Allianz Partners
Twitterview @Ascher_Society
Giora Seeliger
“Ask A Healthcare Clown!”
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
Twitter @Ascher_Society Giora Seeliger, Artistic Director and Founder of Red Noses Clowndoctors International, takes over the FAS Twitter account to answer your burning questions about clowning, the role of a healthcare clown, and anything else that comes to mind! Submit your questions in advance by writing to info@fritzaschersociety.org Part of "Send in the Clowns," an interactive two-week digital initiative, which explores the clown as a figure between tragedy and comedy, between self- identification and stage--a character designed to (literally) mask the performer’s true feelings behind a facade of happiness. “Send in the Clowns” uses the prominence of the “clown” figure in Fritz Ascher’s work as a lens through which to explore the duality of the clown both historically and today. [...]
John Heartfield (1891-1968)
His Political Engagement and Private Life in London
Rosa von der Schulenburg, Berlin
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
WATCH THE RECORDING OF THIS EVENT HERE. Lecture featuring Rosa von der Schulenburg, Head of the Art Collection of the Academy of Arts in Berlin Moderated by Rachel Stern, Executive Director of the Fritz Ascher Society in New York John Heartfield (1891-1968) was a German visual artist who pioneered the use of art as a political weapon. This presentation starts with preliminary remarks about John Heartfield’s bequest in the Akademie der Künste in Berlin and shows how it is accessible nowadays. A short introduction of how all began follows, showing the background of the birth of Heartfield’s political photo-montages (World War I, Dada, Communist Party, Willi Münzenberg’s Die Arbeiter-Illustrierte-Zeitung in short AIZ), glances at Heartfield’s first exile stage in Prague and then focuses on [...]
White Shadows:
The Photograms of Anneliese Hager (1904-1997)
Lynette Roth, Harvard Art Museums
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
Lecture by Lynette Roth Daimler Curator of the Busch-Reisinger Museum and Head of the Division of Modern and Contemporary Art at the Harvard Art Museums Moderated by Rachel Stern Executive Director of the Fritz Ascher Society in New York Anneliese Hager (1904-1997) is one of a number of modern artists who began their artistic experimentation in Germany after National Socialist cultural policy began to harden against all forms of modern art. Her preferred medium was the photogram, a photographic image made by placing an object directly on (or in close proximity to) a light-sensitive surface and exposing it to light. Hager called the reversal of light and dark in the resulting contact print “white shadows.” [...]
Biala (1903-2000):
The Rash Acts of Rescue and Escape
Jason Andrew, New York
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
WATCH THE RECORDING OF THIS EVENT HERE. More information about Janice Biala is available HERE. Lecture featuring Jason Andrew Independent Scholar, Curator and Producer in New York Introduced by Rachel Stern Executive Director of the Fritz Ascher Society in New York Biala (1903-2000) was a Polish born American painter whose career stretched over eight decades and spanned two continents. Through it all, she retained an intimacy in her art rooted in Old World Europe—sensibilities that began with memories of her childhood in a Polish village, shaped by School of Paris painters like Bonnard, Matisse and Braque, inspired by Velázquez and the Spanish Masters, and broadened by the community of loft-living artists in Post World War II Downtown New York. Her [...]
Excluded and yet entangled in two dictatorships:
The political constructivist Oskar Nerlinger
Eckhart Gillen, Berlin
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
Oskar Nerlinger (1893-1969) was one of the most important artists of the committed art scene in the Weimar Republic. He was a member of the Association of Proletarian Revolutionary Art (ASSO for short), which was founded in 1928 and belonged to the KPD, which cooperated with the Soviet avant-garde artist group Oktober. At that time there was no conflict between positions of aesthetic modernism and KPD politics. In 1932 the political and artistic avant-garde in the Soviet Union fell apart, with serious consequences for left-wing artists in Germany. Almost at the same time, the Nazi system broke with all forms of modernity. With his idea of art suddenly doubly isolated within his own party, which followed Stalin's art verdict, [...]
Becoming Jewish:
The Sculptor Benno Elkan (1877-1960)
Christian Walda, Dortmund with
Wolfgang Weick and Ori Z. Soltes
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
Born 1877 in Dortmund, the sculptor Benno Elkan (1877-1960) first studied painting in Munich and Karlsruhe. At the end of his studies, he turned to sculpture. As a young artist, he spent time in Paris, Rome, and Frankfurt. Elkan’s oeuvre was largely made up of commissions. In the beginning, he mainly created tombs. Medals, portrait busts of well-known personalities, monuments to victims and candelabras follow, partly for the religious (Jewish and Christian) context. Elkan fled persecution by the German Nazi regime to Great Britain in 1934and lived with his family in London until the end of his life. Perhaps the most important work besides the Menorah in Jerusalem (1956) was never built: Memorial to the Defenseless Victims of the Bombing [...]
Building the Largest Digital Memorial
to the Victims of Nazism:
The Arolsen Archives
with Floriane Azoulay and Giora Zwilling, Arolsen
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
The International Tracing Service (ITS), since 2019 called Arolsen Archives, was established by the Allies in 1948 as a central search and information center. They house the world’s most extensive collection of documents about the victims of National Socialist persecution, including documents from Nazi concentration camps, ghettoes and penal institutions, documents about forced laborers, and documents from the early post-war period about Displaced Persons, mainly Holocaust survivors, former concentration camp prisoners, and forced laborers. People who had fled the sphere of influence of the Soviet Union for political reasons are also included. The archive's holdings consist of 30 million documents in total and belong to UNESCO’s Memory of the World. At this event, Floriane Azoulay (Director) and Giora Zwilling (Deputy [...]
Cartoon Crusader:
Arthur Szyk’s War against Nazism
Steven Luckert, Washington DC
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
During the first four decades of the twentieth century, Polish Jewish artist Arthur Szyk (1894–1951) was best known for his richly detailed book illustrations and magnificent illuminations on Jewish themes. He portrayed the Jews as a heroic nation that had resisted oppression through the ages and eventually triumphed. His Jews were fighters for their own freedom and the freedom of others. Szyk sought to redefine how the Jews viewed themselves and how others viewed them. His works thus challenged the notion that Jewish history was merely one long saga of suffering and, at the same time, refuted the then common antisemitic canard that the Jews were a cowardly people. With the coming to power in Germany of Adolf Hitler [...]
Oskar Kokoschka (1886-1980):
The Making of an Artist
by Rüdiger Görner, London (UK)
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
The Austrian artist Oskar Kokoschka (1886-1980) achieved world fame with his intense expressionistic portraits and landscapes. Rüdiger Görner, author of the first English-language biography, depicts the artist in all his fascinating and contradictory complexity. He traces Kokoschka’s path from bête noire of the bourgeoisie and a so-called ‘hunger artist’ to a wealthy and cosmopolitan political and critical artist who played a major role in shaping the European art scene of the twentieth century and whose relevance is undiminished to this day. In 1934, Kokoschka left Austria for Prague, and in 1938, when the Czechs began to mobilize for the expected invasion by the German Wehrmacht, Kokoschka fled to the United Kingdom, where he remained during the war. Although he [...]
#EVERYNAMECOUNTS
LIVE ZOOM DATA ENTRY EVENT
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
Join the Fort Tryon Jewish Center (FTJC) and the Fritz Ascher Society for a LIVE DATA ENTRY EVENT to help build the world’s largest digital monument to victims of the Holocaust: the Arolsen Archives’ #everynamecounts. THIS EVENT WAS NOT RECORDED. Opening Remarks Rabbi Guy Austrian Fort Tryon Jewish Center in New York Rachel Stern Director and CEO of the Fritz Ascher Society in New York Introduction and Moderation Elizabeth Berkowitz Digital Interpretation Manager of the Fritz Ascher Society in New York #everynamecounts is a crowd-sourced data entry initiative to return the names of Holocaust victims, their families, and details of their lives into the findable, keyword-searchable public record. Participants enter information about Nazi victims and family members from digitized [...]
