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London artist

Oct 27, 2023

Klaus Friedeberger (1922-2019).
Journey Around the World
Lecture by Monica Sidhu, London
Q&A with wife Julie Friedeberger and British Museum curator Stephen Coppel, London

2023-12-06T14:00:09-05:00October 27th, 2023|, , |Comments Off on Klaus Friedeberger (1922-2019).
Journey Around the World
Lecture by Monica Sidhu, London
Q&A with wife Julie Friedeberger and British Museum curator Stephen Coppel, London

Presentation by Monica Sidhu, followed by a conversation with the late Klaus’ wife Julie Friedeberger and British Museum curator Stephen Coppel, London. Image above: Klaus Friedeberger, Children Playing, 1959-1962, oil on canvas. Copyright Klaus Friedeberger estate Born in Berlin in 1922 the artist Klaus Friedeberger escaped Nazi Germany in 1937. After studying at the Quaker School in Holland he arrived in London as a refugee in 1939. Classified as ‘enemy alien’ he was interned and subsequently deported to Australia on the transport ship Dunera. He spent two years in internment camps at Hay in New South Wales. Released in 1942 he joined the Australian Army labour corps and after demobilisation he studied art at East [...]

Aug 31, 2023

From Émigré to Englishman: Fred Uhlman, ‘Painter of Dreams’
Lecture by Dr. Nicola Baird, London

2023-09-13T13:30:35-04:00August 31st, 2023|, , |Comments Off on From Émigré to Englishman: Fred Uhlman, ‘Painter of Dreams’
Lecture by Dr. Nicola Baird, London

Manfred [Fred] Uhlman was born on 19th January 1901 in Stuttgart, Germany, the eldest child of Ludwig Uhlman (1869–c.1943), a textile merchant, and his wife, Johanna Grombacher (1879–c.1943), both of whom were later to perish at Theresienstadt concentration camp. He studied law at the Universities of Freiburg, Munich, and Tübingen, graduating with a doctorate in 1923. In 1927 he joined the Social Democrat Party, becoming its official legal representative in 1932. Image above: Fred Uhlman, Still Life with African Figures, oil on canvas, Hatton Gallery, © the artist's estate / Bridgeman Images. Photo credit: Hatton Gallery In March 1933, after a warning that his arrest was imminent because of his political affiliations, he fled [...]

Jul 26, 2023

FRITZ ASCHER SOCIETY Newsletter August 2023

2024-01-24T07:04:07-05:00July 26th, 2023|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter August 2023

This month, we are kicking off our SUMMER FUNDRAISING CAMPAIGN. Before the start of the new Jewish year, we aim to raise $8,000.00 to support our virtual lecture program. Help us continue educating about Antisemitism and the Holocaust through the Arts. Telling the stories of artists persecuted by the German Nazi regime and putting them in their historical and societal context initiates discussions that could not be more relevant today. To sponsor a lecture in honor or memory of someone, please contact Rachel Stern at stern@fritzaschersociety.org. If you like what we do, please show us! DONATE TODAY We have two extraordinary virtual events in our series “Flight or Fight. Stories of Artists under Repression” planned [...]

Apr 19, 2023

Benno Elkan (1877-1960)
and the Definition of Israeli Art
Talk by Ori Z Soltes, PhD

2023-04-26T13:54:56-04:00April 19th, 2023|, , |Comments Off on Benno Elkan (1877-1960)
and the Definition of Israeli Art
Talk by Ori Z Soltes, PhD

In honor of Yom Ha'azmaut, Israel's Independence Day, and this year's 75th anniversary of the establishment of the modern state of Israel in 1948, this talk by Georgetown University professor Ori Z Soltes addresses the question of what defines Israeli art and when it began to take shape. Is it made only by Israelis---then how did Elkan's Menorah become the consummate symbol of Israel when he never lived in the state? Did "Israeli" art begin with or before the birth of the state? How does this relate to the opening of the Bezalel School of Art in 1906--and closing by 1929, only to re-open years later? How does it relate to the question of defining Jewish art? Benno Elkan's stunning work, [...]

Apr 25, 2021

Becoming Gustav Metzger:
Uncovering the Early Years (1945-1959)
Lecture by Nicola Baird, London (UK)

2022-02-18T05:30:25-05:00April 25th, 2021|, , |Comments Off on Becoming Gustav Metzger:
Uncovering the Early Years (1945-1959)
Lecture by Nicola Baird, London (UK)

Lecture by Nicola Baird Research Officer and Curator at Ben Uri Gallery and Museum, London Introduced by Rachel Stern Director and CEO of the Fritz Ascher Society in New York Born in Germany to Polish-Jewish orthodox parents in 1926, Gustav Metzger (1926-2017) was one of 10,000 Jewish children evacuated in 1939 to London as part of the Kindertransport. His parents, eldest brother, and maternal grandparents, all perished in the Holocaust. Upon the advice of Henry Moore, Metzger spent six months at the Cambridge School of Art, before enrolling at the Sir John Cass Institute in 1946, where he studied sculpture and attended David Bomberg’s life drawing classes at the Borough Polytechnic, alongside contemporaries [...]

Apr 20, 2021

Sculpting the Light:
Avant-Garde to Auschwitz and Beyond.
Moissey Kogan (1879-1943)
Lecture by Helen Shiner, Oxford (UK)

2022-02-18T05:27:54-05:00April 20th, 2021|, , |Comments Off on Sculpting the Light:
Avant-Garde to Auschwitz and Beyond.
Moissey Kogan (1879-1943)
Lecture by Helen Shiner, Oxford (UK)

Lecture by Helen Shiner Director/Editor at the Moissey Kogan Catalogue Raisonné of Sculpture & Prints, Oxford (UK) Introduced by Rachel Stern Director and CEO of the Fritz Ascher Society in New York Moissey Kogan (1879-1943) was an innovative, influential sculptor-craftsman and printmaker, whose career straddled the European avant-gardes of the first half of the 20th century. A cosmopolitan Russian Jew, whose work was marked by his interest in Jewish mysticism and theosophical beliefs, Kogan looked to non-European cultures and ancient sources, in common with many of his contemporaries in Munich, Berlin, Amsterdam, and Paris, to root his avant-garde experimentations and revivals of ancient techniques, in what were considered more authentic means of expression. On the day [...]

Nov 1, 2020

FRITZ ASCHER SOCIETY Newsletter November 2020

2020-11-23T23:33:37-05:00November 1st, 2020|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter November 2020

Dear Friends, First of all, IF YOU ARE AN US CITIZEN, PLEASE VOTE! John Heartfield, Krieg und Leichen – Die letzte Hoffnung der Reichen, Montagefotografie für die Arbeiter-Illustrierten-Zeitung, 1932, Nr. 18, Silbergelatineabzug, kaschiert Akademie der Künste, Berlin,  Inv.Nr. JH 1955 © The Heartfield Community of Heirs / VG Bild-Kunst, Bonn 2020 This will be an extremely busy month at FAS, starting on November 4, 2020 at 12:00pm ET with Rosa von der Schulenburg’s lecture “About John Heartfield’s Political Engagement and Private Life in London”, which is part of our monthly zoom series “Fight or Flight. stories of artists under repression,” generously funded by Allianz Partners. (SEE EVENT HERE) John [...]

Sep 17, 2020

John Heartfield (1891-1968)
His Political Engagement and Private Life in London
Rosa von der Schulenburg, Berlin

2020-11-04T15:01:37-05:00September 17th, 2020|, , |Comments Off on John Heartfield (1891-1968)
His Political Engagement and Private Life in London
Rosa von der Schulenburg, Berlin

WATCH THE RECORDING OF THIS EVENT HERE. Lecture featuring Rosa von der Schulenburg, Head of the Art Collection of the Academy of Arts in Berlin Moderated by Rachel Stern, Executive Director of the Fritz Ascher Society in New York John Heartfield (1891-1968) was a German visual artist who pioneered the use of art as a political weapon. This presentation starts with preliminary remarks about John Heartfield’s bequest in the Akademie der Künste in Berlin and shows how it is accessible nowadays. A short introduction of how all began follows, showing the background of the birth of Heartfield’s political photo-montages (World War I, Dada, Communist Party, Willi Münzenberg’s Die Arbeiter-Illustrierte-Zeitung in short AIZ), glances at Heartfield’s first exile stage in Prague and then focuses on [...]

May 19, 2016

Fritz Ascher Society for Persecuted, Ostracized and Banned Art

Newsletter #6, May 2016

2018-12-04T12:44:40-05:00May 19th, 2016|Newsletter|Comments Off on Fritz Ascher Society for Persecuted, Ostracized and Banned Art

Newsletter #6, May 2016

Dear Friends, As we are drawn to spend more time outside in the lovely spring weather, this newsletter is all about Fritz Ascher’s late landscapes that became the focus of his work after 1945. Trees, late 1950s ©Bianca Stock, Munich Frank Auerbach, Mornington Crescent Looking South, 1997 ©Frank Auerbach, courtesy Marlborough Fine Art In dozens and dozens of intense paintings and gouaches intoxicated with color, Ascher turns to nature painting in the broadest sense. Among them are landscapes, woodland scenes, portraits of individual trees, groups of trees, all inspired by hours of walking in the nearby Grunewald. In his catalogue essay accompanying the upcoming Fritz Ascher retrospective, Eckhart Gillen relates the aesthetic practice and behavior of the two painters Fritz [...]