Rachel Stern
CONFERENCE
Artists Migrating to the United States, In and Beyond the Nazi Period
FEATURING Rebecca Erbelding, PhD,
Katya Grokhovsky, and Ori Z Soltes, PhD
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
Shaped in accordance with the theme of the current Fritz Ascher Society online project, "Identity, Art and Migration," this brief conference focusses on psychological, historical and art historical aspects of migration—broadly and in particular within the context of artists seeking refuge in the United States during the Holocaust. Expert Panel: Rebecca Erbelding, PhD, USHMM historian in Washington DC Katya Grokhovsky, artist and founder of The Immigrant Artist Biennal in New York NY and Ori Z Soltes, PhD, Teaching Professor at Georgetown University in Washington DC These diverse experts will address the specifics of American immigration policies in the first half of the twentieth century and how they particularly affected those seeking refuge from the ravages [...]
The Pencil and the Sword.
How Lily Renée (1921–2022)
Put her Art to Work Against the Nazis
Featuring Sabine Apostolo and Michael Freund
Jewish Museum Vienna, Austria
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
Born 1921 in Vienna, Lily Renée Willheim led a sheltered and cultured life until the age of 17 when she had to flee from the Nazi powers, first to England, then to New York. By accident and because of her artistic talent, she became one of the leading cartoonists during World War Two, creating artwork in which anti-fascist messages were as important as aesthetic considerations. For many decades after the end of the war, she continued to work creatively in various art forms. Image above: Detail of Lily Renée, Title Page, Femforce Good Girl art quarterly, reprint, summer 1991 © Lily Renée In their presentations, Sabine Apostolo and Michael [...]
International Holocaust Remembrance Day
#EVERYNAMECOUNTS Challenge
Partnership with Arolsen Archives and Yad Vashem
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
Become part of an international community that actively helps build the largest digital memorial to the victims of National Socialism. During this 48 hour challenge, we help the Arolsen Archives index documents from the Central Location Index (CLI) at Yad Vashem, which have never been indexed before. Every number, every place, and every name you type in on the crowdsourcing platform will help preserve the memory of the persecutees – and make sure we never forget what happened to them. This event features Elizabeth Berkowitz, our former Digital Interpretation Manager, who speaks about #everynamecounts at the Fritz Ascher Society, and Katharina Menschick from the Arolsen Archives, who introduces the Arolsen Archives and the current project. A [...]
Boris Lurie:
Searching for Truth in Holocaust Images
Featuring Eckhart Gillen, PhD, Berlin (Germany)
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
In Claude Lanzmann’s seminal nine-and-a-half-hour film SHOAH, he chose not to use any images of the Holocaust, telling the story instead solely through the words of witnesses. By contrast, art historian Georges Didi-Huberman and contemporary artist Gerhard Richter have both emphasized the power of images to reflect and educate—the former in his book Images in Spite of All: Four Photographs from Auschwitz, and the latter in a series of paintings titled “Birkenau.” Join the Museum of Jewish Heritage and the Fritz Ascher Society for a lecture exploring the tension between these different perspectives on images, words, and the Holocaust with German art historian and curator Eckhart Gillen. Gillen grounds the discussion in the example of Boris Lurie, the subject [...]
Identity and Migration:
Artists and Composers who Fled Persecution
Sheen Center for Thought & Culture, New York
Sheen Center for Thought & Culture
18 Bleecker Street, New York
Opening remarks by Consul Yasemin Pamuk, Consulate General of the Federal Republic of Germany in New York Distinguished Panelists Ori Z Soltes PhD, Georgetown University in Washington DC Artist Refugees from Nazi Germany in the United States Rebecca Erbelding PhD, Historian and Author in Washington DC US Immigration Policy during the 1930s Refugee Crisis Stephen M Rasche JD, Catholic University in Erbil, Kurdistan Region, Iraq Identity in a Time of Forced Displacement: Religious Art and the Iraqi Christian Experience David Stern, German born American Artist in New York NY Immigration and Culture Shock in Times of Globalization Musical Performance (Piano) Carolyn Enger, Steinway Recording Artist: Arnold Schoenberg - Sechs kleine Klavierstücke Op. 19 Emahoy Tsegué-Maryam Guèbrou: Homesickness Pt. 1 Paul [...]
Jussuf Prince of Thebes –
Re-constructing the life and work of a forgotten talent from Safed
Featuring Dorothea Schöne, Berlin (Germany)
Marlene Meyerson JCC Manhattan
334 Amsterdam Ave, New York, NY, United States
In the late nineteenth century, the sculptor Joseph M. Abbo (1888–1953) – who later renamed himself Jussuf Abbo – was born in Safed, in the province of Beirut of the Ottoman Empire. As a young man, he began working as a labourer on the restoration site being led by an architect, Hoffmann, on behalf of the German government. Abbo was noticed and was rapidly promoted to the drawing-office and to stone-carving. He was offered a scholarship at the Berlin School of Art. Jussuf Abbo arrived in Germany in 1911 and began studying at the Royal Academy of Fine Arts in Berlin in 1913. By 1919 he had a master studio in the Prussian Academy of Fine Arts. Throughout the [...]
Arnold Schoenberg’s Pierrot Lunaire
and the Role of the Clown
in the Arts
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
Pierrot, the famous character from the Italian commedia dell’arte, is set by the composer A. Schoenberg as the moonstruck and fantastical clown, who is a symbol for putting on a mask to hide one’s true feelings or opinions. Forever lovelorn and wistfully contemplating the dying moon, he lurches through the night, hiding his face underneath a thick layer of white paint. The extravagance of emotions, the aesthetic of exaggeration, and the distortion of communication through the mask turn Pierrot into an incredibly fascinating and universal figure. Pre-concert talk Rachel Stern, Director and CEO, The Fritz Ascher Society for Persecuted, Ostracized and Banned Art Stephen Decatur Smith, Stony Brook University, Department of Music Concert [...]
Ben-Zion (1897-1987):
Man of Many Faces
Featuring Tabita Shalem and Ori Z Soltes
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
Born in the Russian Empire, Ben-Zion (Benzion Weinman, 1897-1987) immigrated to New York City between the wars, arriving as a craftsman of words whose cultural Zionist convictions led him to write his poetry in Hebrew. By the early 1930s, the rise of fascism and its particularized manipulations of language drove him to despair of the power of words and to turn to visual art as a medium of expression. Endlessly creative, across the next six decades he produced a flood of drawings and oil paintings and sculptures often made by re-visioning found objects of wood, stone, and iron. As a founding member of the expressionist group, "The Ten"--that included among others a young Mark Rothko--Ben-Zion addressed social, political, and cultural [...]
Prison Diaries by Hans Uhlmann, 1933-1935:
Drawing as Life Line
Featuring Dorothea Schöne, Berlin (Germany)
Marlene Meyerson JCC Manhattan
334 Amsterdam Ave, New York, NY, United States
On October 26, 1933, Hans Uhlmann was arrested by the Gestapo on the street. In the notorious Columbia-Haus, he was interrogated for several weeks and then found guilty by the court of appeal of “preparations for a traitorous enterprise.” He spent a year and a half in prison—first in Moabit and then in Tegel Prison. The artist recorded his experiences of those years in diaries. In parallel with these diaries, he produced four books of sketches. In his diary entries Uhlmann describes his arrest as well as scenes from daily life in confinement but above all his artistic concerns and projects: “I think often of freedom; of my first works; I occupy myself here by imagining these figures” (May [...]
ART FOR NO ONE:
Artists in Germany between 1933 and 1945
Lecture by Ilka Voermann, Frankfurt/Main (Germany)
Marlene Meyerson JCC Manhattan
334 Amsterdam Ave, New York, NY, United States
Between 1933 and 1945, the National Socialist regime controlled artistic work in Germany. Particularly artists who were persecuted based on their religion, race, or political views fled into exile due to threats from the government. But what happened to the artists who remained in the country? Isolation, lack of an audience, and limited exchange impacted the creativity of the individuals who were deprived of a basis for work and life under National Socialism. Their situation is often described in a generalized way as “ostracism” or “inner emigration.” In light of the multilayered and divergent personal circumstances, however, these terms fall short of the mark. Image above: Hans Grundig, Clash of the Bears and Wolves, 1938, Oil on plywood, 90,5 [...]
