painting Archives - Page 5 of 5 - Fritz Ascher Society

Feb 25, 2021

FRITZ ASCHER SOCIETY Newsletter February 2021

Rachel Stern2021-02-25T20:35:24-05:00February 25th, 2021|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter February 2021

Dear Friends, Did you ever wonder who created the large Menorah that is standing in front of the Knesset in Jerusalem? We’ll bring the story to your screen, on Wednesday, March 3, 2021, at 12:00pm US ET! Christian Walda (Dortmund, Germany) will speak about “Becoming Jewish: The Sculptor Benno Elkan (1877-1960),” followed by focused presentations by Wolfgang E. Weick (Dortmund) and Ori Z. Soltes (Washington DC). Please register for this Zoom event HERE. Benno Elkan, Menorah, 1956. Knesset, Jerusalem The oeuvre of the German born sculptor was largely made up of commissions. In the beginning, he mainly created tombs. Medals, portrait busts of well-known personalities, monuments to victims and [...]

Feb 24, 2021

2020 – Rachel Stern (Ed.)
Fritz Ascher. Poesiealbum 357

Rachel Stern2021-02-24T05:40:28-05:00February 24th, 2021|Selected Publications|Comments Off on 2020 – Rachel Stern (Ed.)
Fritz Ascher. Poesiealbum 357

Ascher composed, wrote, drew and painted: Between 1942 and 45 - three long years - he hid from the persecution of the fascists in the basement of a bombed-out house in Berlin-Grunewald. Immobility, loneliness and hunger as well as the fear of betrayal and discovery, torture and death did not leave him during this time. In this situation he found poignant words for his “unpainted pictures”. He conveys both the intensity of his thought processes and his sensitivity for - and his use of - words as well as their nuances and sound patterns. Above all, he demonstrates the indomitable spirit of the artist Fritz Ascher, which no circumstance, regardless of the medium, can prevent from creating with vehement and [...]

Feb 24, 2021

2020 – Rachel Stern and Julia Diekmann (Ed.)
Der Vereinsamte. Clowns in der Kunst
Fritz Aschers (1893-1970)

Rachel Stern2021-02-24T04:27:46-05:00February 24th, 2021|Selected Publications|Comments Off on 2020 – Rachel Stern and Julia Diekmann (Ed.)
Der Vereinsamte. Clowns in der Kunst
Fritz Aschers (1893-1970)

For Fritz Ascher, the ambivalence of the clown as an outsider in society was a central motive. Fritz Ascher found his Bajazzo motif during the First World War, a time of political, societal and social upheaval. In her introduction to this catalog, Rachel Stern traces Ascher's world as well as his artistic development and illuminates the further life of the persecuted and ostracized artist through the horrors of the Nazi regime. In the catalog essays, the authors Jutta Götzmann and Ori Z. Soltes highlight Fritz Ascher's Bajazzo works in a focused way. In addition to Ascher's Bajazzo works, the catalog also includes depictions of landscapes created after 1945, which clearly show the personal and artistic break through experiencing persecution, ostracism by [...]

Jan 10, 2021

FRITZ ASCHER SOCIETY Newsletter January 2021

Rachel Stern2021-02-24T05:46:01-05:00January 10th, 2021|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter January 2021

Dear Friends, Please join us, the Museum of Jewish Heritage and the German Consulate General in New York TOMORROW, January 19 at 2:00pm ET for a stirring performance of Carolyn Enger’s Mischlinge Exposé, which will be live streamed from Edmond J. Safra Hall. The performance will be followed by a discussion. Registration link for the livestream HERE. Carolyn Enger is a pianist based in the greater New York City area, with roots reaching back to Breslau, now Wroclaw, Poland. Her “Mischlinge Exposé” brings to light the stories of Mischlinge—a derogatory term used by the Nazis to describe people with both Jewish and Aryan ancestry—like her father and godmother, interwoven [...]

Jan 1, 2021

FRITZ ASCHER SOCIETY New Year Newsletter

Rachel Stern2021-02-24T05:44:07-05:00January 1st, 2021|Newsletter|Comments Off on FRITZ ASCHER SOCIETY New Year Newsletter

Dear Friends, Thank You For Your Support! When our exhibitions were prematurely closed, we created virtual spaces to get together for lectures and discussions, digital projects and conferences. Thanks to your support, our community grew globally. But this past year has been financially hard for us. If you can, please consider a tax deductible DONATION (https://fritzaschersociety.org/donate/) to the Fritz Ascher Society. The mailing of our new book publication has started. If you are interested in details about ordering a copy, please email fritzaschersociety@gmail.com. (Sorry, US and Canada only) We are very excited about this interdisciplinary volume, which explores the painting of Alice Lok Cahana, a survivor of three [...]

Dec 16, 2020

FRITZ ASCHER SOCIETY Newsletter Year End 2020

Rachel Stern2020-12-16T12:52:26-05:00December 16th, 2020|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter Year End 2020

Dear Friends, I HAVE to let you know before 2020 ends: The book is out! We are very excited about this interdisciplinary volume, which explores the painting of Alice Lok Cahana, a survivor of three Holocaust concentration camps; the poetry of her son, Ronnie Cahana; and the photography and award-winning filmmaking of her granddaughter, Kitra Cahana. It places that layered narrative within the context of art, the biology of memory, and the physiological and psychological question of how both creativity and intense trauma can be transmitted from one generation to the next. The book is generously sponsored by the Consulate General of the Federal Republic of Germany in New [...]

Nov 23, 2020

FRITZ ASCHER SOCIETY Newsletter December 2020

Rachel Stern2020-12-01T06:51:39-05:00November 23rd, 2020|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter December 2020

Dear Friends, With Thanksgiving upon us, we announce our last events for 2020: Kitra Cahana, The Cult of Maria Lionza: Fire, 2009. ©Kitra Cahana "A subject passes through me," explains Kitra Cahana. Here, a man who has taken on an Indian spirit and therefore has the power to touch fire, jumps through a fire pit without even flinching on October 12, 2009 during the Baile en Candela - "The Fire Dance" at the entrance to Sorte mountain in Venezuela. On the eve of the 12th of October every year The Fire Dance takes place on the mountain, wherein Maria Lionza practitioners will dress up as Indians take on [...]

Nov 1, 2020

FRITZ ASCHER SOCIETY Newsletter November 2020

Rachel Stern2020-11-23T23:33:37-05:00November 1st, 2020|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter November 2020

Dear Friends, First of all, IF YOU ARE AN US CITIZEN, PLEASE VOTE! John Heartfield, Krieg und Leichen – Die letzte Hoffnung der Reichen, Montagefotografie für die Arbeiter-Illustrierten-Zeitung, 1932, Nr. 18, Silbergelatineabzug, kaschiert Akademie der Künste, Berlin, Inv.Nr. JH 1955 © The Heartfield Community of Heirs / VG Bild-Kunst, Bonn 2020 This will be an extremely busy month at FAS, starting on November 4, 2020 at 12:00pm ET with Rosa von der Schulenburg’s lecture “About John Heartfield’s Political Engagement and Private Life in London”, which is part of our monthly zoom series “Fight or Flight. stories of artists under repression,” generously funded by Allianz Partners. (SEE EVENT HERE) John [...]

May 19, 2016

Fritz Ascher Society for Persecuted, Ostracized and Banned Art

Newsletter #6, May 2016

Rachel Stern2018-12-04T12:44:40-05:00May 19th, 2016|Newsletter|Comments Off on Fritz Ascher Society for Persecuted, Ostracized and Banned Art

Newsletter #6, May 2016

Dear Friends, As we are drawn to spend more time outside in the lovely spring weather, this newsletter is all about Fritz Ascher’s late landscapes that became the focus of his work after 1945. Trees, late 1950s ©Bianca Stock, Munich Frank Auerbach, Mornington Crescent Looking South, 1997 ©Frank Auerbach, courtesy Marlborough Fine Art In dozens and dozens of intense paintings and gouaches intoxicated with color, Ascher turns to nature painting in the broadest sense. Among them are landscapes, woodland scenes, portraits of individual trees, groups of trees, all inspired by hours of walking in the nearby Grunewald. In his catalogue essay accompanying the upcoming Fritz Ascher retrospective, Eckhart Gillen relates the aesthetic practice and behavior of the two painters Fritz [...]