Figurative Art Archives - Fritz Ascher Society

Oct 27, 2023

Klaus Friedeberger (1922-2019).
Journey Around the World
Lecture by Monica Sidhu, London
Q&A with wife Julie Friedeberger and British Museum curator Stephen Coppel, London

Rachel Stern2023-12-06T14:00:09-05:00October 27th, 2023|Events, Lectures, Past Events|Comments Off on Klaus Friedeberger (1922-2019).
Journey Around the World
Lecture by Monica Sidhu, London
Q&A with wife Julie Friedeberger and British Museum curator Stephen Coppel, London

Presentation by Monica Sidhu, followed by a conversation with the late Klaus’ wife Julie Friedeberger and British Museum curator Stephen Coppel, London. Image above: Klaus Friedeberger, Children Playing, 1959-1962, oil on canvas. Copyright Klaus Friedeberger estate Born in Berlin in 1922 the artist Klaus Friedeberger escaped Nazi Germany in 1937. After studying at the Quaker School in Holland he arrived in London as a refugee in 1939. Classified as ‘enemy alien’ he was interned and subsequently deported to Australia on the transport ship Dunera. He spent two years in internment camps at Hay in New South Wales. Released in 1942 he joined the Australian Army labour corps and after demobilisation he studied art at East [...]

Dec 27, 2017

2017, December 22 – Elke Linda Buchholz in tagesspiegel.de

Rachel Stern2018-12-04T11:57:56-05:00December 27th, 2017|Select Press Coverage|Comments Off on 2017, December 22 – Elke Linda Buchholz in tagesspiegel.de

Fritz-Ascher-Retrospektive „Leben ist Glühn“ Die Wiederentdeckung des Expressionisten Fritz Ascher: eine Doppelausstellung in der Villa Oppenheim und im Potsdam Museum. by Elke Linda Buchholz Einen so vollständig vergessenen Künstler zurückzuholen in die Aufmerksamkeit, braucht Kraft, Geduld und kreative Energie. Vor 30 Jahren stieß die deutsch-amerikanische Kuratorin Rachel Stern bei einem Sammler auf Arbeiten von Fritz Ascher. Sie hatte noch nie von ihm gehört. Jetzt ist sie als quasi weltweit einzige Expertin für den 1893 geborenen Maler wieder zurück in der Stadt, wo auch er einst gelebt und gearbeitet hat. Hier bei Max Liebermann holte der junge Wilde sich als 16-Jähriger nach abgebrochener Schule die höheren Weihen einer Empfehlung an die Königsberger Kunstakademie und startete zwischen Secessionisten und Expressionisten seine Karriere. [...]

Dec 25, 2017

2017, December 7 – Lena Schneider in Potsdamer Neueste Nachrichten, p. 27

Rachel Stern2018-12-04T12:07:01-05:00December 25th, 2017|Select Press Coverage|Comments Off on 2017, December 7 – Lena Schneider in Potsdamer Neueste Nachrichten, p. 27

Ein Zerrissener Das Potsdam Museum entdeckt Fritz Ascher, der sich in Potsdam vor den Nazis versteckte by Lena Schneider Wer war Fritz Ascher? Das Potsdam Museum hat diesem Unbekannten eine Sonderausstellung gewidmet. „Leben ist glühn“ heißt sie. Ein Bild, das hier hängt, kann man als bestürzende Antwort auf die Frage lesen. „Bajazzo“ heißt es, nach dem italienischen Bruder des Harlekin. Zu sehen ist eine schemenhafte Gestalt, in gelbem Kostüm. Im weiß geschminkten Gesicht ist so etwas wie ein trostloser Schatten des Clownsgenres auszumachen: schwarze Augen, die rot überzogen Mundwinkel krümmen sich nach unten. Das ganze Bild ist wie zerschossen von Farbpunkten. Die Antwort darauf, wer Fritz Ascher, geboren 1893 als Kind jüdischer Eltern, war, findet sich im Entstehungsdatum des Bildes: [...]

Dec 22, 2017

FRITZ ASCHER SOCIETY Newsletter #17, December 2017

Rachel Stern2018-12-04T12:14:23-05:00December 22nd, 2017|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter #17, December 2017

Dear Friends, I am humbled and honored to have received the Lea and Hans Grundig Prize for my work about Fritz Ascher. Right on time for his 125th birthday, the Fritz Ascher retrospective is now open in Berlin and Potsdam, the two places where the artist lived and worked. Museum Charlottenburg-Wilmersdorf in der Villa Oppenheim in Berlin exhibits an overview of the artist’s creative development, with a focus on works that relate to Berlin. We see his sketch of the artist Max Liebermann as well as his love for music and performance in Weimar Republic paintings like “Beethoven” and “Bajazzo and Artists”. After surviving the Nazi terror regime in hiding in the Berlin Grunewald neighborhood, he painted these works over [...]

Oct 25, 2017

2017, March 22 – Matthias Zwarg in Freie Presse

Rachel Stern2018-12-04T12:21:16-05:00October 25th, 2017|Select Press Coverage|Comments Off on 2017, March 22 – Matthias Zwarg in Freie Presse

Bilder eines Vereinsamten Das Museum Gunzenhauser erinnert an den kaum bekannten jüdischen Künstler Fritz Ascher: Dessen expressionistisch-symbolistische Bilder sind eine echte Wiederentdeckung wert, denn zwei Weltkriege konnten seine künstlerische Kraft nur schwächen - aber nicht brechen Matthias Zwarg CHEMNITZ - Es gibt ein Porträt von Fritz Ascher aus dem Jahr 1912, gemalt von seinem Freund Eduard Bischoff. Es zeigt einen optimistischen jungen Mann: Anzug, rote Krawatte, frech den Kopf auf den Arm gestützt, lächelt er froh und selbstbewusst dem Betrachter entgegen. Und es gibt ein Selbstporträt von Fritz Ascher aus dem Jahr 1953: Weiss und grau über schwarzer Tusche, Aquarell-Farbtupfer wie Wunden in dem Gesicht, in das so etwas wie die Suche nach Fassung nach dem Entsetzen eingeschrieben ist. Dazwischen [...]

Sep 1, 2017

FRITZ ASCHER SOCIETY Newsletter #15, August 2017

Rachel Stern2018-12-04T12:33:00-05:00September 1st, 2017|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter #15, August 2017

Dear Friends, It was fun to attend the opening of “Hauptstadtfussball” at the Ephraim Palais in Berlin, celebrating the 125th anniversary of the Berlin soccer club Herta BSC and its local rivals. I learned so many things about soccer in Berlin, and about Herta BSC in this creative, well researched exhibition. And you can see Fritz Ascher’s “Soccer Players” from c. 1916! It will be on view until January 8, 2018. link Thank you to Sven Goldmann for bringing Fritz Ascher alive in his full page piece in the German newspaper Der Tagesspiegel! link Here in New York, the preparations for “‘Beauteous Strivings.’ Fritz Ascher - Works on Paper” at the New York Studio School are in full swing. The New [...]

May 15, 2017

FRITZ ASCHER SOCIETY Newsletter #12, February 2017

Rachel Stern2018-12-04T12:35:37-05:00May 15th, 2017|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter #12, February 2017

Dear Friends, I am very excited to invite you to the opening of the Fritz Ascher exhibition at the Kunstsammlungen Chemnitz MUSEUM GUNZENHAUSER on March 4, 2017 at 7:30pm. For the first time ever, Fritz Ascher’s “Golem” from the collection of the Jewish Museum Berlin will here be reunited with other works he created between 1913 and 1933. The Kunstsammlungen Chemnitz is home to an important collection of German Expressionism, dominated by artwork of the locally founded Expressionist group Brücke and especially Karl Schmidt-Rottluff, who grew up in Chemnitz, along with Ernst Ludwig Kirchner and Erich Heckel. The Museum Gunzenhauser is home to the vast Expressionist art collection of Alfred Gunzenhauser, with the worldwide largest collection of works by Otto [...]

Feb 28, 2017

FRITZ ASCHER SOCIETY Newsletter #11, January 2017

Rachel Stern2018-12-04T12:36:20-05:00February 28th, 2017|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter #11, January 2017

Dear Friends, Thank you for supporting us with your interest in our work, reading our newsletters and publications and/or visiting our exhibitions, and - last not least - supporting our work financially. 2016 was the first year that our work started showing, with the participation in the exhibition Verfahren. "Wiedergutmachung" im geteilten Berlin / »Making Amends« Compensation and Restitution Cases in Divided Berlin at Aktives Museum Berlin (October 9, 2015 - January 14, 2016) and Landgericht Berlin/Amtsgericht Mitte, Berlin (September 29 - November 18, 2016) and the long anticipated first ever retrospective with its comprehensive catalogue (link) "Leben ist Glühn" Der Expressionist Fritz Ascher / “To Live is to Blaze with Passion" The Expressionist Fritz Ascher at the Felix-Nussbaum-Haus Osnabrück [...]

Jan 12, 2017

“Leben ist Glühn” Der Expressionist Fritz Ascher  
 Kunstsammlungen Chemnitz MUSEUM GUNZENHAUSER, Chemnitz (Germany)

Rachel Stern2018-12-03T16:21:23-05:00January 12th, 2017|Exhibitions, Past Exhibitions|Comments Off on “Leben ist Glühn” Der Expressionist Fritz Ascher  
 Kunstsammlungen Chemnitz MUSEUM GUNZENHAUSER, Chemnitz (Germany)

The worldwide first Fritz Ascher Retrospective is on view at the Kunstsammlungen Chemnitz - MUSEUM GUNZENHAUSER from March 5 to June 18, 2017. (website link) The main focus of the presentation at the Kunstsammlungen Chemnitz - MUSEUM GUNZENHAUSER is on the artist's important early masterworks like "Golgatha" (1915), "Bajazzo and Artists" (ca. 1916) and "The Tortured" (ca. 1916). For the first time ever, Fritz Ascher’s “Golem” from the collection of the Jewish Museum Berlin will here be reunited with other works the artist created between 1913 and 1933. The Kunstsammlungen Chemnitz is home to an important collection of German Expressionism, dominated by artwork of the locally founded Expressionist group Brücke and especially Karl Schmidt-Rottluff, who grew up in Chemnitz, along [...]

May 19, 2016

Fritz Ascher Society for Persecuted, Ostracized and Banned Art

Newsletter #6, May 2016

Rachel Stern2018-12-04T12:44:40-05:00May 19th, 2016|Newsletter|Comments Off on Fritz Ascher Society for Persecuted, Ostracized and Banned Art

Newsletter #6, May 2016

Dear Friends, As we are drawn to spend more time outside in the lovely spring weather, this newsletter is all about Fritz Ascher’s late landscapes that became the focus of his work after 1945. Trees, late 1950s ©Bianca Stock, Munich Frank Auerbach, Mornington Crescent Looking South, 1997 ©Frank Auerbach, courtesy Marlborough Fine Art In dozens and dozens of intense paintings and gouaches intoxicated with color, Ascher turns to nature painting in the broadest sense. Among them are landscapes, woodland scenes, portraits of individual trees, groups of trees, all inspired by hours of walking in the nearby Grunewald. In his catalogue essay accompanying the upcoming Fritz Ascher retrospective, Eckhart Gillen relates the aesthetic practice and behavior of the two painters Fritz [...]

Dec 17, 2015