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German art

Aug 10, 2019

Bus Tour with Three Stops: Between Utopia and Exile.
Architecture, Painting and Film in Potsdam around 1930
Nikolaisaal, Potsdam (Germany)

2020-03-03T07:55:35-05:00August 10th, 2019|, |Comments Off on Bus Tour with Three Stops: Between Utopia and Exile.
Architecture, Painting and Film in Potsdam around 1930
Nikolaisaal, Potsdam (Germany)

ZWISCHEN UTOPIE UND EXIL ARCHITEKTUR, MALEREI UND FILM IM POTSDAM UM 1930 Eine musikalische Zeitreise mit dem Bus in drei Etappen Auf dieser Bustour wird das Potsdam am Ende der Weimarer Republik wieder lebendig. Lassen Sie sich überraschen von der Vielfalt der modernen Architektur und den faszinierenden Kunstwerken jener Zeit, oft gespiegelt in den wechselvollen Lebenswegen ihrer Schöpfer. Zum Abschluss der Exkursion sind im selten zugänglichen Studio des Filmorchester Babelsberg die großen Hits der UFA-Zeit ebenso zu erleben wie die spannenden Geschichten ihrer Entstehung. 10.30 Uhr Musikalischer Auftakt im Nikolaisaal Matthew Rubenstein, Klavier 11.00 Uhr Erste Etappe Die Architektur der Potsdamer Moderne (Rundfahrt mit Stopps u.a. am Luftschiffhafen) Referentin: Prof. Karin Flegel, Urania Potsdam 12.30 Uhr Intermezzo: Mittagessen im Kongresshotel [...]

Jun 17, 2019

2019, January 23 – Arielle Budick in Financial Times, p. 6

2019-06-17T11:54:24-04:00June 17th, 2019|Select Press Coverage|Comments Off on 2019, January 23 – Arielle Budick in Financial Times, p. 6

"Sustained by art through the darkness. Fritz Ascher’s work, now on show in New York, reflects his reclusive, obsessive nature and his turbulent life.” (scroll down for translation into German) Fritz Ascher's "Sunflower", c. 1958.  ©Bianca Stock You have probably never heard of Fritz Ascher, a passionate and peculiar painter who, nearly 40 years after his death, is finally getting a smidgen of renown at New York’s Grey Art Gallery. Ascher belonged to a generation of German artists the Nazis hounded into hiding – or worse – leaving a chapter in the history of art truncated and brimming with might-have-beens. He was lucky enough to survive, though the war’s after-effects kept shuddering [...]

Jun 7, 2019

FRITZ ASCHER SOCIETY Newsletter #27, June 2019

2019-06-07T08:01:34-04:00June 7th, 2019|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter #27, June 2019

Dear Friends, I hope you all were able to see “Fritz Ascher, Expressionist” at NYU’s Grey Art Gallery that closed on April 6. Thanks to director Lynn Gumpert and her fabulous team, the exhibition looked great and was complemented by an engaging program. The show was well received, both by visitors and critics. In the meantime, most reviews are translated into German here. If you were not able to visit in person, you can see photos on our website here. The exhibition was part of Wunderbar Together: The Year of German-American Friendship 2018/19, an initiative of the Federal Foreign Office of Germany and the Goethe-Institut, with the support of the Federation of German Industries (BDI).  “Fritz Ascher, Expressionist” at Grey [...]

Mar 26, 2019

2019, March 1 – Channel Thirteen, NYC-ARTS

2019-03-26T08:33:22-04:00March 26th, 2019|Select Press Coverage|Comments Off on 2019, March 1 – Channel Thirteen, NYC-ARTS

NYC-ARTS News: February 28 – March 7 Televised news segment about Fritz Ascher: Expressionist on Channel Thirteen’s NYC-ARTS program. Arts news highlights: “Half the Picture: A Feminist Look at the Collection” at Brooklyn Museum; “Ajijaak on Turtle Island” at The New Victory Theater; “Fritz Ascher: Expressionist” at Grey Art Gallery; “One. One & One” at Baryshnikov Arts Center. AIRED: 3/1/2019 | 0:07:01 Watch Video

Mar 26, 2019

2019, March 18 – Art With Hillary – Part II

2019-03-26T08:09:16-04:00March 26th, 2019|Select Press Coverage|Comments Off on 2019, March 18 – Art With Hillary – Part II

"What If? The Life And Work of Fritz Ascher Part II"  http://artwithhillary.blogspot.com (scroll down for translation into German) Fritz Ascher (1893 - 1970), Untergehende Sonne (Sunset), c. 1960, oil on canvas, 49.2 × 50 in. ( 125 × 126 cm) Private collection. Photo: Malcolm Varon. © Bianca Stock This is Part II of the blog post on the exhibition Fritz Ascher: Expressionist at New York University's Grey Art Gallery.  Please see ArtWithHillary, February 2019 for Part I. From 1942 until the end of the war in 1945, Fritz Ascher (1893 - 1970) was hidden from the Nazis by Martha Grassman (1881 - 1971).  Her home was in Grunewald, a famous forest area of Berlin noted for its pine and oak trees.  In [...]

Mar 25, 2019

2019, February 28 – Art With Hillary – Part I

2019-03-26T08:08:38-04:00March 25th, 2019|Select Press Coverage|Comments Off on 2019, February 28 – Art With Hillary – Part I

"What If? The Life And Work of Fritz Ascher Part I" http://artwithhillary.blogspot.com (scroll down for translation into German) Fritz Ascher (1893 - 1970), Untergehende Sonne (Sunset), c. 1960, oil on canvas, 49.2 × 50 in. ( 125 × 126 cm) Private collection. Photo: Malcolm Varon. © Bianca Stock The current exhibition Fritz Ascher: Expressionist at New York University's Grey Art Gallery is artistically impressive and historically important. Accordingly, ArtWithHillary February 2019 and ArtWithHillary March 2019 are devoted to an account of the show. The artist Fritz Ascher (1893 - 1970) suffered through a horrific period of time from 1933 through 1945 in which he was prohibited from producing art.  No one will leave the exhibit without thinking what if the artist had [...]

Mar 18, 2019

FRITZ ASCHER SOCIETY Newsletter #26, March 2019

2019-03-18T14:20:11-04:00March 18th, 2019|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter #26, March 2019

Dear Friends, Catch it while you can: The exhibition “Fritz Ascher, Expressionist” at the Grey Art Gallery of New York University here in New York is on view only until April 6. You can find installation photos of the exhibition on our website (link). And for the last minute people among you: on April 3 at 6:30pm there is a gallery conversation with J. English Cook, Graduate Curatorial Assistant, Grey Art Gallery, and Ph.D. Candidate, Institute of Fine Arts, NYU. In the exhibition, you can see Fritz Ascher’s gouache “Uncle Tom’s Cabin.” It depicts a settlement of 1,100 flats and 800 detached houses in Berlin Zehlendorf that borders the Grunewald city forest in the South. It was built in [...]

Feb 15, 2019

2019, January 9 – Tom L. Freudenheim in Wall Street Journal, p. A13

2019-02-15T10:25:48-05:00February 15th, 2019|Select Press Coverage|Comments Off on 2019, January 9 – Tom L. Freudenheim in Wall Street Journal, p. A13

"Finally Home with the Greats. An exhibition places the under-the-radar Fritz Ascher squarely in the canon of 20th-century German artists.” (scroll down for translation into German) ‘Golgotha’ (1915), by Fritz Ascher, in which inflections of Pieter Bruegel the Elder coalesce with James Ensor to create a scene of pandemonium and horror. ©Bianca Stock For those of us who consider themselves familiar with German Expressionism, the compelling new exhibition at New York University’s Grey Art Gallery, “Fritz Ascher: Expressionist,” makes us wonder why this artist hasn’t been on our radar screens. The 67 works of art on display, along with sketchbooks and documentary materials, may not quite qualify as a discovery, but they significantly [...]

Feb 12, 2019

FRITZ ASCHER SOCIETY Newsletter #25, February 2019

2019-02-12T06:24:36-05:00February 12th, 2019|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter #25, February 2019

Dear Friends, What was it like to be a Jew in Nazi Germany? Come join the discussion tomorrow, February 12, at 6:30 pm, when I speak with Marion Kaplan, Skirball Professor of Modern Jewish History, NYU, about those who went underground, including Fritz Ascher, and endured the terrors of nightly bombings, hunger and cold, and the even greater fear of being discovered by the Nazis. At King Juan Carlos I of Spain Center, 53 Washington Square South. This program accompanies the exhibition “Fritz Ascher, Expressionist” at the Grey Art Gallery of New York University here in New York - please check out the other stimulating programs here. And do not forget to see the exhibition, which is on view [...]

Jan 25, 2019

Panel Discussion: Expressionism for Our Time
New York Studio School

2020-03-03T09:23:23-05:00January 25th, 2019|, |Comments Off on Panel Discussion: Expressionism for Our Time
New York Studio School

Panel Discussion: Expressionism for Our Time New York Studio School, 8 West 8th Street Wednesday, March 6, 6:30–7:30 pm Expressionism for Our Time features a brief history of Western Expressionism by art critic and curator Karen Wilkin, followed by a conversation between contemporary artists Rochelle Feinstein, Judy Glantzman, and Adrianne Rubenstein with art historian Robert Slifkin. Watch the video of the event here. Karen Wilkin is an independent curator and critic, a regular contributor to New Criterion, the Wall Street Journal, and Hudson Review. She teaches the New York Studio School’s MFA art history seminars. Robert Slifkin is Associate Professor of Fine Arts at the Institute of Fine Arts, New York University. His book Out of Time: Philip Guston and the Refiguration of [...]

Dec 20, 2018

J. English Cook: Gallery Conversation
Grey Art Gallery at NYU, New York

2019-04-07T07:43:51-04:00December 20th, 2018|, |Comments Off on J. English Cook: Gallery Conversation
Grey Art Gallery at NYU, New York

April 3, 2019, 6:30-7:30pm J. English Cook: Gallery Conversation Grey Art Gallery at NYU, New York (please add map) Please join J. English Cook, Graduate Curatorial Assistant, Grey Art Gallery, and Ph.D. Candidate, Institute of Fine Arts, NYU for a gallery conversation. The event is sponsored by the Grey Art Gallery, New York University and The Fritz Ascher Society. It is part of Wunderbar Together: The Year of German-American Friendship 2018/19, an initiative of the Federal Foreign Office of Germany and the Goethe-Institut, with the support of the Federation of German Industries (BDI).

Oct 12, 2018

“Leben ist Glühn” Der Expressionist Fritz Ascher 

Kallmann-Museum, Ismaning (Germany)

2018-12-03T16:06:56-05:00October 12th, 2018|, |Comments Off on “Leben ist Glühn” Der Expressionist Fritz Ascher 

Kallmann-Museum, Ismaning (Germany)

Last German venue! (link) At the Kallmann-Museum, a representative group of powerful paintings and drawings spans Ascher's whole oeuvre from first academic studies to monumental Expressionist figure compositions to late landscapes. Fritz Ascher's poems, written while hiding from Nazi persecution, can be discovered as "unpainted paintings" in relation to his artwork. With this exhibition, the Kallmann-Museum continues its examination of artists who became victims of the National Socialist art policy. Photos by Gerald Förtsch, Rasmus Kleine and Rachel Stern. A comprehensive German/English catalogue with essays by Jörn Barfod, Eckhart Gillen, Wiebke Hölzer, Ingrid Mössinger, Ori Z. Soltes and Rachel Stern accompanies the exhibition. (catalogue link) The Fritz Ascher retrospective was on view at the Felix-Nussbaum-Haus in Osnabrück (September 25, [...]

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