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Golgotha

Sep 23, 2019

FRITZ ASCHER SOCIETY Newsletter #28, September 2019

2019-09-23T17:36:19-04:00September 23rd, 2019|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter #28, September 2019

Dear Friends, Fall is finally upon us. Fritz Ascher’s “Landscape with a Cloudy Sky” from c. 1960 captures the rich colors and dramatic light of late afternoon, brought forth with spontaneous, dynamic brushstrokes that characterize the artist’s late work. Fritz Ascher, Landscape with a Cloudy Sky, 1960s. Oil on canvas, 39.4 x 37.4 in. While he was hiding from the Nazis 1942-1945, the artist wrote: I have spent the summer re-reading the poems I have access to, marveling at their rich verbal imagery and thinking about a publication of this powerful manifestation of the artist’s creativity, which translates so easily into disciplines other than the visual [...]

Jun 17, 2019

2019, January 23 – Arielle Budick in Financial Times, p. 6

2019-06-17T11:54:24-04:00June 17th, 2019|Select Press Coverage|Comments Off on 2019, January 23 – Arielle Budick in Financial Times, p. 6

"Sustained by art through the darkness. Fritz Ascher’s work, now on show in New York, reflects his reclusive, obsessive nature and his turbulent life.” (scroll down for translation into German) Fritz Ascher's "Sunflower", c. 1958.  ©Bianca Stock You have probably never heard of Fritz Ascher, a passionate and peculiar painter who, nearly 40 years after his death, is finally getting a smidgen of renown at New York’s Grey Art Gallery. Ascher belonged to a generation of German artists the Nazis hounded into hiding – or worse – leaving a chapter in the history of art truncated and brimming with might-have-beens. He was lucky enough to survive, though the war’s after-effects kept shuddering [...]

Jun 7, 2019

FRITZ ASCHER SOCIETY Newsletter #27, June 2019

2019-06-07T08:01:34-04:00June 7th, 2019|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter #27, June 2019

Dear Friends, I hope you all were able to see “Fritz Ascher, Expressionist” at NYU’s Grey Art Gallery that closed on April 6. Thanks to director Lynn Gumpert and her fabulous team, the exhibition looked great and was complemented by an engaging program. The show was well received, both by visitors and critics. In the meantime, most reviews are translated into German here. If you were not able to visit in person, you can see photos on our website here. The exhibition was part of Wunderbar Together: The Year of German-American Friendship 2018/19, an initiative of the Federal Foreign Office of Germany and the Goethe-Institut, with the support of the Federation of German Industries (BDI).  “Fritz Ascher, Expressionist” at Grey [...]

Mar 26, 2019

2019, March 1 – Channel Thirteen, NYC-ARTS

2019-03-26T08:33:22-04:00March 26th, 2019|Select Press Coverage|Comments Off on 2019, March 1 – Channel Thirteen, NYC-ARTS

NYC-ARTS News: February 28 – March 7 Televised news segment about Fritz Ascher: Expressionist on Channel Thirteen’s NYC-ARTS program. Arts news highlights: “Half the Picture: A Feminist Look at the Collection” at Brooklyn Museum; “Ajijaak on Turtle Island” at The New Victory Theater; “Fritz Ascher: Expressionist” at Grey Art Gallery; “One. One & One” at Baryshnikov Arts Center. AIRED: 3/1/2019 | 0:07:01 Watch Video

Mar 26, 2019

2019, March 18 – Art With Hillary – Part II

2019-03-26T08:09:16-04:00March 26th, 2019|Select Press Coverage|Comments Off on 2019, March 18 – Art With Hillary – Part II

"What If? The Life And Work of Fritz Ascher Part II"  http://artwithhillary.blogspot.com (scroll down for translation into German) Fritz Ascher (1893 - 1970), Untergehende Sonne (Sunset), c. 1960, oil on canvas, 49.2 × 50 in. ( 125 × 126 cm) Private collection. Photo: Malcolm Varon. © Bianca Stock This is Part II of the blog post on the exhibition Fritz Ascher: Expressionist at New York University's Grey Art Gallery.  Please see ArtWithHillary, February 2019 for Part I. From 1942 until the end of the war in 1945, Fritz Ascher (1893 - 1970) was hidden from the Nazis by Martha Grassman (1881 - 1971).  Her home was in Grunewald, a famous forest area of Berlin noted for its pine and oak trees.  In [...]

Mar 25, 2019

2019, February 28 – Art With Hillary – Part I

2019-03-26T08:08:38-04:00March 25th, 2019|Select Press Coverage|Comments Off on 2019, February 28 – Art With Hillary – Part I

"What If? The Life And Work of Fritz Ascher Part I" http://artwithhillary.blogspot.com (scroll down for translation into German) Fritz Ascher (1893 - 1970), Untergehende Sonne (Sunset), c. 1960, oil on canvas, 49.2 × 50 in. ( 125 × 126 cm) Private collection. Photo: Malcolm Varon. © Bianca Stock The current exhibition Fritz Ascher: Expressionist at New York University's Grey Art Gallery is artistically impressive and historically important. Accordingly, ArtWithHillary February 2019 and ArtWithHillary March 2019 are devoted to an account of the show. The artist Fritz Ascher (1893 - 1970) suffered through a horrific period of time from 1933 through 1945 in which he was prohibited from producing art.  No one will leave the exhibit without thinking what if the artist had [...]

Feb 15, 2019

2019, January 9 – Tom L. Freudenheim in Wall Street Journal, p. A13

2019-02-15T10:25:48-05:00February 15th, 2019|Select Press Coverage|Comments Off on 2019, January 9 – Tom L. Freudenheim in Wall Street Journal, p. A13

"Finally Home with the Greats. An exhibition places the under-the-radar Fritz Ascher squarely in the canon of 20th-century German artists.” (scroll down for translation into German) ‘Golgotha’ (1915), by Fritz Ascher, in which inflections of Pieter Bruegel the Elder coalesce with James Ensor to create a scene of pandemonium and horror. ©Bianca Stock For those of us who consider themselves familiar with German Expressionism, the compelling new exhibition at New York University’s Grey Art Gallery, “Fritz Ascher: Expressionist,” makes us wonder why this artist hasn’t been on our radar screens. The 67 works of art on display, along with sketchbooks and documentary materials, may not quite qualify as a discovery, but they significantly [...]

Dec 22, 2017

FRITZ ASCHER SOCIETY Newsletter #17, December 2017

2018-12-04T12:14:23-05:00December 22nd, 2017|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter #17, December 2017

Dear Friends, I am humbled and honored to have received the Lea and Hans Grundig Prize for my work about Fritz Ascher. Right on time for his 125th birthday, the Fritz Ascher retrospective is now open in Berlin and Potsdam, the two places where the artist lived and worked. Museum Charlottenburg-Wilmersdorf in der Villa Oppenheim in Berlin exhibits an overview of the artist’s creative development, with a focus on works that relate to Berlin. We see his sketch of the artist Max Liebermann as well as his love for music and performance in Weimar Republic paintings like “Beethoven” and “Bajazzo and Artists”. After surviving the Nazi terror regime in hiding in the Berlin Grunewald neighborhood, he painted these works over [...]

Oct 25, 2017

2017, March 22 – Matthias Zwarg in Freie Presse

2018-12-04T12:21:16-05:00October 25th, 2017|Select Press Coverage|Comments Off on 2017, March 22 – Matthias Zwarg in Freie Presse

Bilder eines Vereinsamten Das Museum Gunzenhauser erinnert an den kaum bekannten jüdischen Künstler Fritz Ascher: Dessen expressionistisch-symbolistische Bilder sind eine echte Wiederentdeckung wert, denn zwei Weltkriege konnten seine künstlerische Kraft nur schwächen - aber nicht brechen Matthias Zwarg CHEMNITZ - Es gibt ein Porträt von Fritz Ascher aus dem Jahr 1912, gemalt von seinem Freund Eduard Bischoff. Es zeigt einen optimistischen jungen Mann: Anzug, rote Krawatte, frech den Kopf auf den Arm gestützt, lächelt er froh und selbstbewusst dem Betrachter entgegen. Und es gibt ein Selbstporträt von Fritz Ascher aus dem Jahr 1953: Weiss und grau über schwarzer Tusche, Aquarell-Farbtupfer wie Wunden in dem Gesicht, in das so etwas wie die Suche nach Fassung nach dem Entsetzen eingeschrieben ist. Dazwischen [...]

Jul 10, 2017

FRITZ ASCHER SOCIETY Newsletter #13, May 2017

2018-12-04T12:34:52-05:00July 10th, 2017|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter #13, May 2017

Dear Friends, Maybe today’s storm is finally bringing warm weather? Fritz Ascher wrote a poem about the strong winds that spring brings: SPRING WIND As power romps around in space; blustering, boiling, blustering. As it tugs at the clouds, - it rustles forest and fields. As willingly everything submits to this wild child. The field weighs Its life force - ; Winds, - Spring’s windlass! (Poems Vol. 1, undated, p. 42) Siegmund Rotstein, Rachel Stern and Dr. Ingrid Moessinger at the opening of the Fritz Ascher exhibition at the Kunstsammlungen Chemnitz - MUSEUM GUNZENHAUSER on March 4, 2017. At the Kunstsammlungen Chemnitz - MUSEUM GUNZENHAUSER, the Fritz Ascher Retrospective is still on view until June 18. It is the first [...]

May 15, 2017

FRITZ ASCHER SOCIETY Newsletter #12, February 2017

2018-12-04T12:35:37-05:00May 15th, 2017|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter #12, February 2017

Dear Friends, I am very excited to invite you to the opening of the Fritz Ascher exhibition at the Kunstsammlungen Chemnitz MUSEUM GUNZENHAUSER on March 4, 2017 at 7:30pm. For the first time ever, Fritz Ascher’s “Golem” from the collection of the Jewish Museum Berlin will here be reunited with other works he created between 1913 and 1933. The Kunstsammlungen Chemnitz is home to an important collection of German Expressionism, dominated by artwork of the locally founded Expressionist group Brücke and especially Karl Schmidt-Rottluff, who grew up in Chemnitz, along with Ernst Ludwig Kirchner and Erich Heckel. The Museum Gunzenhauser is home to the vast Expressionist art collection of Alfred Gunzenhauser, with the worldwide largest collection of works by Otto [...]

Jul 28, 2016

FRITZ ASCHER SOCIETY Newsletter #7, July 2016

2018-12-04T12:43:56-05:00July 28th, 2016|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter #7, July 2016

Dear Friends, Today we are all about literature. 400 years ago the poet William Shakespeare died (1564-1616). Ever since, the dramatic scenes in his plays have inspired many artists’ brush and pen, like William Turner, Edvard Munch, Max Slevogt and Lovis Corinth. Fritz Ascher drew scenes from Shakespeare’s "King John“, "King Richard II." and "Henry IV." He is almost certainly inspired by numerous performances, especially in Berlin. Most famous was the Austrian theater producer Max Reinhardt, who staged Shakespeare's plays at the "Deutsches Theater" and the "Großes Schauspielhaus". The drawing below shows the stage in the right background; in the foreground a man and a woman sit in a box, the rest of the audience sits below. Stage plays have [...]

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