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holocaust education

Jan 8, 2023

CASTAWAY MODERNISM. Basel’s Acquisitions of “Degenerate” Art
Presentation by Dr. Eva Reifert, Kunstmuseum Basel
followed by discussion with Rachel Stern

2023-02-06T07:18:23-05:00January 8th, 2023|, , |Comments Off on CASTAWAY MODERNISM. Basel’s Acquisitions of “Degenerate” Art
Presentation by Dr. Eva Reifert, Kunstmuseum Basel
followed by discussion with Rachel Stern

The Kunstmuseum Basel’s department of classic modernism houses one of the most prestigious collections of its kind. It was in fact assembled at a comparatively late date. In the summer of 1939 — shortly before the outbreak of World War II — Georg Schmidt (1896–1966), the museum’s director at the time, managed to acquire twenty-one avant-garde masterpieces all at once. The works were among those denounced in 1937 by Nazi cultural policy as “degenerate” and forcibly removed from German museums. The Third Reich’s Ministry of Propaganda correctly assumed that a portion of such works would find buyers abroad and bring in foreign currency. In this way certain artworks deemed “internationally exploitable” reached the art market via various channels. [...]

Dec 1, 2022

AS SEEN THROUGH THESE EYES
Conversation with Film Director Hilary Helstein, Los Angeles

2023-02-01T06:15:59-05:00December 1st, 2022|, , |Comments Off on AS SEEN THROUGH THESE EYES
Conversation with Film Director Hilary Helstein, Los Angeles

In honor of UN Holocaust Remembrance Day, Hilary Helstein, director of the award-winning documentary "As Seen Through These Eyes" spoke with Rachel Stern, director and CEO of the Fritz Ascher Society New York, about the making of her documentary. As poet Maya Angelou narrates this powerful documentary, she reveals the story of a brave group of people who fought Hitler with the only weapons they had: charcoal, pencil stubs, shreds of paper and memories etched in their minds. These artists took their fate into their own hands to make a compelling statement about the human spirit, enduring against unimaginable odds. Featuring interviews with Simon Wiesenthal as he talks about his art, never before appearing in a film, [...]

Nov 10, 2022

RECKONINGS – The First Reparations
Film Screening at Marlene Meyerson JCC Manhattan
Followed by Q+A with Gideon Taylor and Karen Heilig

2022-11-24T05:24:57-05:00November 10th, 2022|, |Comments Off on RECKONINGS – The First Reparations
Film Screening at Marlene Meyerson JCC Manhattan
Followed by Q+A with Gideon Taylor and Karen Heilig

In the aftermath of the Holocaust, the unprecedented destruction and plight of survivors prompts the unthinkable - German and Jewish leaders meet in secret to grapple with the first reparations in history, resulting in the groundbreaking Luxembourg Agreements of 1952. Screening followed by Q+A with Gideon Taylor and Karen Heilig, from the Conference on Jewish Material Claims Against Germany.   Watch the Trailer: SCREENINGS In the aftermath of the Holocaust, German and Jewish leaders met in secret to negotiate the unthinkable – compensation for the survivors of the largest mass genocide in history. Survivors were in urgent need of help, but how could reparations be determined for the unprecedented destruction [...]

Jun 9, 2022

Nazi Billionaires.
The Dark History of Germany’s Wealthiest Dynasties
Author David de Jong and Rachel Stern in conversation

2022-07-20T13:29:12-04:00June 9th, 2022|, , |Comments Off on Nazi Billionaires.
The Dark History of Germany’s Wealthiest Dynasties
Author David de Jong and Rachel Stern in conversation

This event features a conversation between Rachel Stern and David de Jong, author of the landmark work of investigative journalism, which reveals the true story of how Germany’s wealthiest business dynasties amassed untold money and power by abetting the atrocities of the Third Reich – and how America knowingly allowed these horrors to happen. In 1946, Günther Quandt – patriarch of Germany’s most iconic industrial empire, a dynasty that today controls BMW – was arrested for suspected Nazi collaboration. Quandt claimed that he had been forced to join the party by his archrival, propaganda minister Joseph Goebbels, and the courts acquitted him. But Quandt lied. And his heirs, and those of other Nazi billionaires, have [...]

Jun 7, 2022

Death and Immortality:
The Gentle Power of Hans von Trotha’s “Pollak’s Arm”
Hans von Trotha and Ori Z Soltes in conversation

2022-08-25T13:01:20-04:00June 7th, 2022|, , |Comments Off on Death and Immortality:
The Gentle Power of Hans von Trotha’s “Pollak’s Arm”
Hans von Trotha and Ori Z Soltes in conversation

Ludwig Pollak (Prague 1868-1943 Auschwitz) was an extraordinary connoisseur of antiquities--an Austro-Hungarian Jew whose path into academia was impeded by his religion, but who settled in Rome, where he carved out a unique place for himself as an expert in recognizing, understanding, and organizing great works of art. It was he who shaped and articulated the magnificent collections of JP Morgan. Of perhaps even greater consequence, his astute eye saw a sculpted fragment of an arm in a flea market that, he deduced, was the limb missing from the spectacular Hellenistic-Roman sculptural group known as Laocoon. He gifted that arm fragment to the Vatican so that it might complete the work that occupied an important place within [...]

May 25, 2022

The Shape and Color of Survival.
Samuel Bak (born Vilnius, Lithuania, 1933)
Lecture by Ori Z Soltes, PhD

2022-12-07T18:53:36-05:00May 25th, 2022|, , |Comments Off on The Shape and Color of Survival.
Samuel Bak (born Vilnius, Lithuania, 1933)
Lecture by Ori Z Soltes, PhD

Image above: Samuel Bak, Warsaw Excavation, 2007. Oil on canvas, 16 x 20 in. Image Courtesy Pucker Gallery © Samuel Bak Samuel Bak was 6 years old when the Nazis began ending his childhood, as the war that they engendered would soon extend to his native Vilnius. The number “6” became an important element in his art, since it is also the number of the Commandment with which God enjoins us not to commit murder, for which the Holocaust represented such a profound abrogation. His father smuggled him out of the ghetto in the sack that he was still permitted to use to gather firewood—and was subsequently murdered by the regime. By then Bak himself had already [...]

May 19, 2022

Ludwig and Else Meidner.
An Artist Couple Exiled in London
Lecture by Erik Riedel, Frankfurt/Main (Germany)

2022-08-03T14:52:23-04:00May 19th, 2022|, , |Comments Off on Ludwig and Else Meidner.
An Artist Couple Exiled in London
Lecture by Erik Riedel, Frankfurt/Main (Germany)

When Ludwig and Else Meidner met in 1925, he was already an established artist well-known for his so-called Apocalyptic Landscapes. Although Else started as Ludwig’s student, she developed a distinct independent style and he always praised her art as more refined than his own “coarse” works. As Else Meidner slowly gained recognition in Berlin art circles, her career was abruptly cut short by the Nazi-regime in 1933. She moved to Cologne with her husband in 1935; and they emigrated to England in 1939 only a few weeks before the war started. In London both lived largely unnoticed by the English art scene. But while Ludwig frustratedly returned to Germany, she decided to stay in England. Their complicated relationship developed from [...]

Mar 28, 2022

Behind the Bronze.
The Sculptor Maurice Blik (born 1939 Amsterdam)
Featuring Maurice Blik and Julian Freeman (both London, UK)

2022-09-07T15:52:51-04:00March 28th, 2022|, , |Comments Off on Behind the Bronze.
The Sculptor Maurice Blik (born 1939 Amsterdam)
Featuring Maurice Blik and Julian Freeman (both London, UK)

Maurice Blik has lived in England since being liberated from Bergen Belsen concentration camp, where he was taken as a small child from his birthplace, Amsterdam. The ability to come to terms with this experience and to confront the face of humanity that he has witnessed, stayed silent in his life for some 40 years. It finally found a voice in the passionate sculptures which began to emerge in the late 1970s when he created a series of horses’ heads. These noble and benevolent creatures posses an energy and a life force that seem just barely harnessed long enough to take their shape in the clay itself. Later he progressed to more figurative work in which the irrepressible joy [...]

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