Berlin
Jeanne Mammen (1890-1976)-
A Life Dedicated to Art
Lecture by Dr. Martina Weinland, Berlin
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
Lecture by Dr. Martina Weinland Commissioner for Cultural Heritage at the Museum of the City of Berlin in Berlin (Germany) Followed by Q&A moderated by Rachel Stern Director and CEO, Fritz Ascher Society in New York The Berlin artist Jeanne Mammen (1890-1976) is best known for her depictions of strong, sensual women and Berlin city life. But there is much more to her 70 years of artistic output, with unique sketches, paintings and sculptures. In 1975, she tells the art historian Hans Kinkel, who conducts the only interview she will ever give: “You must always write that my pictures were created between 1890 and 1975. …I have always wanted to be just a pair of eyes, walking through [...]
New Frontiers of Provenance Research:
The Mosse Art Research Initiative (MARI)
Lecture by Prof. Dr. Meike Hoffmann, Berlin (Germany)
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
MARI is innovative in many ways. For the first time, descendants of victims of Nazi persecution are cooperating with German institutions in a public/private partnership in provenance research. After an initial three-year research period, the successful project at Freie Universität Berlin is now being continued. Numerous works from the former Mosse collection have already been recovered and restituted. In the process, surprising stories came to light showing the whole challenge range of provenance research and restitution. MARI's task, however, is not only to search for the works of the former collection, but also to gain insight into the strategies of the so called “Gleichschaltung” (consolidation) of the press just after the Nazis came to power in 1933, as well [...]
Sculpting the Light:
Avant-Garde to Auschwitz and Beyond.
Moissey Kogan (1879-1943)
Lecture by Helen Shiner, Oxford (UK)
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
Lecture by Helen Shiner Director/Editor at the Moissey Kogan Catalogue Raisonné of Sculpture & Prints, Oxford (UK) Introduced by Rachel Stern Director and CEO of the Fritz Ascher Society in New York Moissey Kogan (1879-1943) was an innovative, influential sculptor-craftsman and printmaker, whose career straddled the European avant-gardes of the first half of the 20th century. A cosmopolitan Russian Jew, whose work was marked by his interest in Jewish mysticism and theosophical beliefs, Kogan looked to non-European cultures and ancient sources, in common with many of his contemporaries in Munich, Berlin, Amsterdam, and Paris, to root his avant-garde experimentations and revivals of ancient techniques, in what were considered more authentic means of expression. On the day [...]
Through the Prism of Time:
John H. Less (1923-2011)
and His Visual Impressions of
Holocaust Refuge in Shanghai
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
Presentation by Steven Less, PhD Senior research fellow emeritus of the Max Planck Institute for Comparative Public Law and International Law and son of the artist in Heidelberg (Germany) and Hannah-Lea Wasserfuhr PhD Candidate at the Center for Jewish Studies in Heidelberg, Heidelberg (Germany) Moderated by Rachel Stern Director and CEO of the Fritz Ascher Society in New York Born in Berlin, John Hans Less (1923 – 2011) fled to Shanghai in September 1940 as a 16-year-old together with his family to escape Nazi persecution. Largely dependent on relief organizations to survive, the Less family soon went through further disruptions when the Japanese occupied the city and later confined Jewish refugees to the Hongkew [...]
Rudi Lesser (1902–1988):
The Forgotten and Rediscovered Artist
Featuring Lillie Johnson Edwards, PhD and Ori Z. Soltes, PhD
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
Rudi Lesser, a graphic artist already gaining significant recognition in his twenties in Germany, survived the Holocaust in Scandinavia. Interestingly, he immigrated to the US just after the war, in 1946, and although achieving success in New York--and as the founder of the graphic arts department at Howard University in Washington, DC--never felt at home here. He returned to a different Germany, in 1957, where he lived in relative poverty and obscurity--but apparent contentment--for the remaining thirty years of his long life. Lesser was one of over 10 Jewish refugee professors at Howard University and among the more than 60 at Black colleges, primarily in the South. Like other Jewish and white progressives and liberals of his era, [...]
Remembering Friedel:
An Intimate View of Friedel Dzubas (1915-1994)
Featuring Karen Wilkin and Sandi Slone
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
In a prolific career that spanned nearly five decades, Friedel Dzubas (b. Berlin, 1915–d. 1994, Newton, Mass.) articulated his mature style by the 1970s, creating a striking visual language from counterpoised abstract shapes of brushed color that he juxtaposed, overlapped, and opened to reveal his gessoed grounds. Yet, in prior years, Dzubas’s early work in Berlin were influenced by Expressionist artist of the two primary groups known as Die Brücke and Die Blaue Reiter. As Dzubas told curator Charles Millard in 1982, “Their unheard-of brashness of color; that was really brave. That was very exciting. Color’s an emotional thing. These people not only spoke directly; they felt deeply. There was passion.” His early pen and ink watercolors embed the [...]
Boris Lurie:
Searching for Truth in Holocaust Images
Featuring Eckhart Gillen, PhD, Berlin (Germany)
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
In Claude Lanzmann’s seminal nine-and-a-half-hour film SHOAH, he chose not to use any images of the Holocaust, telling the story instead solely through the words of witnesses. By contrast, art historian Georges Didi-Huberman and contemporary artist Gerhard Richter have both emphasized the power of images to reflect and educate—the former in his book Images in Spite of All: Four Photographs from Auschwitz, and the latter in a series of paintings titled “Birkenau.” Join the Museum of Jewish Heritage and the Fritz Ascher Society for a lecture exploring the tension between these different perspectives on images, words, and the Holocaust with German art historian and curator Eckhart Gillen. Gillen grounds the discussion in the example of Boris Lurie, the subject [...]
Jussuf Prince of Thebes –
Re-constructing the life and work of a forgotten talent from Safed
Featuring Dorothea Schöne, Berlin (Germany)
Marlene Meyerson JCC Manhattan
334 Amsterdam Ave, New York, NY, United States
In the late nineteenth century, the sculptor Joseph M. Abbo (1888–1953) – who later renamed himself Jussuf Abbo – was born in Safed, in the province of Beirut of the Ottoman Empire. As a young man, he began working as a labourer on the restoration site being led by an architect, Hoffmann, on behalf of the German government. Abbo was noticed and was rapidly promoted to the drawing-office and to stone-carving. He was offered a scholarship at the Berlin School of Art. Jussuf Abbo arrived in Germany in 1911 and began studying at the Royal Academy of Fine Arts in Berlin in 1913. By 1919 he had a master studio in the Prussian Academy of Fine Arts. Throughout the [...]
Ben-Zion (1897-1987):
Man of Many Faces
Featuring Tabita Shalem and Ori Z Soltes
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
Born in the Russian Empire, Ben-Zion (Benzion Weinman, 1897-1987) immigrated to New York City between the wars, arriving as a craftsman of words whose cultural Zionist convictions led him to write his poetry in Hebrew. By the early 1930s, the rise of fascism and its particularized manipulations of language drove him to despair of the power of words and to turn to visual art as a medium of expression. Endlessly creative, across the next six decades he produced a flood of drawings and oil paintings and sculptures often made by re-visioning found objects of wood, stone, and iron. As a founding member of the expressionist group, "The Ten"--that included among others a young Mark Rothko--Ben-Zion addressed social, political, and cultural [...]
Prison Diaries by Hans Uhlmann, 1933-1935:
Drawing as Life Line
Featuring Dorothea Schöne, Berlin (Germany)
Marlene Meyerson JCC Manhattan
334 Amsterdam Ave, New York, NY, United States
On October 26, 1933, Hans Uhlmann was arrested by the Gestapo on the street. In the notorious Columbia-Haus, he was interrogated for several weeks and then found guilty by the court of appeal of “preparations for a traitorous enterprise.” He spent a year and a half in prison—first in Moabit and then in Tegel Prison. The artist recorded his experiences of those years in diaries. In parallel with these diaries, he produced four books of sketches. In his diary entries Uhlmann describes his arrest as well as scenes from daily life in confinement but above all his artistic concerns and projects: “I think often of freedom; of my first works; I occupy myself here by imagining these figures” (May [...]
