Rachel Stern2021-06-14T18:07:03-04:00March 31st, 2021|Events, Past Events|
THIS EVENT WAS NOT RECORDED. After surviving the Holocaust, Shoshana Comet (1923-2012) could not speak about her experiences. One day in 1968, Shoshana announced that she had joined a course on weaving. At home, she wove five 6-foot high tapestries which served as a means to unshackle herself from her holocaust trauma. Shoshana then trained to become a psychotherapist, working with Holocaust survivors and their families who had been scarred by their experience. (See Ted Comet, Transforming Trauma Into Creative Energy, March 10, 2014) Ted is giving tours of Shoshana's tapestries to diverse groups, including students from Germany. For the past year, these tours are virtual, developed and conducted by DOROT, an innovative leader in designing intergenerational programs, supportive services and opportunities that enhance the [...]
Rachel Stern2022-02-18T06:23:24-05:00March 30th, 2021|Events, Past Events|
Conversation with Dr. Meital Orr and Dr. Ori Z. Soltes Opening remarks Rachel Stern, Fritz Ascher Society forPersecuted, Ostracized and Banned Art Anke Yael Popper, Embassy of the Federal Republic of Germany Organized by the Center for Jewish Civilization at Georgetown University in Washington D.C. This program delves into the following books by Ori Z Soltes: Immortality, Memory, Creativity, and Survival: The Arts of Alice Lok Cahana, Ronnie Cahana, and Kitra Cahana This book reviews the story of a 14-year-old girl from Sarvar, Hungary who was deported to Auschwitz by the Nazis, together with her family. She was the sole survivor of the deportation and transit through three different camps, ended up marrying a rabbi, moving to Houston, Texas, [...]
Rachel Stern2022-02-18T06:37:23-05:00March 4th, 2021|Events, Past Events|
The International Tracing Service (ITS), since 2019 called Arolsen Archives, was established by the Allies in 1948 as a central search and information center. They house the world’s most extensive collection of documents about the victims of National Socialist persecution, including documents from Nazi concentration camps, ghettoes and penal institutions, documents about forced laborers, and documents from the early post-war period about Displaced Persons, mainly Holocaust survivors, former concentration camp prisoners, and forced laborers. People who had fled the sphere of influence of the Soviet Union for political reasons are also included. The archive's holdings consist of 30 million documents in total and belong to UNESCO’s Memory of the World. At this event, Floriane Azoulay (Director) and Giora Zwilling (Deputy [...]
Rachel Stern2022-02-18T06:04:58-05:00March 3rd, 2021|Events, Lectures, Past Events|
The Austrian artist Oskar Kokoschka (1886-1980) achieved world fame with his intense expressionistic portraits and landscapes. Rüdiger Görner, author of the first English-language biography, depicts the artist in all his fascinating and contradictory complexity. He traces Kokoschka’s path from bête noire of the bourgeoisie and a so-called ‘hunger artist’ to a wealthy and cosmopolitan political and critical artist who played a major role in shaping the European art scene of the twentieth century and whose relevance is undiminished to this day. In 1934, Kokoschka left Austria for Prague, and in 1938, when the Czechs began to mobilize for the expected invasion by the German Wehrmacht, Kokoschka fled to the United Kingdom, where he remained during the war. Although he [...]
Rachel Stern2022-02-18T07:06:06-05:00February 22nd, 2021|Events, Lectures, Past Events|
Born 1877 in Dortmund, the sculptor Benno Elkan (1877-1960) first studied painting in Munich and Karlsruhe. At the end of his studies, he turned to sculpture. As a young artist, he spent time in Paris, Rome, and Frankfurt. Elkan’s oeuvre was largely made up of commissions. In the beginning, he mainly created tombs. Medals, portrait busts of well-known personalities, monuments to victims and candelabras follow, partly for the religious (Jewish and Christian) context. Elkan fled persecution by the German Nazi regime to Great Britain in 1934and lived with his family in London until the end of his life. Perhaps the most important work besides the Menorah in Jerusalem (1956) was never built: Memorial to the Defenseless Victims of the Bombing [...]
Rachel Stern2022-02-18T06:31:18-05:00February 17th, 2021|Events, Lectures, Past Events|
During the first four decades of the twentieth century, Polish Jewish artist Arthur Szyk (1894–1951) was best known for his richly detailed book illustrations and magnificent illuminations on Jewish themes. He portrayed the Jews as a heroic nation that had resisted oppression through the ages and eventually triumphed. His Jews were fighters for their own freedom and the freedom of others. Szyk sought to redefine how the Jews viewed themselves and how others viewed them. His works thus challenged the notion that Jewish history was merely one long saga of suffering and, at the same time, refuted the then common antisemitic canard that the Jews were a cowardly people. With the coming to power in Germany of Adolf Hitler [...]
Rachel Stern2022-02-18T07:23:41-05:00December 31st, 2020|Events, Lectures, Past Events|
Join the Museum of Jewish Heritage — A Living Memorial to the Holocaust, the German Consulate General in New York, and the Fritz Ascher Society for Persecuted, Ostracized, and Banned Art for a stirring performance of Enger’s Mischlinge Exposé, Live from Edmond J. Safra Hall™. The performance will be followed by a discussion between Enger and Rachel Stern, Founding Director and CEO of the Fritz Ascher Society. Carolyn Enger is a pianist based in the greater New York City area, with roots reaching back to Breslau, now Wroclaw, Poland. Her Mischlinge Exposé brings to light the stories of Mischlinge—a derogatory term used by the Nazis to describe people with both Jewish and Aryan ancestry—like her [...]
Rachel Stern2022-02-18T07:13:15-05:00December 3rd, 2020|Events, Lectures, Past Events|
Oskar Nerlinger (1893-1969) was one of the most important artists of the committed art scene in the Weimar Republic. He was a member of the Association of Proletarian Revolutionary Art (ASSO for short), which was founded in 1928 and belonged to the KPD, which cooperated with the Soviet avant-garde artist group Oktober. At that time there was no conflict between positions of aesthetic modernism and KPD politics. In 1932 the political and artistic avant-garde in the Soviet Union fell apart, with serious consequences for left-wing artists in Germany. Almost at the same time, the Nazi system broke with all forms of modernity. With his idea of art suddenly doubly isolated within his own party, which followed Stalin's art verdict, [...]
Rachel Stern2021-01-11T06:14:12-05:00December 2nd, 2020|Events, Lectures, Past Events|
WATCH THE RECORDING OF THIS EVENT HERE. More information about Janice Biala is available HERE. Lecture featuring Jason Andrew Independent Scholar, Curator and Producer in New York Introduced by Rachel Stern Executive Director of the Fritz Ascher Society in New York Biala (1903-2000) was a Polish born American painter whose career stretched over eight decades and spanned two continents. Through it all, she retained an intimacy in her art rooted in Old World Europe—sensibilities that began with memories of her childhood in a Polish village, shaped by School of Paris painters like Bonnard, Matisse and Braque, inspired by Velázquez and the Spanish Masters, and broadened by the community of loft-living artists in Post World War II Downtown New York. Her [...]
Rachel Stern2020-11-02T20:09:58-05:00September 30th, 2020|Events, Past Events, Send in the Clowns|
Twitter @Ascher_Society Giora Seeliger, Artistic Director and Founder of Red Noses Clowndoctors International, takes over the FAS Twitter account to answer your burning questions about clowning, the role of a healthcare clown, and anything else that comes to mind! Submit your questions in advance by writing to info@fritzaschersociety.org Part of "Send in the Clowns," an interactive two-week digital initiative, which explores the clown as a figure between tragedy and comedy, between self- identification and stage--a character designed to (literally) mask the performer’s true feelings behind a facade of happiness. “Send in the Clowns” uses the prominence of the “clown” figure in Fritz Ascher’s work as a lens through which to explore the duality of the clown both historically and today. [...]
Rachel Stern2020-10-28T14:24:47-04:00September 30th, 2020|Events, Past Events, Send in the Clowns|
Watch the recording of this event HERE. Roundtable featuring Giora Seeliger Artistic Director and Founder of the Red Noses Clowndoctors International Harry Page “Flash” the Clown Ed Stephan “Dumbbell” the Clown Moderated by Elizabeth Berkowitz Art Historian and Digital Interpretation Manager, The Fritz Ascher Society in New York One of the more appealing aspects of the clown subject to artists like Fritz Ascher was the divide between a public persona committed to joy and happiness, and the pain or sadness that might lurk beneath the real, human surface. Hospital or healthcare clowns straddle this divide every day of their professional lives—working to bring happiness to child patients who are often in circumstances that might otherwise inspire grief or pain. This [...]
Rachel Stern2022-03-06T11:39:32-05:00September 30th, 2020|Events, Lectures, Past Events|
Lecture by Lynette Roth Daimler Curator of the Busch-Reisinger Museum and Head of the Division of Modern and Contemporary Art at the Harvard Art Museums Moderated by Rachel Stern Executive Director of the Fritz Ascher Society in New York Anneliese Hager (1904-1997) is one of a number of modern artists who began their artistic experimentation in Germany after National Socialist cultural policy began to harden against all forms of modern art. Her preferred medium was the photogram, a photographic image made by placing an object directly on (or in close proximity to) a light-sensitive surface and exposing it to light. Hager called the reversal of light and dark in the resulting contact print “white shadows.” [...]
