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Elizabeth Berkowitz

Oct 6, 2021

Fritz Ascher (1893-1970):
Coming back to Life
Featuring Karen Wilkin and Elizabeth Berkowitz, PhD

2022-08-26T05:10:27-04:00October 6th, 2021|, , |Comments Off on Fritz Ascher (1893-1970):
Coming back to Life
Featuring Karen Wilkin and Elizabeth Berkowitz, PhD

Fritz Ascher (Berlin 1893 - 1970 Berlin) almost made it out of Germany as the persecution of the Jews was developing. SINCE HE HAD been arrested and released from concentration camp and prison after several months, friends managed to book passage on a ship to Shanghai, but the German Nazi bureaucracy refused to let him leave the country. Ascher found refuge in the basement of his deceased mother's friend, Martha Grassmann--in a house located in the Grunewald, the heart of the Nazi brass residential neighborhood in Berlin. In hiding--an interior migration--he shifted from vibrantly expressionist paintings and drawings to dense poetry. AFTER the war he emerged to a Germany very different from the one he had known before and [...]

Sep 30, 2020

Twitterview @Ascher_Society
Giora Seeliger
“Ask A Healthcare Clown!”

2020-11-02T20:09:58-05:00September 30th, 2020|, , |Comments Off on Twitterview @Ascher_Society
Giora Seeliger
“Ask A Healthcare Clown!”

Twitter @Ascher_Society Giora Seeliger, Artistic Director and Founder of Red Noses Clowndoctors International, takes over the FAS Twitter account to answer your burning questions about clowning, the role of a healthcare clown, and anything else that comes to mind! Submit your questions in advance by writing to info@fritzaschersociety.org Part of "Send in the Clowns," an interactive two-week digital initiative, which explores the clown as a figure between tragedy and comedy, between self- identification and stage--a character designed to (literally) mask the performer’s true feelings behind a facade of happiness. “Send in the Clowns” uses the prominence of the “clown” figure in Fritz Ascher’s work as a lens through which to explore the duality of the clown both historically and today. [...]

Sep 30, 2020

“The Hospital Clown: Between Joy and Sadness”
Roundtable featuring
Giora Seeliger, Harry Page, Ed Stephan
Moderated by Elizabeth Berkowitz

2020-10-28T14:24:47-04:00September 30th, 2020|, , |Comments Off on “The Hospital Clown: Between Joy and Sadness”
Roundtable featuring
Giora Seeliger, Harry Page, Ed Stephan
Moderated by Elizabeth Berkowitz

Watch the recording of this event HERE. Roundtable featuring Giora Seeliger Artistic Director and Founder of the Red Noses Clowndoctors International Harry Page “Flash” the Clown Ed Stephan “Dumbbell” the Clown Moderated by Elizabeth Berkowitz Art Historian and Digital Interpretation Manager, The Fritz Ascher Society in New York One of the more appealing aspects of the clown subject to artists like Fritz Ascher was the divide between a public persona committed to joy and happiness, and the pain or sadness that might lurk beneath the real, human surface. Hospital or healthcare clowns straddle this divide every day of their professional lives—working to bring happiness to child patients who are often in circumstances that might otherwise inspire grief or pain. This [...]

Sep 29, 2020

Twitter Takeover @Ascher_Society
Matthew R. Wilson, PhD
“Commedia dell’Arte and the Clown in Popular Culture”

2020-09-29T20:08:44-04:00September 29th, 2020|, |Comments Off on Twitter Takeover @Ascher_Society
Matthew R. Wilson, PhD
“Commedia dell’Arte and the Clown in Popular Culture”

Twitter @Ascher_Society Actor and theater historian Matthew R. Wilson takes over the FAS Twitter account to discuss the history of the Commedia dell’Arte, key themes in the genre, and how the Commedia dell’Arte has impacted popular culture. Submit your questions in advance by writing to info@fritzaschersociety.org Part of "Send in the Clowns," an interactive two-week digital initiative, which explores the clown as a figure between tragedy and comedy, between self- identification and stage--a character designed to (literally) mask the performer’s true feelings behind a facade of happiness. “Send in the Clowns” uses the prominence of the “clown” figure in Fritz Ascher’s work as a lens through which to explore the duality of the clown both historically and today. Generously sponsored [...]

Sep 29, 2020

“The Clown on Stage”
Roundtable featuring
Matthew R. Wilson, Ori Z. Soltes, Tricia Manuel / “Pricilla Mooseburger”
Moderated by Elizabeth Berkowitz

2020-10-22T00:35:30-04:00September 29th, 2020|, , |Comments Off on “The Clown on Stage”
Roundtable featuring
Matthew R. Wilson, Ori Z. Soltes, Tricia Manuel / “Pricilla Mooseburger”
Moderated by Elizabeth Berkowitz

Watch the recording of this event HERE. Roundtable featuring Matthew R. Wilson Director (SDC), Actor (AEA, SAG-AFTRA), and Fight Director (SAFD, SDC), as well as a scholar and playwright Ori Z. Soltes Teaching Professor at Center for Jewish Civilization, Georgetown University, Washington D.C. Tricia Manuel / "Pricilla Mooseburger" the Clown Tricia Manuel is the unmistakable Pricilla Mooseburger! Moderated by Elizabeth Berkowitz Art Historian and Digital Interpretation Manager, The Fritz Ascher Society in New York How do we define “the clown,” historically, in art, and today, in practice? What is the appeal of the clown in performance, and how has the clown subject impacted popular culture? This roundtable pools the expertise from a diversity of fields to place Fritz Ascher’s interest in “the [...]

Feb 6, 2020

FRITZ ASCHER SOCIETY Newsletter #30, February 2020

2020-02-06T08:01:15-05:00February 6th, 2020|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter #30, February 2020

Dear Friends, “Fritz Ascher, Expressionist” is now on view at the Joel and Lila Harnett Museum of Art in Richmond, Virginia, until May 24 (link). You can listen to my opening lecture here. “Fritz Ascher, Expressionist” at the Joel and Lila Harnett Museum of Art in Richmond, Virginia In every venue, different hanging bring out new aspects of single artworks, and unexpected connections between artworks provide new insights. The Harnett Museum of Art is no exception. For the first time, “The Tortured” (“Der Gequälte”) takes up center stage. It is a monumental painting measuring 59 x 79.4 inches. Fritz Ascher created it in the 1920s, as social and racial tensions in [...]

Dec 31, 2019

Panel Discussion
Expressionisms: Germany and the United States
Camp Concert Hall
Modlin Center for the Arts
Richmond, VA

2020-03-03T08:46:09-05:00December 31st, 2019|, |Comments Off on Panel Discussion
Expressionisms: Germany and the United States
Camp Concert Hall
Modlin Center for the Arts
Richmond, VA

February 12, 2020 6:00-8:00pm Camp Concert Hall Modlin Center for the Arts 453 Westhampton Way Richmond, VA 23173 Information: 804-289-8276 Panel Discussion Expressionisms: Germany and the United States Among the diverse descriptive labels attached to the art of Fritz Ascher, perhaps none is more evocative and distinct than "expressionist." In the context of visual art, that term has, over the past century and a half, connoted the articulation of strong emotion--through color, brush work, and the aggressive representation of figures and the elements of nature. This discussion will consider ways in which these features, particularly in painting, can explore and have explored embodying emotion and provoking it in the viewer. Also discussed will be the relationships of political identity, the workings of [...]

Feb 12, 2019

FRITZ ASCHER SOCIETY Newsletter #25, February 2019

2019-02-12T06:24:36-05:00February 12th, 2019|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter #25, February 2019

Dear Friends, What was it like to be a Jew in Nazi Germany? Come join the discussion tomorrow, February 12, at 6:30 pm, when I speak with Marion Kaplan, Skirball Professor of Modern Jewish History, NYU, about those who went underground, including Fritz Ascher, and endured the terrors of nightly bombings, hunger and cold, and the even greater fear of being discovered by the Nazis. At King Juan Carlos I of Spain Center, 53 Washington Square South. This program accompanies the exhibition “Fritz Ascher, Expressionist” at the Grey Art Gallery of New York University here in New York - please check out the other stimulating programs here. And do not forget to see the exhibition, which is on view [...]

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