Holocaust

Mar 28, 2023

The Missing Archive:
Bauhaus Designers and the Holocaust.
Presentation by Elizabeth Otto, PhD, Buffalo, NY

2023-05-03T14:36:21-04:00March 28th, 2023|, , |Comments Off on The Missing Archive:
Bauhaus Designers and the Holocaust.
Presentation by Elizabeth Otto, PhD, Buffalo, NY

Histories of Germany’s Bauhaus art and design school (1919–33) usually position it exclusively as a movement in exile as soon as the Nazis took power in 1933. In fact, the vast majority of its members remained and embraced Nazism, survived it, or became its victims. In this talk, art historian Elizabeth Otto scrutinizes traces of the work and lives of Bauhäusler who, through their imprisonment and often deaths in the concentration-camp system, have largely been lost to the history of the Bauhaus movement. Using archival sources—often scant materials preserved by family members and friends, including documents, photographs, and private memoirs—she reconstructs aspects of these artists’ work and lives and considers how to write the histories that Nazi violence has taken [...]

Mar 6, 2023

EARLY ISRAELI AND AMERICAN ARTISTS:
RE-VISIONING THE HOLOCAUST.
Talk by Ori Z Soltes, Georgetown University, Washington DC

2023-04-17T19:19:05-04:00March 6th, 2023|, , |Comments Off on EARLY ISRAELI AND AMERICAN ARTISTS:
RE-VISIONING THE HOLOCAUST.
Talk by Ori Z Soltes, Georgetown University, Washington DC

In honor of Yom HaShoah, this talk by Georgetown University professor Ori Z Soltes focuses on three Israeli and three American familiar and unfamiliar artists working in very diverse styles and not typically thought of as focusing on the Holocaust. Each of them, however, has offered powerful reflections on the defining catastrophe of the twentieth century. Barnett Newman, the foremost verbal spokesman for the chromatic side of the abstract expressionist movement redefining American painting in the early 1950s, offers an unexpectedly intense reflection on the question of theodicy. Mordecai Ardon, in the process of assuming leadership of the Bezalel school in Jerusalem at around the same time, balances between abstraction and figuration in depicting the Nazi-engendered chaos. Yigal Tumarkin’s [...]

Feb 23, 2023

FRITZ ASCHER SOCIETY Newsletter March 2023

2023-02-23T08:11:27-05:00February 23rd, 2023|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter March 2023

Have we got exciting events for you! Hear about the influential British photographer Dorothy Bohm, now aged 98, from her daughter: Wednesday, March 1 12:00 pm EST / 17:00 Uhr GMT DOROTHY BOHM (B. 1924): A WORLD OBSERVED Lecture by Monica Bohm-Duchen ZOOM EVENT REGISTRATION Dorothy Bohm, Haifa, Israel, 1959. © Dorothy Bohm Archive London-based art historian Monica Bohm-Duchen will give her personal insights into the life and work of her mother, photographer Dorothy Bohm, who as a girl of fourteen found sanctuary from Nazi Europe in the UK, and in due course established herself as one of the leading figures in post-war British photography. Dorothy Bohm was born Dorothea Israelit [...]

Jan 24, 2023

The Art of Felix Lembersky (1913-1970)
Yelena Lembersky and Ori Z Soltes, PhD

2023-03-15T14:04:18-04:00January 24th, 2023|, , |Comments Off on The Art of Felix Lembersky (1913-1970)
Yelena Lembersky and Ori Z Soltes, PhD

The program features a talk by Lembersky’s granddaughter, Yelena Lembersky, co-author of the recent and highly acclaimed memoir, Like a Drop of Ink in a Downpour: Memories of Soviet Russia. Yelena will be introduced by Georgetown University professor, Ori Z Soltes, who has known her for many years and has written extensively on the work of Felix Lembersky. “We are merely honest people and see what is good and bad, and we cannot be confused.” – Felix Lembersky, Leningrad, the Soviet Union, 1960 Image above: Felix Lembersky, At the Train Station, ca 1960-64. © Felix Lembersky estate Felix Lembersky (1913-1970) was a Soviet Jewish painter, teacher, theater sets designer, and an organizer of artistic groups in Leningrad and [...]

Jan 8, 2023

Seven Murals by Philip Orenstein (b. 1938)
A French-Jewish Perspective on France During World War II
Philip Orenstein and Dr. Nadine M. Orenstein in conversation

2023-02-15T19:21:41-05:00January 8th, 2023|, , |Comments Off on Seven Murals by Philip Orenstein (b. 1938)
A French-Jewish Perspective on France During World War II
Philip Orenstein and Dr. Nadine M. Orenstein in conversation

Inspired by a visit to his birth country in the 1990s, American artist Philip Orenstein (b. 1938) created seven murals about the French complicity in the persecution of Jews in France during World War II. At that time, the French government had not admitted it had taken part in the persecution. The murals have been shown in various galleries and museums in the United States. In 1999, William Zimmer wrote in the New York Times, “Mr. Orenstein’s method involves combining poignancy with the determination that the viewers not miss the story. To this end, Mr. Orenstein skillfully, and wittily, employs the look of today’s splashy graffiti.” The works have not yet been shown in France. Born in Paris, France, in 1938, [...]

Jan 8, 2023

CASTAWAY MODERNISM. Basel’s Acquisitions of “Degenerate” Art
Presentation by Dr. Eva Reifert, Kunstmuseum Basel
followed by discussion with Rachel Stern

2023-02-06T07:18:23-05:00January 8th, 2023|, , |Comments Off on CASTAWAY MODERNISM. Basel’s Acquisitions of “Degenerate” Art
Presentation by Dr. Eva Reifert, Kunstmuseum Basel
followed by discussion with Rachel Stern

The Kunstmuseum Basel’s department of classic modernism houses one of the most prestigious collections of its kind. It was in fact assembled at a comparatively late date. In the summer of 1939 — shortly before the outbreak of World War II — Georg Schmidt (1896–1966), the museum’s director at the time, managed to acquire twenty-one avant-garde masterpieces all at once. The works were among those denounced in 1937 by Nazi cultural policy as “degenerate” and forcibly removed from German museums. The Third Reich’s Ministry of Propaganda correctly assumed that a portion of such works would find buyers abroad and bring in foreign currency. In this way certain artworks deemed “internationally exploitable” reached the art market via various channels. [...]

Dec 14, 2022

“Sweet Kitsch, I can’t do that.”
Maria Luiko (1904-1941)
With Wolfram P. Kastner and Mascha Erbelding, both Munich (Germany)

2023-03-30T06:59:22-04:00December 14th, 2022|, , |Comments Off on “Sweet Kitsch, I can’t do that.”
Maria Luiko (1904-1941)
With Wolfram P. Kastner and Mascha Erbelding, both Munich (Germany)

The artistic work of Maria Luiko (1904-1941), born Marie Luise Kohn in Munich, is characterized by an impressive diversity. In addition to drawings, watercolors and oil paintings, she created prints using various printing processes and paper cuts, and designed book illustrations, stage sets and marionettes. Already during her studies at the local Academy of Fine Arts and her training at the School of Applied Arts she was included in exhibitions in the Munich Glass Palace (Münchner Glaspalast). Her career was brutally cut short by the Nazi regime. As a Jew, Luiko was not able to join the Reich Chamber of Fine Arts (Reichskammer der bildenden Künste), a Nazi organization founded in 1933. Without membership, she could not obtain work materials, [...]

Dec 11, 2022

DOROTHY BOHM (1924-2023): A WORLD OBSERVED
Lecture by Monica Bohm-Duchen, London (UK)

2023-03-20T06:43:11-04:00December 11th, 2022|, , |Comments Off on DOROTHY BOHM (1924-2023): A WORLD OBSERVED
Lecture by Monica Bohm-Duchen, London (UK)

Dorothy Bohm was born Dorothea Israelit in Königsberg, East Prussia (now Kaliningrad, Russia) in 1924 into an assimilated, affluent and cultured Jewish milieu. In 1932 her father chose to move the family to Memel (now Klaipeda) in Lithuania, but following the Nazi occupation of Memelland in March 1939, her parents decided to send their daughter, aged 14, to the safety of England, where she arrived in June 1939. She wasn’t to see her parents and sister again for over twenty years. Image above (appears as detail): Dorothy Bohm, Venice Carnival, 1987 © Dorothy Bohm Archive Dorothy Bohm, Self-Portrait, 1942, age 18. © Dorothy Bohm Archive Dorothy Bohm, Ascona, 1948. © Dorothy Bohm Archive [...]

Dec 1, 2022

AS SEEN THROUGH THESE EYES
Conversation with Film Director Hilary Helstein, Los Angeles

2023-02-01T06:15:59-05:00December 1st, 2022|, , |Comments Off on AS SEEN THROUGH THESE EYES
Conversation with Film Director Hilary Helstein, Los Angeles

In honor of UN Holocaust Remembrance Day, Hilary Helstein, director of the award-winning documentary "As Seen Through These Eyes" spoke with Rachel Stern, director and CEO of the Fritz Ascher Society New York, about the making of her documentary. As poet Maya Angelou narrates this powerful documentary, she reveals the story of a brave group of people who fought Hitler with the only weapons they had: charcoal, pencil stubs, shreds of paper and memories etched in their minds. These artists took their fate into their own hands to make a compelling statement about the human spirit, enduring against unimaginable odds. Featuring interviews with Simon Wiesenthal as he talks about his art, never before appearing in a film, [...]

Nov 10, 2022

RECKONINGS – The First Reparations
Film Screening at Marlene Meyerson JCC Manhattan
Followed by Q+A with Gideon Taylor and Karen Heilig

2022-11-24T05:24:57-05:00November 10th, 2022|, |Comments Off on RECKONINGS – The First Reparations
Film Screening at Marlene Meyerson JCC Manhattan
Followed by Q+A with Gideon Taylor and Karen Heilig

In the aftermath of the Holocaust, the unprecedented destruction and plight of survivors prompts the unthinkable - German and Jewish leaders meet in secret to grapple with the first reparations in history, resulting in the groundbreaking Luxembourg Agreements of 1952. Screening followed by Q+A with Gideon Taylor and Karen Heilig, from the Conference on Jewish Material Claims Against Germany.   Watch the Trailer: SCREENINGS In the aftermath of the Holocaust, German and Jewish leaders met in secret to negotiate the unthinkable – compensation for the survivors of the largest mass genocide in history. Survivors were in urgent need of help, but how could reparations be determined for the unprecedented destruction [...]

Nov 7, 2022

Back into the Light.
Four Women Artists – Their Works. Their Paths.
Lecture by Eva Atlan, PhD, Frankfurt (Germany)

2023-02-26T09:25:37-05:00November 7th, 2022|, , |Comments Off on Back into the Light.
Four Women Artists – Their Works. Their Paths.
Lecture by Eva Atlan, PhD, Frankfurt (Germany)

Erna Pinner, Rosy Lilienfeld, Amalie Seckbach, and Ruth Cahn were among the first women artists in Frankfurt to enjoy professional success. Throughout the Roaring Twenties, these four Jewish women left their mark on Frankfurt’s art scene, published and exhibited internationally, cultivated a cosmopolitan lifestyle, and competed with their male colleagues. When the National Socialists seized power, their careers came to an abrupt end. From then on, they were persecuted as Jews and their works ostracized; later, after the end of World War II, they were largely forgotten. Now, “Back into the Light” is at long last bringing them back to the public eye. The departure point is an article by art historian Sascha Schwabacher, published May 1935 [...]

Aug 28, 2022

Flucht ins Überleben [Escape to Survival]. Four Berlin Biographies from the Time of National Socialism
Märkisches Museum, Berlin (Germany)

2022-11-02T01:09:36-04:00August 28th, 2022|, , |Comments Off on Flucht ins Überleben [Escape to Survival]. Four Berlin Biographies from the Time of National Socialism
Märkisches Museum, Berlin (Germany)

Four selected life stories tell of survival strategies in war, flight and persecution - and of the consequences of the traumatic experiences for those affected. EVENT RECORDING FORTHCOMING Today we believe that flight, expulsion, oppression and murder which dominated Europe 70 years ago have been overcome. Recent events in Ukraine show us that this is not the case. And again there are countless individuals whose lives are uprooted and who have to reorient themselves. But what does that do to those affected, what does it do to artists and how do they reflect on this experience? With four selected biographies of Berliners, we recall the survival strategies they had to develop during the National Socialist [...]