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Modernism

Nov 24, 2024

Behind the Glass: The Villa Tugendhat and Its Family
A book talk by Michael Lambek, Toronto (Canada)

2024-12-04T15:10:53-05:00November 24th, 2024|, |Comments Off on Behind the Glass: The Villa Tugendhat and Its Family
A book talk by Michael Lambek, Toronto (Canada)

In this book talk, Michael Lambek follows the intertwined history of Mies van der Rohe’s iconic Villa Tugendhat and the family who inhabited it from 1930-1938. Part memoir, part social history, the book traces the family from its origins in a Jewish ghetto to the present day, focussing on the author’s maternal grandmother, Grete Tugendhat who commissioned and championed the house, which is now a World Heritage Site in Brno, Czechia. Image above: Ludwig Mies van der Rohe, Villa Tugendhat, Brno (Czechia), photo David Zidlicky REGISTER FOR ONLINE EVENT Living room, Villa Tugendhat. Brno (Czechia) Boys by window, Villa Tugendhat, Brno (Czechia), 1935 Living room, [...]

Jan 8, 2023

CASTAWAY MODERNISM. Basel’s Acquisitions of “Degenerate” Art
Presentation by Dr. Eva Reifert, Kunstmuseum Basel
followed by discussion with Rachel Stern

2023-02-06T07:18:23-05:00January 8th, 2023|, , |Comments Off on CASTAWAY MODERNISM. Basel’s Acquisitions of “Degenerate” Art
Presentation by Dr. Eva Reifert, Kunstmuseum Basel
followed by discussion with Rachel Stern

The Kunstmuseum Basel’s department of classic modernism houses one of the most prestigious collections of its kind. It was in fact assembled at a comparatively late date. In the summer of 1939 — shortly before the outbreak of World War II — Georg Schmidt (1896–1966), the museum’s director at the time, managed to acquire twenty-one avant-garde masterpieces all at once. The works were among those denounced in 1937 by Nazi cultural policy as “degenerate” and forcibly removed from German museums. The Third Reich’s Ministry of Propaganda correctly assumed that a portion of such works would find buyers abroad and bring in foreign currency. In this way certain artworks deemed “internationally exploitable” reached the art market via various channels. [...]

Dec 14, 2022

“Sweet Kitsch, I can’t do that.”
Maria Luiko (1904-1941)
With Wolfram P. Kastner and Mascha Erbelding, both Munich (Germany)

2023-03-30T06:59:22-04:00December 14th, 2022|, , |Comments Off on “Sweet Kitsch, I can’t do that.”
Maria Luiko (1904-1941)
With Wolfram P. Kastner and Mascha Erbelding, both Munich (Germany)

The artistic work of Maria Luiko (1904-1941), born Marie Luise Kohn in Munich, is characterized by an impressive diversity. In addition to drawings, watercolors and oil paintings, she created prints using various printing processes and paper cuts, and designed book illustrations, stage sets and marionettes. Already during her studies at the local Academy of Fine Arts and her training at the School of Applied Arts she was included in exhibitions in the Munich Glass Palace (Münchner Glaspalast). Her career was brutally cut short by the Nazi regime. As a Jew, Luiko was not able to join the Reich Chamber of Fine Arts (Reichskammer der bildenden Künste), a Nazi organization founded in 1933. Without membership, she could not obtain work materials, [...]

Dec 11, 2022

DOROTHY BOHM (1924-2023): A WORLD OBSERVED
Lecture by Monica Bohm-Duchen, London (UK)

2023-03-20T06:43:11-04:00December 11th, 2022|, , |Comments Off on DOROTHY BOHM (1924-2023): A WORLD OBSERVED
Lecture by Monica Bohm-Duchen, London (UK)

Dorothy Bohm was born Dorothea Israelit in Königsberg, East Prussia (now Kaliningrad, Russia) in 1924 into an assimilated, affluent and cultured Jewish milieu. In 1932 her father chose to move the family to Memel (now Klaipeda) in Lithuania, but following the Nazi occupation of Memelland in March 1939, her parents decided to send their daughter, aged 14, to the safety of England, where she arrived in June 1939. She wasn’t to see her parents and sister again for over twenty years. Image above (appears as detail): Dorothy Bohm, Venice Carnival, 1987 © Dorothy Bohm Archive Dorothy Bohm, Self-Portrait, 1942, age 18. © Dorothy Bohm Archive Dorothy Bohm, Ascona, 1948. © Dorothy Bohm Archive [...]

Dec 1, 2022

AS SEEN THROUGH THESE EYES
Conversation with Film Director Hilary Helstein, Los Angeles

2023-02-01T06:15:59-05:00December 1st, 2022|, , |Comments Off on AS SEEN THROUGH THESE EYES
Conversation with Film Director Hilary Helstein, Los Angeles

In honor of UN Holocaust Remembrance Day, Hilary Helstein, director of the award-winning documentary "As Seen Through These Eyes" spoke with Rachel Stern, director and CEO of the Fritz Ascher Society New York, about the making of her documentary. As poet Maya Angelou narrates this powerful documentary, she reveals the story of a brave group of people who fought Hitler with the only weapons they had: charcoal, pencil stubs, shreds of paper and memories etched in their minds. These artists took their fate into their own hands to make a compelling statement about the human spirit, enduring against unimaginable odds. Featuring interviews with Simon Wiesenthal as he talks about his art, never before appearing in a film, [...]

Nov 10, 2022

RECKONINGS – The First Reparations
Film Screening at Marlene Meyerson JCC Manhattan
Followed by Q+A with Gideon Taylor and Karen Heilig

2022-11-24T05:24:57-05:00November 10th, 2022|, |Comments Off on RECKONINGS – The First Reparations
Film Screening at Marlene Meyerson JCC Manhattan
Followed by Q+A with Gideon Taylor and Karen Heilig

In the aftermath of the Holocaust, the unprecedented destruction and plight of survivors prompts the unthinkable - German and Jewish leaders meet in secret to grapple with the first reparations in history, resulting in the groundbreaking Luxembourg Agreements of 1952. Screening followed by Q+A with Gideon Taylor and Karen Heilig, from the Conference on Jewish Material Claims Against Germany.   Watch the Trailer: SCREENINGS In the aftermath of the Holocaust, German and Jewish leaders met in secret to negotiate the unthinkable – compensation for the survivors of the largest mass genocide in history. Survivors were in urgent need of help, but how could reparations be determined for the unprecedented destruction [...]

Nov 7, 2022

Back into the Light.
Four Women Artists – Their Works. Their Paths.
Lecture by Eva Atlan, PhD, Frankfurt (Germany)

2023-02-26T09:25:37-05:00November 7th, 2022|, , |Comments Off on Back into the Light.
Four Women Artists – Their Works. Their Paths.
Lecture by Eva Atlan, PhD, Frankfurt (Germany)

Erna Pinner, Rosy Lilienfeld, Amalie Seckbach, and Ruth Cahn were among the first women artists in Frankfurt to enjoy professional success. Throughout the Roaring Twenties, these four Jewish women left their mark on Frankfurt’s art scene, published and exhibited internationally, cultivated a cosmopolitan lifestyle, and competed with their male colleagues. When the National Socialists seized power, their careers came to an abrupt end. From then on, they were persecuted as Jews and their works ostracized; later, after the end of World War II, they were largely forgotten. Now, “Back into the Light” is at long last bringing them back to the public eye. The departure point is an article by art historian Sascha Schwabacher, published May 1935 [...]

Aug 9, 2022

Out of Exile.
The Photography of Fred Stein (1909-1967)
With Son Peter Stein and Curator Ulrike Kuschel, Berlin (Germany)

2022-11-02T14:42:41-04:00August 9th, 2022|, , |Comments Off on Out of Exile.
The Photography of Fred Stein (1909-1967)
With Son Peter Stein and Curator Ulrike Kuschel, Berlin (Germany)

Fred Stein lived through some of the greatest upheavals of the 20th century. He escaped Nazi Germany; he mingled with Chagall and Brecht in Paris; and he debated with Einstein in New York. He was a scholar, a refugee, and an idealist. But above all, he was a photographer. An early innovator of hand-held street photography in 1930s France and 1940s New York, his images are sophisticated, beautiful, and touching; his portraits include some of the most important people of the mid-20th century, like Albert Einstein. Image above: Fred Stein, Americans All, New York 1943 © Fred Stein Archive Fred Stein, Paris Evening, Paris 1934 © Fred Stein Archive [...]

Jun 24, 2022

From Generation to Generation:
The Upbringing and Art of
Mimi Gross (born 1940, New York)

2022-10-03T13:54:27-04:00June 24th, 2022|, , |Comments Off on From Generation to Generation:
The Upbringing and Art of
Mimi Gross (born 1940, New York)

Mimi Gross is the daughter of well-known sculptor Chaim Gross (1902–1991). She grew up to become an artist and one obvious question one might ask is how her work was influenced by and/or diverged from her father's work. But both Chaim and his wife Renee were immigrants--so New York City-born Mimi grew up as an American in an immigrant household, which might raise the question: were there issues derived from the particulars of her growing up that affected her and her art--and might one imagine the curve of her life as different in a non-immigrant context, or a context experienced at a different time in American and world history? These and other questions are discussed in a dialogue between Mimi Gross and [...]

Jun 24, 2022

The Enduring Legacy of
Chaim Gross (1902-1991)
With Daughter Mimi Gross and Sasha Davis

2022-09-28T14:35:06-04:00June 24th, 2022|, , |Comments Off on The Enduring Legacy of
Chaim Gross (1902-1991)
With Daughter Mimi Gross and Sasha Davis

Chaim Gross (1902-1991) fled Europe as a teenager after experiencing the violence of World War I and the disruption of his artistic training due to anti-Semitic policies. He arrived in New York City in 1921 and quickly found a welcoming environment among fellow artists, many of whom were also immigrants, at the Educational Alliance Art School. Despite difficult beginnings, Gross rose to become one of America’s leading twentieth-century sculptors and a key proponent of the direct carving movement. Although a small number of his works referenced his horrific early experiences and the later murder of family members in the Holocaust, his themes were largely joyful, showing mothers at play or acrobats and dancers. Image above: [...]

Jun 9, 2022

Judith and Gerson Leiber.
A Life of Beauty, Love and Inspiration
Lecture by Ann Fristoe Stewart

2022-07-06T13:52:02-04:00June 9th, 2022|, , |Comments Off on Judith and Gerson Leiber.
A Life of Beauty, Love and Inspiration
Lecture by Ann Fristoe Stewart

“If Romeo and Juliet had lived into their 90s, they would have been Judy and Gerson.” That’s how Jeffrey Sussman described Judith and Gerson Leiber. Join us as Ann Fristoe Stewart gives a unique insight into the astonishing story of famed handbag designer Judith Leiber, a survivor of Hitler’s Europe who came to America and took the fashion accessory industry by storm, and of highly accomplished and creative artist Gerson Leiber, and speaks about the creativity, humanity, the love and the genius of Judith and Gerson Leiber. Image above: Judith and Gerson Leiber © The Leiber Collection Judith Leiber, Peacock-Shaped Minaudiére with Multicolor Crystal Rhinestones and Black Onyx & Sodalite Stone Details, 2004. Photo credit: Gary Mamay © The Leiber [...]

Jun 7, 2022

Death and Immortality:
The Gentle Power of Hans von Trotha’s “Pollak’s Arm”
Hans von Trotha and Ori Z Soltes in conversation

2022-08-25T13:01:20-04:00June 7th, 2022|, , |Comments Off on Death and Immortality:
The Gentle Power of Hans von Trotha’s “Pollak’s Arm”
Hans von Trotha and Ori Z Soltes in conversation

Ludwig Pollak (Prague 1868-1943 Auschwitz) was an extraordinary connoisseur of antiquities--an Austro-Hungarian Jew whose path into academia was impeded by his religion, but who settled in Rome, where he carved out a unique place for himself as an expert in recognizing, understanding, and organizing great works of art. It was he who shaped and articulated the magnificent collections of JP Morgan. Of perhaps even greater consequence, his astute eye saw a sculpted fragment of an arm in a flea market that, he deduced, was the limb missing from the spectacular Hellenistic-Roman sculptural group known as Laocoon. He gifted that arm fragment to the Vatican so that it might complete the work that occupied an important place within [...]

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