“Der Vereinsamte. Clowns in der Kunst Fritz Aschers”
Forum Jacob Pins, Höxter, Germany
Forum Jacob Pins
Westerbachstr. 35-37, Höxter, NY, Germany
“The Loner. Clowns in the Art of Fritz Ascher (1893-1970)” Watch the German language video of the opening lecture by Julia Diekmann, Curator at Forum Jacob Pins HERE. Watch a short German language video about the installation of the exhibition HERE. You can order the bilingual (German/English) exhibition catalogue HERE. On the occasion of the 50th anniversary of the artist's death, Forum Jacob Pins shows around 40 paintings and works on paper by the Expressionist Fritz Ascher (1893-1970). Persecuted by the National Socialists as a “degenerate” artist and as a born Jew, Ascher lived through two world wars, existential social and political unrest, the persecution by the National Socialists and the development of a divided Germany. The exhibition for the [...]
Guided Tour through the Exhibition
“The Loner. Clowns in the Art of Fritz Ascher”
by Curator Julia Diekmann, Höxter (Germany)
Forum Jacob Pins
Westerbachstr. 35-37, Höxter, NY, Germany
Exhibition curator Julia Diekmann guides through the exhibition. Whether in dramatic context or as individual figure, the clown always plays the role of the outsider, of the one opposite the many. He is laughed at and ridiculed, is the fool, despised, and humiliated, always operating from the margin. In Ascher’s work, the figure of the clown, the Bajazzo, appears first around 1916. It becomes a lifelong interest, expressed in paintings, drawings, lithographs and poems. Based on the opera I Pagliacci by Ruggero Leoncavallo (1857-1919), which was popular in the 1920s, Ascher creates both dramatic scenes of the tragic love burlesque and studies of the Bajazzo, the Pagliaccio or clown as a single figure. The intensity in the artistic expression of the figure, [...]
Dance under the Swastika:
Mary Wigman and Gyp Schlicht (1917-2015)
Sabine Rollberg, Freiburg
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
View a recording this event HERE EXCLUSIVE: Watch Annette von Wangenheim's German language documentary film "Tanz unterm Hakenkreuz" from 2003 HERE. Big thanks to Annette von Wangenheim and Sabine Rollberg for making this possible! Gyp Schlicht speaks at 38:02 min. Lecture featuring Sabine Rollberg, Professor Emeritus of Documentary Film at the Academy of Media Arts in Cologne and former ARTE Representative and ARTE Commissioning Editor for WDR Moderated by Rachel Stern, Executive Director of the Fritz Ascher Society in New York In times of Nazi Germany, becoming an artist was not the typical career path for women. The „deutsche Frau“ was supposed to represent the “good housewife”, as a mother of many children, not wearing make-up and fancy dresses. The Nazis were refuting what [...]
Dance under the Swastika:
Mary Wigman and Gyp Schlicht (1917-2015)
Sabine Rollberg, Freiburg
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
View a recording of this event HERE. EXCLUSIVE: Watch Annette von Wangenheim's German language documentary film "Tanz unterm Hakenkreuz" from 2003 HERE. Big thanks to Annette von Wangenheim and Sabine Rollberg for making this possible! Gyp Schlicht speaks at 38:02 min. Lecture featuring Sabine Rollberg, Professor Emeritus of Documentary Film at the Academy of Media Arts in Cologne and former ARTE Representative and ARTE Commissioning Editor for WDR Moderated by Rachel Stern, Executive Director of the Fritz Ascher Society in New York In times of Nazi Germany, becoming an artist was not the typical career path for women. The „deutsche Frau“ was supposed to represent the “good housewife”, as a mother of many children, not wearing make-up and fancy dresses. The Nazis were refuting [...]
Guided Tour through the Exhibition
“The Loner. Clowns in the Art of Fritz Ascher”
by Curator Julia Diekmann, Höxter (Germany)
Forum Jacob Pins
Westerbachstr. 35-37, Höxter, NY, Germany
Exhibition curator Julia Diekmann guides through the exhibition. Whether in dramatic context or as individual figure, the clown always plays the role of the outsider, of the one opposite the many. He is laughed at and ridiculed, is the fool, despised, and humiliated, always operating from the margin. In Ascher’s work, the figure of the clown, the Bajazzo, appears first around 1916. It becomes a lifelong interest, expressed in paintings, drawings, lithographs and poems. Based on the opera I Pagliacci by Ruggero Leoncavallo (1857-1919), which was popular in the 1920s, Ascher creates both dramatic scenes of the tragic love burlesque and studies of the Bajazzo, the Pagliaccio or clown as a single figure. The intensity in the artistic expression of the figure, [...]
Painting as an Act of Resistance.
The artist Felix Nussbaum (1904-1944)
Anne Sibylle Schwetter, Osnabrück
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
WATCH THE RECORDING OF THIS EVENT HERE. Lecture featuring Anne Sibylle Schwetter, Curator of the Felix Nussbaum Collection in the Felix Nussbaum House in the Osnabrück Museum Quarter, Osnabrück Moderated by Rachel Stern, Executive Director of the Fritz Ascher Society in New York The German-Jewish artist Felix Nussbaum (1904 Osnabrück - 1944 Auschwitz) started a promising career in Berlin around 1930, which ended abruptly when the National Socialists came to power in 1933. Years in exile in Italy and Belgium followed. In 1942 Nussbaum went into hiding in Brussels. The artist's last paintings were created here from June 1943 until shortly before his arrest in June 1944. A little later he was murdered in Auschwitz. Like hardly any other painter [...]
Painting as an Act of Resistance.
The artist Felix Nussbaum (1904-1944)
Anne Sibylle Schwetter, Osnabrück
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
WATCH THE RECORDING OF THIS EVENT HERE. Lecture featuring Anne Sibylle Schwetter, Curator of the Felix Nussbaum Collection in the Felix Nussbaum House in the Osnabrück Museum Quarter, Osnabrück Moderated by Rachel Stern, Executive Director of the Fritz Ascher Society in New York The German-Jewish artist Felix Nussbaum (1904 Osnabrück - 1944 Auschwitz) started a promising career in Berlin around 1930, which ended abruptly when the National Socialists came to power in 1933. Years in exile in Italy and Belgium followed. In 1942 Nussbaum went into hiding in Brussels. The artist's last paintings were created here from June 1943 until shortly before his arrest in June 1944. A little later he was murdered in Auschwitz. Like hardly any other painter [...]
“The Clown on Stage”
Roundtable featuring
Matthew R. Wilson, Ori Z. Soltes, Tricia Manuel / “Pricilla Mooseburger”
Moderated by Elizabeth Berkowitz
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
Watch the recording of this event HERE. Roundtable featuring Matthew R. Wilson Director (SDC), Actor (AEA, SAG-AFTRA), and Fight Director (SAFD, SDC), as well as a scholar and playwright Ori Z. Soltes Teaching Professor at Center for Jewish Civilization, Georgetown University, Washington D.C. Tricia Manuel / "Pricilla Mooseburger" the Clown Tricia Manuel is the unmistakable Pricilla Mooseburger! Moderated by Elizabeth Berkowitz Art Historian and Digital Interpretation Manager, The Fritz Ascher Society in New York How do we define “the clown,” historically, in art, and today, in practice? What is the appeal of the clown in performance, and how has the clown subject impacted popular culture? This roundtable pools the expertise from a diversity of fields to place Fritz Ascher’s interest in “the [...]
Twitter Takeover @Ascher_Society
Matthew R. Wilson, PhD
“Commedia dell’Arte and the Clown in Popular Culture”
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
Twitter @Ascher_Society Actor and theater historian Matthew R. Wilson takes over the FAS Twitter account to discuss the history of the Commedia dell’Arte, key themes in the genre, and how the Commedia dell’Arte has impacted popular culture. Submit your questions in advance by writing to info@fritzaschersociety.org Part of "Send in the Clowns," an interactive two-week digital initiative, which explores the clown as a figure between tragedy and comedy, between self- identification and stage--a character designed to (literally) mask the performer’s true feelings behind a facade of happiness. “Send in the Clowns” uses the prominence of the “clown” figure in Fritz Ascher’s work as a lens through which to explore the duality of the clown both historically and today. Generously sponsored [...]
Bilder im Gespräch: Bajazzo
Guided Tour through the Exhibition
“The Loner. Clowns in the Art of Fritz Ascher”
by Curator Julia Diekmann, Höxter (Germany)
Forum Jacob Pins
Westerbachstr. 35-37, Höxter, NY, Germany
Exhibition curator Julia Diekmann guides through the exhibition. Whether in dramatic context or as individual figure, the clown always plays the role of the outsider, of the one opposite the many. He is laughed at and ridiculed, is the fool, despised, and humiliated, always operating from the margin. In Ascher’s work, the figure of the clown, the Bajazzo, appears first around 1916. It becomes a lifelong interest, expressed in paintings, drawings, lithographs and poems. Based on the opera I Pagliacci by Ruggero Leoncavallo (1857-1919), which was popular in the 1920s, Ascher creates both dramatic scenes of the tragic love burlesque and studies of the Bajazzo, the Pagliaccio or clown as a single figure. The intensity in the artistic expression of the figure, [...]
