Rachel Stern2024-01-24T06:51:51-05:00January 12th, 2024|Newsletter|
We hope that 2024 started well for you. This is our 10th anniversary year, and we are planning many stimulating and thought provoking events and programs, and even two publications to celebrate this milestone. On Friday, January 27, is the anniversary of the liberation of Auschwitz-Birkenau by the Red Army in 1945. We commemorate this date as the International Holocaust Remembrance Day. Leading up to that day, we invite you to once again participate in #EVERYNAMECOUNTS. DATAENTRY CHALLENGE #EVERYNAMECOUNTS The Arolsen Archives are working on the world’s most comprehensive online archive of the people who were persecuted and murdered by the National Socialists. Join us for the third year in recording names and paths [...]
Rachel Stern2024-01-24T15:36:23-05:00December 26th, 2023|Events, Lectures, Past Events|
Fifteen years after the great financial crisis of 2008, which shook the capitalist economic system in America and Europe to its foundations, the book “The New Man as Man Machine” presents, for the first time, the interrelationship of art and political economy in the Weimar Republic, the Soviet Union, and the United States of America during the interwar period. By taking a look back at the 1920s and 1930s, it attempts to better understand our own era and its well-founded fears with regard to globalization and a new global economic crisis. Image above: Kliment Redko, Aufstand, 1924-25 This project focuses on how artists reacted to the central questions of the political economy in these three [...]
Rachel Stern2022-02-06T07:18:15-05:00September 14th, 2021|Events, Lectures, Past Events|
In Claude Lanzmann’s seminal nine-and-a-half-hour film SHOAH, he chose not to use any images of the Holocaust, telling the story instead solely through the words of witnesses. By contrast, art historian Georges Didi-Huberman and contemporary artist Gerhard Richter have both emphasized the power of images to reflect and educate—the former in his book Images in Spite of All: Four Photographs from Auschwitz, and the latter in a series of paintings titled “Birkenau.” Join the Museum of Jewish Heritage and the Fritz Ascher Society for a lecture exploring the tension between these different perspectives on images, words, and the Holocaust with German art historian and curator Eckhart Gillen. Gillen grounds the discussion in the example of Boris Lurie, the subject [...]
Rachel Stern2021-02-24T05:46:01-05:00January 10th, 2021|Newsletter|
Dear Friends, Please join us, the Museum of Jewish Heritage and the German Consulate General in New York TOMORROW, January 19 at 2:00pm ET for a stirring performance of Carolyn Enger’s Mischlinge Exposé, which will be live streamed from Edmond J. Safra Hall. The performance will be followed by a discussion. Registration link for the livestream HERE. Carolyn Enger is a pianist based in the greater New York City area, with roots reaching back to Breslau, now Wroclaw, Poland. Her “Mischlinge Exposé” brings to light the stories of Mischlinge—a derogatory term used by the Nazis to describe people with both Jewish and Aryan ancestry—like her father and godmother, interwoven [...]
Rachel Stern2022-02-18T07:13:15-05:00December 3rd, 2020|Events, Lectures, Past Events|
Oskar Nerlinger (1893-1969) was one of the most important artists of the committed art scene in the Weimar Republic. He was a member of the Association of Proletarian Revolutionary Art (ASSO for short), which was founded in 1928 and belonged to the KPD, which cooperated with the Soviet avant-garde artist group Oktober. At that time there was no conflict between positions of aesthetic modernism and KPD politics. In 1932 the political and artistic avant-garde in the Soviet Union fell apart, with serious consequences for left-wing artists in Germany. Almost at the same time, the Nazi system broke with all forms of modernity. With his idea of art suddenly doubly isolated within his own party, which followed Stalin's art verdict, [...]
Rachel Stern2020-07-15T15:54:15-04:00July 9th, 2020|Newsletter|
Dear Friends, Antisemitism and racism are not the same. But they are both based on the lack of regard to the values this country was founded on: freedom, justice and equality. As a proud immigrant, I deeply believe in these values, admire the dynamic energy of this country, and hope that this unprecedented time helps speed up the process towards realizing these ideals of freedom, justice and equality for all. As an individual and as the executive director of the Fritz Ascher Society, I strive to do my part in this process. The Fritz Ascher Society tells the stories of artists, who lived and worked in Germany, as the country abandoned its first and very fragile democracy and instead [...]
Rachel Stern2020-08-05T22:20:06-04:00June 25th, 2020|Events, Past Events|
Watch the video of this event HERE Lecture featuring Eckhart Gillen, Independent Curator based in Berlin, Germany Moderated by Rachel Stern, Executive Director of the Fritz Ascher Society in New York The lecture tells how the daughter of the Jewish clothing and furniture retailer Moritz Langer leaves her family's Orthodox milieu to study at the Dresden Art Academy. There she meets art student Hans Grundig. With him she joined the German Communist Party in 1926. From now on she wanted to put her art at the service of the working class. After returning from exile in Palestine, she used her art for the newly founded GDR. There she had a career as a professor and as president of the Association [...]
Rachel Stern2020-02-06T08:01:15-05:00February 6th, 2020|Newsletter|
Dear Friends, “Fritz Ascher, Expressionist” is now on view at the Joel and Lila Harnett Museum of Art in Richmond, Virginia, until May 24 (link). You can listen to my opening lecture here. “Fritz Ascher, Expressionist” at the Joel and Lila Harnett Museum of Art in Richmond, Virginia In every venue, different hanging bring out new aspects of single artworks, and unexpected connections between artworks provide new insights. The Harnett Museum of Art is no exception. For the first time, “The Tortured” (“Der Gequälte”) takes up center stage. It is a monumental painting measuring 59 x 79.4 inches. Fritz Ascher created it in the 1920s, as social and racial tensions in [...]
Rachel Stern2020-03-03T08:46:09-05:00December 31st, 2019|Events, Past Events|
February 12, 2020 6:00-8:00pm Camp Concert Hall Modlin Center for the Arts 453 Westhampton Way Richmond, VA 23173 Information: 804-289-8276 Panel Discussion Expressionisms: Germany and the United States Among the diverse descriptive labels attached to the art of Fritz Ascher, perhaps none is more evocative and distinct than "expressionist." In the context of visual art, that term has, over the past century and a half, connoted the articulation of strong emotion--through color, brush work, and the aggressive representation of figures and the elements of nature. This discussion will consider ways in which these features, particularly in painting, can explore and have explored embodying emotion and provoking it in the viewer. Also discussed will be the relationships of political identity, the workings of [...]
Rachel Stern2019-12-10T06:06:07-05:00December 10th, 2019|Newsletter|
Dear Friends, Today I have exciting news: on November 13, the Fritz Ascher Stiftung (Fritz Ascher Foundation) was founded at Stiftung Stadtmuseum Berlin (City Museum Berlin) (link). The foundation's board of trustees consists of Paul Spies, director of Stiftung Stadtmuseum Berlin, Eckhart Gillen, art historian and curator, and Rachel Stern, director of the Fritz Ascher Society. from left: Paul Spies, Peter-Stephan Prause, Eva Bünte, Rachel Stern, Martina Weinland, Peter Bünte Ephraim Palais, Stiftung Stadtmuseum Berlin, Berlin (Germany) The foundation was initiated by private collectors of the artistic work of Fritz Ascher, to give his work a publicly accessible home and to present it in the context of his artistic contemporaries in [...]
Newsletter #6, May 2016
Rachel Stern2018-12-04T12:44:40-05:00May 19th, 2016|Newsletter|
Dear Friends, As we are drawn to spend more time outside in the lovely spring weather, this newsletter is all about Fritz Ascher’s late landscapes that became the focus of his work after 1945. Trees, late 1950s ©Bianca Stock, Munich Frank Auerbach, Mornington Crescent Looking South, 1997 ©Frank Auerbach, courtesy Marlborough Fine Art In dozens and dozens of intense paintings and gouaches intoxicated with color, Ascher turns to nature painting in the broadest sense. Among them are landscapes, woodland scenes, portraits of individual trees, groups of trees, all inspired by hours of walking in the nearby Grunewald. In his catalogue essay accompanying the upcoming Fritz Ascher retrospective, Eckhart Gillen relates the aesthetic practice and behavior of the two painters Fritz [...]
