work that consistently reflects a deep sense of empathy with her subjects. Her grandmother was a teen-aged Holocaust survivor who became an intense and powerful painter. Her father, a rabbi and a poet, was severely disabled by a stroke at the [...]

Oct 27, 2020

Immortality, Memory, Creativity, and Survival:
The Arts of Alice Lok Cahana,
Ronnie Cahana, and Kitra Cahana
Lecture by Ori Z Soltes, Washington DC

2020-11-18T14:34:57-05:00October 27th, 2020|, , |Comments Off on Immortality, Memory, Creativity, and Survival:
The Arts of Alice Lok Cahana,
Ronnie Cahana, and Kitra Cahana
Lecture by Ori Z Soltes, Washington DC

WATCH THE RECORDING OF THIS EVENT HERE. Lecture featuring Ori Z Soltes, Teaching Professor at Georgetown University in Washington DC Moderated by Rachel Stern, Executive Director of the Fritz Ascher Society in New York This lecture explores several interlocking themes. The work of three artists, each in a different medium—Alice was primarily a painter, Ronnie is a poet, and Kitra is a well-recognized photographer and filmmaker—will be presented and explored with regard to both aesthetic and conceptual intentions and outcomes. Since these three artists represent three generations from within one family, the question of how that familial relationship does or does not impinge on the artistic output will be explored. Inevitably, the fact that the first of the three was a [...]

Oct 18, 2020

“Trauma, Memory and Art”
An interdisciplinary virtual conference
with Ori Z. Soltes, Larry R. Squire,
Natan P.F. Kellermann and Eva Fogelman

2020-11-12T11:42:45-05:00October 18th, 2020|, , |Comments Off on “Trauma, Memory and Art”
An interdisciplinary virtual conference
with Ori Z. Soltes, Larry R. Squire,
Natan P.F. Kellermann and Eva Fogelman

WATCH THE RECORDING OF THIS EVENT HERE. In this interdisciplinary conference, four experts discuss the transmission of Holocaust trauma and memory against the backdrop of art. The starting point of the discussion is the art of Holocaust survivor Alice Lok Cahana and how artistic sensibilities, traumatic memory—and a sense of obligation to improve the world—have been expressed through three generations of her family—both in who her children and grandchildren are and in how they express themselves artistically. The discussion will amplify this layered issue from other angles: what have recent biological and psychological investigations offered, regarding what memory is and how it works, if and how trauma can be carried in the DNA—and the implications of all of this for [...]

Oct 14, 2020

FRITZ ASCHER SOCIETY Newsletter #36, October 2020

2020-11-24T20:14:35-05:00October 14th, 2020|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter #36, October 2020

Dear Friends, On October 17 we celebrate Fritz Ascher’s birthday - this year with the launch of DigiFAS - diverse, innovative digital initiatives that provide new ways of engagement with the art and life of artists persecuted by an authoritarian regime. DigiFAS is generously sponsored by Allianz Partners. This launch includes the Society’s first-ever fully digital exhibition “Fritz Ascher: Themes and Variations.” You can explore the exhibition HERE. We have worked on this for months and can’t wait for your reactions! We also invite you to participate in the 2- week digital engagement project “Send in the Clowns,” which explores the clown as a figure between tragedy and comedy, between self- identification [...]

Sep 30, 2020

Twitterview @Ascher_Society
Giora Seeliger
“Ask A Healthcare Clown!”

2020-11-02T20:09:58-05:00September 30th, 2020|, , |Comments Off on Twitterview @Ascher_Society
Giora Seeliger
“Ask A Healthcare Clown!”

Twitter @Ascher_Society Giora Seeliger, Artistic Director and Founder of Red Noses Clowndoctors International, takes over the FAS Twitter account to answer your burning questions about clowning, the role of a healthcare clown, and anything else that comes to mind! Submit your questions in advance by writing to info@fritzaschersociety.org Part of "Send in the Clowns," an interactive two-week digital initiative, which explores the clown as a figure between tragedy and comedy, between self- identification and stage--a character designed to (literally) mask the performer’s true feelings behind a facade of happiness. “Send in the Clowns” uses the prominence of the “clown” figure in Fritz Ascher’s work as a lens through which to explore the duality of the clown both historically and today. [...]

Sep 30, 2020

“The Hospital Clown: Between Joy and Sadness”
Roundtable featuring
Giora Seeliger, Harry Page, Ed Stephan
Moderated by Elizabeth Berkowitz

2020-10-28T14:24:47-04:00September 30th, 2020|, , |Comments Off on “The Hospital Clown: Between Joy and Sadness”
Roundtable featuring
Giora Seeliger, Harry Page, Ed Stephan
Moderated by Elizabeth Berkowitz

Watch the recording of this event HERE. Roundtable featuring Giora Seeliger Artistic Director and Founder of the Red Noses Clowndoctors International Harry Page “Flash” the Clown Ed Stephan “Dumbbell” the Clown Moderated by Elizabeth Berkowitz Art Historian and Digital Interpretation Manager, The Fritz Ascher Society in New York One of the more appealing aspects of the clown subject to artists like Fritz Ascher was the divide between a public persona committed to joy and happiness, and the pain or sadness that might lurk beneath the real, human surface. Hospital or healthcare clowns straddle this divide every day of their professional lives—working to bring happiness to child patients who are often in circumstances that might otherwise inspire grief or pain. This [...]

Sep 30, 2020

White Shadows:
The Photograms of Anneliese Hager (1904-1997)
Lynette Roth, Harvard Art Museums

2022-03-06T11:39:32-05:00September 30th, 2020|, , |Comments Off on White Shadows:
The Photograms of Anneliese Hager (1904-1997)
Lynette Roth, Harvard Art Museums

Lecture by Lynette Roth Daimler Curator of the Busch-Reisinger Museum and Head of the Division of Modern and Contemporary Art at the Harvard Art Museums Moderated by Rachel Stern Executive Director of the Fritz Ascher Society in New York Anneliese Hager (1904-1997) is one of a number of modern artists who began their artistic experimentation in Germany after National Socialist cultural policy began to harden against all forms of modern art. Her preferred medium was the photogram, a photographic image made by placing an object directly on (or in close proximity to) a light-sensitive surface and exposing it to light. Hager called the reversal of light and dark in the resulting contact print “white shadows.” [...]