fbpx

Paris

Aug 4, 2021

Sculpting the Light:
Avant-Garde to Auschwitz and Beyond.
Moissey Kogan (1879-1943)
Lecture by Helen Shiner, Oxford (UK)

2022-02-18T05:27:54-05:00August 4th, 2021|, , |Comments Off on Sculpting the Light:
Avant-Garde to Auschwitz and Beyond.
Moissey Kogan (1879-1943)
Lecture by Helen Shiner, Oxford (UK)

Lecture by Helen Shiner Director/Editor at the Moissey Kogan Catalogue Raisonné of Sculpture & Prints, Oxford (UK) Introduced by Rachel Stern Director and CEO of the Fritz Ascher Society in New York Moissey Kogan (1879-1943) was an innovative, influential sculptor-craftsman and printmaker, whose career straddled the European avant-gardes of the first half of the 20th century. A cosmopolitan Russian Jew, whose work was marked by his interest in Jewish mysticism and theosophical beliefs, Kogan looked to non-European cultures and ancient sources, in common with many of his contemporaries in Munich, Berlin, Amsterdam, and Paris, to root his avant-garde experimentations and revivals of ancient techniques, in what were considered more authentic means of expression. On the day [...]

Jun 2, 2021

Jeanne Mammen (1890-1976)-
A Life Dedicated to Art
Lecture by Dr. Martina Weinland, Berlin

2022-02-18T05:46:15-05:00June 2nd, 2021|, |Comments Off on Jeanne Mammen (1890-1976)-
A Life Dedicated to Art
Lecture by Dr. Martina Weinland, Berlin

Lecture by Dr. Martina Weinland Commissioner for Cultural Heritage at the Museum of the City of Berlin in Berlin (Germany) Followed by Q&A moderated by Rachel Stern Director and CEO, Fritz Ascher Society in New York The Berlin artist Jeanne Mammen (1890-1976) is best known for her depictions of strong, sensual women and Berlin city life. But there is much more to her 70 years of artistic output, with unique sketches, paintings and sculptures. In 1975, she tells the art historian Hans Kinkel, who conducts the only interview she will ever give: “You must always write that my pictures were created between 1890 and 1975. …I have always wanted to be just a pair of eyes, walking through [...]

Feb 10, 2021

Excluded and yet entangled in two dictatorships:
The political constructivist Oskar Nerlinger
Eckhart Gillen, Berlin

2022-02-18T07:13:15-05:00February 10th, 2021|, , |Comments Off on Excluded and yet entangled in two dictatorships:
The political constructivist Oskar Nerlinger
Eckhart Gillen, Berlin

Oskar Nerlinger (1893-1969) was one of the most important artists of the committed art scene in the Weimar Republic. He was a member of the Association of Proletarian Revolutionary Art (ASSO for short), which was founded in 1928 and belonged to the KPD, which cooperated with the Soviet avant-garde artist group Oktober. At that time there was no conflict between positions of aesthetic modernism and KPD politics. In 1932 the political and artistic avant-garde in the Soviet Union fell apart, with serious consequences for left-wing artists in Germany. Almost at the same time, the Nazi system broke with all forms of modernity. With his idea of art suddenly doubly isolated within his own party, which followed Stalin's art verdict, [...]

Jan 27, 2021

Between Art and Record Keeping –
Artistic Representations of the Holocaust
Ori Z Soltes, Washington DC

2022-02-18T07:19:09-05:00January 27th, 2021|, , |Comments Off on Between Art and Record Keeping –
Artistic Representations of the Holocaust
Ori Z Soltes, Washington DC

WATCH THE RECORDING OF THIS EVENT HERE. Visual art during and after the Holocaust, by victims and survivors eloquently contradicts the famous comment by Theodor Adorno that "after the Holocaust to make art is barbaric." On the contrary, it was and is necessary: as part of the record of events as they were transpiring, and as part of the human response to horror--to express anger, to raise questions, to offer healing--in the time after those events. Who creates the art and what kind of art is created? What role does it play in wrestling with the question of what God is and what we humans are? These issues have implications both from within the heart of the Holocaust and from well beyond its particular boundaries. [...]

Jan 6, 2021

Biala (1903-2000):
The Rash Acts of Rescue and Escape
Jason Andrew, New York

2021-01-11T06:14:12-05:00January 6th, 2021|, , |Comments Off on Biala (1903-2000):
The Rash Acts of Rescue and Escape
Jason Andrew, New York

WATCH THE RECORDING OF THIS EVENT HERE. More information about Janice Biala is available HERE. Lecture featuring Jason Andrew Independent Scholar, Curator and Producer in New York Introduced by Rachel Stern Executive Director of the Fritz Ascher Society in New York Biala (1903-2000) was a Polish born American painter whose career stretched over eight decades and spanned two continents. Through it all, she retained an intimacy in her art rooted in Old World Europe—sensibilities that began with memories of her childhood in a Polish village, shaped by School of Paris painters like Bonnard, Matisse and Braque, inspired by Velázquez and the Spanish Masters, and broadened by the community of loft-living artists in Post World War II Downtown New York. Her [...]

Go to Top