Rachel Stern2024-12-04T15:00:57-05:00December 4th, 2024|Events, Lectures|
Jutta Götzmann, Kuratorin der Ausstellung „Liebe und Verrat“ im Haus der Graphischen Sammlung, stellt bei einer Führung Fritz Aschers (1893–1970) künstlerische Vielfalt vor. Neben frühen Kohle-, Graphit- und Tuschzeichnungen faszinieren farbintensive Gouachen. Gedichte, die als seine „ungemalten Bilder“ gelten und während des Nationalsozialismus im Verborgenen entstanden, ergänzen die Ausstellung. Die Teilnahme kostet 2,50 Euro plus Eintritt. Image above: Jutta Götzmann. Photo Patrick Seegers Jutta Götzmann, exhibition curator of "Love and Betrayal," presents the artist Fritz Ascher (1893-1970) during a tour. In addition to early charcoal, graphite and ink drawings, colorful gouaches are fascinating. Poems that are considered his "unpainted pictures" and were created in secret during the National Socialist era complement the exhibition. BUY TICKETS HERE [...]
Rachel Stern2024-11-24T14:39:31-05:00October 28th, 2024|Events, Lectures, Past Events|
Der Maler, Grafiker und Dichter Fritz Ascher (1893-1970) wurde bereits als 16-Jähriger von Max Liebermann an die Akademie in Königsberg empfohlen. Ab 1913 gehörte er zu den gefragten Malern in Berlin. Er war ein genauer Beobachter seiner Zeit; die Urkatastrophe des Ersten Weltkriegs und die revolutionären Unruhen in Berlin führten ihn zu christlichen und mystischen Themen, die er radikal neu interpretierte. Nach 1933 erhielt Ascher als Jude Berufsverbot. Während der Pogrome am 9./10. November 1938 wurde er verhaftet und im Konzentrationslager Sachsenhausen und im Potsdamer Gestapo-Gefängnis interniert. Die Schoa überlebte er ab 1942 versteckt in einem Keller in Berlin-Grunewald. Während dieser einsamen Jahre verfasste er Gedichte. Als Künstler fand Ascher nach 1945 seinen ganz eigenen Stil. Angeregt vom nahe [...]
Rachel Stern2024-11-24T14:40:53-05:00October 22nd, 2024|Events, Lectures, Past Events|
Der spätexpressionistische Künstler Fritz Ascher (1893-1970) überlebte zwei Weltkriege und die Verfolgung durch das nationalsozialistische Regime. Als aufmerksamer Beobachter der Schrecken des Ersten Weltkriegs und der revolutionären Unruhen wandte er sich christlich-spirituellen Themen zu, die er radikal neu interpretierte. In intimen Zeichnungen beschäftigte er sich ab 1916 mit dem Thema Liebe und Verrat, sowohl in seiner Auseinandersetzung mit dem Kreuzigungsthema als auch mit der Figur des Bajazzo in der tragikomischen Oper „I Pagliacci“. Kurzvortrag und Führung von Rachel Stern zeigen den Künstler in seinem sozialen und politischen Umfeld. Image above: Fritz Ascher, Im Wald, um 1919. Weisse Gouache und schwarze Tusche über Aquarell und Bleistift auf Papier, 34 x 32,2 cm © Bianca Stock The late expressionist [...]
Rachel Stern2024-05-08T21:07:06-04:00April 17th, 2024|Events, Lectures, Past Events|
This presentation by Noit Banai, PhD, Hong Kong, and Ketul Arnold, Boulder (Colorado), traces Erna Friedländer‘s unique journey as a German refugee who survived Nazi persecution and World War II in Hong Kong, and subsequently migrated to England, Israel, and the USA. Image above: Erna Friedländer, Chinese Landscape. Undated. Monotype. Courtesy The Studio: An Illustrated Magazine of Fine and Applied Art, London As a German refugee who survived World War II in Hong Kong, and subsequently migrated to England, Israel, and the USA, Erna Friedländer’s journey is unique among the many histories of Jewish dispossession. Though few traces remain of Friedländer artistic oeuvre, she was a thoroughly modernist artist. Painter, printmaker, and teacher at the [...]
Rachel Stern2022-11-02T01:09:36-04:00August 28th, 2022|Events, Lectures, Past Events|
Four selected life stories tell of survival strategies in war, flight and persecution - and of the consequences of the traumatic experiences for those affected. EVENT RECORDING FORTHCOMING Today we believe that flight, expulsion, oppression and murder which dominated Europe 70 years ago have been overcome. Recent events in Ukraine show us that this is not the case. And again there are countless individuals whose lives are uprooted and who have to reorient themselves. But what does that do to those affected, what does it do to artists and how do they reflect on this experience? With four selected biographies of Berliners, we recall the survival strategies they had to develop during the National Socialist [...]
Rachel Stern2022-02-18T06:42:00-05:00May 11th, 2021|Events, Past Events|
Join the Fort Tryon Jewish Center (FTJC) and the Fritz Ascher Society for a LIVE DATA ENTRY EVENT to help build the world’s largest digital monument to victims of the Holocaust: the Arolsen Archives’ #everynamecounts. THIS EVENT WAS NOT RECORDED. Opening Remarks Rabbi Guy Austrian Fort Tryon Jewish Center in New York Rachel Stern Director and CEO of the Fritz Ascher Society in New York Introduction and Moderation Elizabeth Berkowitz Digital Interpretation Manager of the Fritz Ascher Society in New York #everynamecounts is a crowd-sourced data entry initiative to return the names of Holocaust victims, their families, and details of their lives into the findable, keyword-searchable public record. Participants enter information about Nazi victims and family members from digitized [...]
Rachel Stern2022-02-18T06:37:23-05:00March 4th, 2021|Events, Past Events|
The International Tracing Service (ITS), since 2019 called Arolsen Archives, was established by the Allies in 1948 as a central search and information center. They house the world’s most extensive collection of documents about the victims of National Socialist persecution, including documents from Nazi concentration camps, ghettoes and penal institutions, documents about forced laborers, and documents from the early post-war period about Displaced Persons, mainly Holocaust survivors, former concentration camp prisoners, and forced laborers. People who had fled the sphere of influence of the Soviet Union for political reasons are also included. The archive's holdings consist of 30 million documents in total and belong to UNESCO’s Memory of the World. At this event, Floriane Azoulay (Director) and Giora Zwilling (Deputy [...]
Rachel Stern2022-02-18T06:04:58-05:00March 3rd, 2021|Events, Lectures, Past Events|
The Austrian artist Oskar Kokoschka (1886-1980) achieved world fame with his intense expressionistic portraits and landscapes. Rüdiger Görner, author of the first English-language biography, depicts the artist in all his fascinating and contradictory complexity. He traces Kokoschka’s path from bête noire of the bourgeoisie and a so-called ‘hunger artist’ to a wealthy and cosmopolitan political and critical artist who played a major role in shaping the European art scene of the twentieth century and whose relevance is undiminished to this day. In 1934, Kokoschka left Austria for Prague, and in 1938, when the Czechs began to mobilize for the expected invasion by the German Wehrmacht, Kokoschka fled to the United Kingdom, where he remained during the war. Although he [...]
Rachel Stern2022-02-18T07:06:06-05:00February 22nd, 2021|Events, Lectures, Past Events|
Born 1877 in Dortmund, the sculptor Benno Elkan (1877-1960) first studied painting in Munich and Karlsruhe. At the end of his studies, he turned to sculpture. As a young artist, he spent time in Paris, Rome, and Frankfurt. Elkan’s oeuvre was largely made up of commissions. In the beginning, he mainly created tombs. Medals, portrait busts of well-known personalities, monuments to victims and candelabras follow, partly for the religious (Jewish and Christian) context. Elkan fled persecution by the German Nazi regime to Great Britain in 1934and lived with his family in London until the end of his life. Perhaps the most important work besides the Menorah in Jerusalem (1956) was never built: Memorial to the Defenseless Victims of the Bombing [...]
Rachel Stern2022-02-18T06:31:18-05:00February 17th, 2021|Events, Lectures, Past Events|
During the first four decades of the twentieth century, Polish Jewish artist Arthur Szyk (1894–1951) was best known for his richly detailed book illustrations and magnificent illuminations on Jewish themes. He portrayed the Jews as a heroic nation that had resisted oppression through the ages and eventually triumphed. His Jews were fighters for their own freedom and the freedom of others. Szyk sought to redefine how the Jews viewed themselves and how others viewed them. His works thus challenged the notion that Jewish history was merely one long saga of suffering and, at the same time, refuted the then common antisemitic canard that the Jews were a cowardly people. With the coming to power in Germany of Adolf Hitler [...]
Rachel Stern2022-02-18T07:19:09-05:00January 11th, 2021|Events, Lectures, Past Events|
WATCH THE RECORDING OF THIS EVENT HERE. Visual art during and after the Holocaust, by victims and survivors eloquently contradicts the famous comment by Theodor Adorno that "after the Holocaust to make art is barbaric." On the contrary, it was and is necessary: as part of the record of events as they were transpiring, and as part of the human response to horror--to express anger, to raise questions, to offer healing--in the time after those events. Who creates the art and what kind of art is created? What role does it play in wrestling with the question of what God is and what we humans are? These issues have implications both from within the heart of the Holocaust and from well beyond its particular boundaries. [...]
Rachel Stern2022-02-18T07:13:15-05:00December 3rd, 2020|Events, Lectures, Past Events|
Oskar Nerlinger (1893-1969) was one of the most important artists of the committed art scene in the Weimar Republic. He was a member of the Association of Proletarian Revolutionary Art (ASSO for short), which was founded in 1928 and belonged to the KPD, which cooperated with the Soviet avant-garde artist group Oktober. At that time there was no conflict between positions of aesthetic modernism and KPD politics. In 1932 the political and artistic avant-garde in the Soviet Union fell apart, with serious consequences for left-wing artists in Germany. Almost at the same time, the Nazi system broke with all forms of modernity. With his idea of art suddenly doubly isolated within his own party, which followed Stalin's art verdict, [...]