Boris Lurie:
Searching for Truth in Holocaust Images
Featuring Eckhart Gillen, PhD, Berlin (Germany)
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
In Claude Lanzmann’s seminal nine-and-a-half-hour film SHOAH, he chose not to use any images of the Holocaust, telling the story instead solely through the words of witnesses. By contrast, art historian Georges Didi-Huberman and contemporary artist Gerhard Richter have both emphasized the power of images to reflect and educate—the former in his book Images in Spite of All: Four Photographs from Auschwitz, and the latter in a series of paintings titled “Birkenau.” Join the Museum of Jewish Heritage and the Fritz Ascher Society for a lecture exploring the tension between these different perspectives on images, words, and the Holocaust with German art historian and curator Eckhart Gillen. Gillen grounds the discussion in the example of Boris Lurie, the subject [...]
Identity and Migration:
Artists and Composers who Fled Persecution
Sheen Center for Thought & Culture, New York
Sheen Center for Thought & Culture
18 Bleecker Street, New York
Opening remarks by Consul Yasemin Pamuk, Consulate General of the Federal Republic of Germany in New York Distinguished Panelists Ori Z Soltes PhD, Georgetown University in Washington DC Artist Refugees from Nazi Germany in the United States Rebecca Erbelding PhD, Historian and Author in Washington DC US Immigration Policy during the 1930s Refugee Crisis Stephen M Rasche JD, Catholic University in Erbil, Kurdistan Region, Iraq Identity in a Time of Forced Displacement: Religious Art and the Iraqi Christian Experience David Stern, German born American Artist in New York NY Immigration and Culture Shock in Times of Globalization Musical Performance (Piano) Carolyn Enger, Steinway Recording Artist: Arnold Schoenberg - Sechs kleine Klavierstücke Op. 19 Emahoy Tsegué-Maryam Guèbrou: Homesickness Pt. 1 Paul [...]
Jussuf Prince of Thebes –
Re-constructing the life and work of a forgotten talent from Safed
Featuring Dorothea Schöne, Berlin (Germany)
Marlene Meyerson JCC Manhattan
334 Amsterdam Ave, New York, NY, United States
In the late nineteenth century, the sculptor Joseph M. Abbo (1888–1953) – who later renamed himself Jussuf Abbo – was born in Safed, in the province of Beirut of the Ottoman Empire. As a young man, he began working as a labourer on the restoration site being led by an architect, Hoffmann, on behalf of the German government. Abbo was noticed and was rapidly promoted to the drawing-office and to stone-carving. He was offered a scholarship at the Berlin School of Art. Jussuf Abbo arrived in Germany in 1911 and began studying at the Royal Academy of Fine Arts in Berlin in 1913. By 1919 he had a master studio in the Prussian Academy of Fine Arts. Throughout the [...]
Arnold Schoenberg’s Pierrot Lunaire
and the Role of the Clown
in the Arts
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
Pierrot, the famous character from the Italian commedia dell’arte, is set by the composer A. Schoenberg as the moonstruck and fantastical clown, who is a symbol for putting on a mask to hide one’s true feelings or opinions. Forever lovelorn and wistfully contemplating the dying moon, he lurches through the night, hiding his face underneath a thick layer of white paint. The extravagance of emotions, the aesthetic of exaggeration, and the distortion of communication through the mask turn Pierrot into an incredibly fascinating and universal figure. Pre-concert talk Rachel Stern, Director and CEO, The Fritz Ascher Society for Persecuted, Ostracized and Banned Art Stephen Decatur Smith, Stony Brook University, Department of Music Concert [...]
Ben-Zion (1897-1987):
Man of Many Faces
Featuring Tabita Shalem and Ori Z Soltes
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
Born in the Russian Empire, Ben-Zion (Benzion Weinman, 1897-1987) immigrated to New York City between the wars, arriving as a craftsman of words whose cultural Zionist convictions led him to write his poetry in Hebrew. By the early 1930s, the rise of fascism and its particularized manipulations of language drove him to despair of the power of words and to turn to visual art as a medium of expression. Endlessly creative, across the next six decades he produced a flood of drawings and oil paintings and sculptures often made by re-visioning found objects of wood, stone, and iron. As a founding member of the expressionist group, "The Ten"--that included among others a young Mark Rothko--Ben-Zion addressed social, political, and cultural [...]
Identity, Art and Migration:
Artist Refugees from Nazi Germany and Today
School of Visual Arts, New York
School of Visual Arts
133/141 West 21st Street Room 101C, New York, United States
Note: Attendees must provide proof of vaccination (including booster, if eligible) and advance Eventbrite registration. Presented by BFA Visual & Critical Studies, the SVA Honors Program, and The Fritz Ascher Society for Persecuted, Ostracized, and Banned Art. In honor of The Fritz Ascher Society for Persecuted, Ostracized and Banned Art's virtual exhibition “Identity, Art and Migration,” this panel discussion probes historical and all-too contemporary fault lines of persecution, migration, intolerance, cultural complexity and art. Historians, curators and artists come together to discuss the life and work of artists who were persecuted by the German Nazi regime and came to the US during the first half of the 20th century, while also hearing from living artists who are facing the challenge of relocation [...]
Prison Diaries by Hans Uhlmann, 1933-1935:
Drawing as Life Line
Featuring Dorothea Schöne, Berlin (Germany)
Marlene Meyerson JCC Manhattan
334 Amsterdam Ave, New York, NY, United States
On October 26, 1933, Hans Uhlmann was arrested by the Gestapo on the street. In the notorious Columbia-Haus, he was interrogated for several weeks and then found guilty by the court of appeal of “preparations for a traitorous enterprise.” He spent a year and a half in prison—first in Moabit and then in Tegel Prison. The artist recorded his experiences of those years in diaries. In parallel with these diaries, he produced four books of sketches. In his diary entries Uhlmann describes his arrest as well as scenes from daily life in confinement but above all his artistic concerns and projects: “I think often of freedom; of my first works; I occupy myself here by imagining these figures” (May [...]
ART FOR NO ONE:
Artists in Germany between 1933 and 1945
Lecture by Ilka Voermann, Frankfurt/Main (Germany)
Marlene Meyerson JCC Manhattan
334 Amsterdam Ave, New York, NY, United States
Between 1933 and 1945, the National Socialist regime controlled artistic work in Germany. Particularly artists who were persecuted based on their religion, race, or political views fled into exile due to threats from the government. But what happened to the artists who remained in the country? Isolation, lack of an audience, and limited exchange impacted the creativity of the individuals who were deprived of a basis for work and life under National Socialism. Their situation is often described in a generalized way as “ostracism” or “inner emigration.” In light of the multilayered and divergent personal circumstances, however, these terms fall short of the mark. Image above: Hans Grundig, Clash of the Bears and Wolves, 1938, Oil on plywood, 90,5 [...]
Charlotte Salomon (1917-1943):
A Life Before Auschwitz
Lecture by Monica Bohm-Duchen, London (UK)
Quad Cinema
34 West 13th Street, New York, NY, United States
Charlotte Salomon (1917-1943), was a hugely talented Berlin-born artist who was murdered at Auschwitz, four months pregnant, at the age of twenty-six. Her main body of work, a sequence of nearly 800 gouache images entitled Leben? oder Theater? (Life? or Theatre?), and created while seeking refuge in the South of France, is an ambitious fictive autobiography which deploys both images and text, and a wide range of musical, literary and cinematic references. The narrative, informed by Salomon's experiences as a cultured, and assimilated German Jewish woman, depicts a life lived in the shadow of Nazi persecution and a family history of suicide, but also reveals moments of intense happiness and hope. Challenging the artistic conventions of Salomon’s time, it remains [...]
Charlotte. Animated Film about
German-Jewish Artist Charlotte Salomon (1917-1943)
Producer Julia Rosenberg
in conversation with Ori Z Soltes
Quad Cinema
34 West 13th Street, New York, NY, United States
Join us as the film's producer, Julia Rosenberg, speaks with Ori Z Soltes from Georgetown University in Washington DC about her motivation, thoughts and decisions that went into the creation of her newly released animated film "Charlotte." Moderated by Rachel Stern, Executive Director of the Fritz Ascher Society. Image above: Film poster "Charlotte" "Charlotte" is an animated drama that tells the true story of Charlotte Salomon (1917-1943), a young German-Jewish painter who comes of age in Berlin on the eve of the Second World War. Fiercely imaginative and deeply gifted, she dreams of becoming an artist. Her first love applauds her talent, which emboldens her resolve. But [...]
