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refugee artist

Feb 2, 2024

„I’m always on the go…” –
The painter Franz Domscheit / Pranas Domšaitis (1880-1965)
Lecture by Jan Rüttinger, Lüneburg (Germany)

2024-02-28T14:34:35-05:00February 2nd, 2024|, , |Comments Off on „I’m always on the go…” –
The painter Franz Domscheit / Pranas Domšaitis (1880-1965)
Lecture by Jan Rüttinger, Lüneburg (Germany)

Searching, wandering, not arriving - this is how the person and art of Franz Domscheit/Pranas Domšaitis can be characterized. Born into a German-Lithuanian family as the son of a farmer and innkeeper, it was primarily his Lithuanian origins that interested him. The early landscape and cultural impressions of his homeland, Prussian-Lithuania, at the interface of German and Lithuanian culture, shaped his work throughout his life. Landscape is one of the painter's main themes, who is primarily perceived as an expressionist. Image above: Franz Domscheit, Two Peasant Women, 1930s. Oil on canvas. Copyright National Lithuanian Art Museum. Trained at the Königsberg Art Academy by Ludwig Dettmann, among others, Domscheit then moved out into the world. Berlin, [...]

Feb 1, 2024

The Art of Marc Klionsky:
Shaping a Three-World Condition from Minsk to New York
Lecture by Ori Z Soltes and conversation with daughter Nadia Klionsky

2024-02-14T15:19:09-05:00February 1st, 2024|, , |Comments Off on The Art of Marc Klionsky:
Shaping a Three-World Condition from Minsk to New York
Lecture by Ori Z Soltes and conversation with daughter Nadia Klionsky

In this program Georgetown University professor and author, Ori Z Soltes, explores Marc Klionsky's life and work, in part through conversation with his daughter, the scholar and artist, Nadia Klionsky. Image above: Marc Klionsky, Dizzie Gillespie: The Man and his Trumpet, 1988. Oil on canvas, 52 x 66 inches. National Portrait Gallery, Washington, DC. This exciting program features the paintings of Marc Klionsky (1927–2017). Born in the Soviet Union, Klionsky managed to navigate what has been called a “two-world condition”—creating the particularized Soviet Socialist Realist work that was acceptable to the Stalinist and post-Stalinist State while allowing his soul to reveal itself in work that only a very few trusted viewers might see. As [...]

Oct 23, 2023

Peter László Péri (1899-1967).
A Hungarian-born Artist in Berlin and London
Lecture by Arie Hartog, Bremen (Germany)

2023-11-15T13:37:29-05:00October 23rd, 2023|, , |Comments Off on Peter László Péri (1899-1967).
A Hungarian-born Artist in Berlin and London
Lecture by Arie Hartog, Bremen (Germany)

In this talk, Arie Hartog, director of the Gerhard-Marcks-Haus in Bremen, Germany, draws attention to a sculptor who contradicts the common narrative of modern art in the 20th century. Péri began as a constructivist and ended as a figurative artist. Yet he was not an academic traditional sculptor. Introductory remarks by Lilla Farkas, Cultural attaché at the Liszt Institute of the Consulate General of Hungary in New York. Image above: Peter László Péri, Sadness, 1938–1945, pigmented and painted concrete, 52 × 40 × 60 cm. Photo: Jake Wallters © Peter László Péri Estate, London Peter László Péri was born Ladislas Weisz in Budapest in 1889. Peri became the Hungarianized family name in 1918. In 1919, he [...]

Oct 9, 2023

Horst Eisfelder (1925-2023):
Diasporic Life in Shanghai’s State of Exception
Lecture by Dr Noit Banai, Hong Kong
and Dr Anna Hirsh, Melbourne

2023-11-08T20:46:18-05:00October 9th, 2023|, , |Comments Off on Horst Eisfelder (1925-2023):
Diasporic Life in Shanghai’s State of Exception
Lecture by Dr Noit Banai, Hong Kong
and Dr Anna Hirsh, Melbourne

Lecture by Dr Noit Banai and Dr Anna Hirsh, followed by Q&A with Rodney Eisfelder, son of Horst Eisfelder. Image above: Horst Eisfelder. Street scene in the Shanghai Ghetto, Shanghai, China, circa 1945. Black and white photograph. Copyright: Horst Eisfelder estate After fleeing Berlin a few weeks before Kristallnacht and arriving in Shanghai with his family in late November 1938, Horst Eisfelder (1925-2023) became one of the most prolific photographers of the ‘Shanghai Ghetto’ before emigrating to Australia in May 1947. Embedded within the history and theory of photography, this presentation considers his images of the city of Shanghai as well as the Designated Area for Stateless Refugees as vital representations through which to understand [...]

Sep 29, 2023

Eva Zeisel, Designer Extraordinaire
Lecture by daughter Jean Richards, New York

2023-10-25T13:56:11-04:00September 29th, 2023|, , |Comments Off on Eva Zeisel, Designer Extraordinaire
Lecture by daughter Jean Richards, New York

Eva Zeisel (born Éva Amália Striker, Budapest 1906 –2011 New City, New York) was one of the most important designers of the 20th century. She believed that beautiful things make people happy. Although she was known for her ceramic tableware, she also designed in glass, wood, plastic and metal. Her designs are in major museums around the world, including the Metropolitan Museum, the British Museum and MoMA, where she had the first one woman show in 1946. Lecture by Eva’s daughter Jean Richards. Image above: Eva Zeisel, Red Wing Pottery pieces from "Town and Country" collection. Glazed earthenware, ca. 1945. CC BY 4.0 Photograph of a young Eva Zeisel. © Eva [...]

Sep 1, 2023

Art for the Millions:
American Culture and Politics in the 1930s
Lecture by Allison Rudnick, New York

2023-09-27T14:24:53-04:00September 1st, 2023|, , |Comments Off on Art for the Millions:
American Culture and Politics in the 1930s
Lecture by Allison Rudnick, New York

The 1930s was a decade of political and social upheaval in the United States, and the art and visual culture of the time reflected the unsettled environment. Americans searched for their cultural identity during the Great Depression, a period marked by divisive politics, threats to democracy, and intensified social activism, including a powerful labor movement. The exhibition with the same title, on view at The Metropolitan Museum of Art New York until December 10, 2023, features more than 100 works from the collection and several lenders, and explores how artists expressed political messages and ideologies through a range of media, from paintings, sculptures, prints, and photographs to film, dance, decorative arts, fashion, and ephemera. Highlights include paintings by Georgia [...]

Aug 31, 2023

From Émigré to Englishman: Fred Uhlman, ‘Painter of Dreams’
Lecture by Dr. Nicola Baird, London

2023-09-13T13:30:35-04:00August 31st, 2023|, , |Comments Off on From Émigré to Englishman: Fred Uhlman, ‘Painter of Dreams’
Lecture by Dr. Nicola Baird, London

Manfred [Fred] Uhlman was born on 19th January 1901 in Stuttgart, Germany, the eldest child of Ludwig Uhlman (1869–c.1943), a textile merchant, and his wife, Johanna Grombacher (1879–c.1943), both of whom were later to perish at Theresienstadt concentration camp. He studied law at the Universities of Freiburg, Munich, and Tübingen, graduating with a doctorate in 1923. In 1927 he joined the Social Democrat Party, becoming its official legal representative in 1932. Image above: Fred Uhlman, Still Life with African Figures, oil on canvas, Hatton Gallery, © the artist's estate / Bridgeman Images. Photo credit: Hatton Gallery In March 1933, after a warning that his arrest was imminent because of his political affiliations, he fled [...]

Aug 23, 2023

Samson Schames: Fragments of Exile
Lecture by Annika Friedman, Frankfurt

2023-12-15T11:28:36-05:00August 23rd, 2023|, , |Comments Off on Samson Schames: Fragments of Exile
Lecture by Annika Friedman, Frankfurt

This event is sponsored by Ilona Oltuski in memory of Ruth Drory. Image above: Samson Schames, Kindling of the Lights, c. 1956. Glass tiles on glass, 56 x 71 cm. Jewish Museum Frankfurt Samson Schames (1898-1967) came from a long-established Jewish family in Frankfurt am Main. With the support of his uncle, renowned gallery owner Ludwig Schames, he made his way into the 1920s art scene and began his training as a painter, graphic artist, and stage designer. Schames’ designs, drawings, and oil paintings from the period up to 1933 testify to his deep connection to Frankfurt and her landscapes. Samson Schames, Opernplatz Frankfurt, 1930. Jewish Museum Frankfurt [...]

Jul 26, 2023

THE ISLAND OF EXTRAORDINARY CAPTIVES
Book Talk by author Simon Parkin, London

2023-08-23T14:13:45-04:00July 26th, 2023|, , |Comments Off on THE ISLAND OF EXTRAORDINARY CAPTIVES
Book Talk by author Simon Parkin, London

In May 1940, faced with a country gripped by paranoia, Britain’s Prime Minister Winston Churchill ordered the internment of all German and Austrian citizens living in the country. Most were refugees who had come to the country to escape Nazi oppression. They were now imprisoned by the country in which they had staked their trust. More than 1,200 men were taken to Hutchinson camp, on the Isle of Man, which a group of world-renowned artists, musicians and academics turned into history’s most extraordinary prison camp. This is a story of a battle between fear and compassion at a time of national crisis that reveals how Britain’s treatment of refugees during the Second World War led to one of the [...]

Jun 7, 2022

Death and Immortality:
The Gentle Power of Hans von Trotha’s “Pollak’s Arm”
Hans von Trotha and Ori Z Soltes in conversation

2022-08-25T13:01:20-04:00June 7th, 2022|, , |Comments Off on Death and Immortality:
The Gentle Power of Hans von Trotha’s “Pollak’s Arm”
Hans von Trotha and Ori Z Soltes in conversation

Ludwig Pollak (Prague 1868-1943 Auschwitz) was an extraordinary connoisseur of antiquities--an Austro-Hungarian Jew whose path into academia was impeded by his religion, but who settled in Rome, where he carved out a unique place for himself as an expert in recognizing, understanding, and organizing great works of art. It was he who shaped and articulated the magnificent collections of JP Morgan. Of perhaps even greater consequence, his astute eye saw a sculpted fragment of an arm in a flea market that, he deduced, was the limb missing from the spectacular Hellenistic-Roman sculptural group known as Laocoon. He gifted that arm fragment to the Vatican so that it might complete the work that occupied an important place within [...]

May 19, 2022

Ludwig and Else Meidner.
An Artist Couple Exiled in London
Lecture by Erik Riedel, Frankfurt/Main (Germany)

2022-08-03T14:52:23-04:00May 19th, 2022|, , |Comments Off on Ludwig and Else Meidner.
An Artist Couple Exiled in London
Lecture by Erik Riedel, Frankfurt/Main (Germany)

When Ludwig and Else Meidner met in 1925, he was already an established artist well-known for his so-called Apocalyptic Landscapes. Although Else started as Ludwig’s student, she developed a distinct independent style and he always praised her art as more refined than his own “coarse” works. As Else Meidner slowly gained recognition in Berlin art circles, her career was abruptly cut short by the Nazi-regime in 1933. She moved to Cologne with her husband in 1935; and they emigrated to England in 1939 only a few weeks before the war started. In London both lived largely unnoticed by the English art scene. But while Ludwig frustratedly returned to Germany, she decided to stay in England. Their complicated relationship developed from [...]

Apr 26, 2022

FRITZ ASCHER SOCIETY Newsletter May 2022

2022-04-28T09:33:15-04:00April 26th, 2022|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter May 2022

Dear Friends, Thursday is Yom HaShoah - Holocaust Memorial Day. In January, we invited you to actively commemorate victims of National Socialism by contributing to the Arolsen Archive’s digital memorial #EVERYNAMECOUNTS. I know that some of you found the project so meaningful that you are still donating your time to it. Right now, you can choose to enter data of documents from Buchenwald, Flossenbürg or Dachau: PARTICIPATE HERE This Thursday, I invite all to donate time to help build this important digital memorial. On our website you find further information about the project and our partnership with the Arolsen Archive: https://fritzaschersociety.org/digifas/everynamecounts/ And please share your experience with us! In May, we turn to the experience of [...]

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