Bajazzo Archives - Fritz Ascher Society

Mar 1, 2022

FRITZ ASCHER SOCIETY Newsletter March 2022

Rachel Stern2022-03-28T04:56:27-04:00March 1st, 2022|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter March 2022

Dear Friends, Join us TOMORROW for a ZOOM LECTURE in our monthly series "Flight or Fight. stories of artists under repression" about a recently re-discovered artist: Wednesday, March 2, 12:00pm EST: Jussuf Prince of Thebes – Re-constructing the life and work of a forgotten talent from Safed Featuring Dorothea Schöne, Berlin (Germany) ZOOM EVENT REGISTRATION Jussuf Abbo, Head of a Black Man, ca. 1939, plaster, painted, H: 28 cm. Estate of Jussuf Abbo, Brighton/UK, photo: Gunter Lepkowski Born in Safed, in the province of Beirut of the Ottoman Empire, the sculptor Joseph M. Abbo (1888–1953) – who later renamed himself Jussuf Abbo – came to Berlin in 1911 and began studying at the Royal Academy of [...]

Jan 19, 2022

Arnold Schoenberg’s Pierrot Lunaire
and the Role of the Clown
in the Arts

Rachel Stern2022-03-11T08:13:14-05:00January 19th, 2022|Events, Past Events|Comments Off on Arnold Schoenberg’s Pierrot Lunaire
and the Role of the Clown
in the Arts

Pierrot, the famous character from the Italian commedia dell’arte, is set by the composer A. Schoenberg as the moonstruck and fantastical clown, who is a symbol for putting on a mask to hide one’s true feelings or opinions. Forever lovelorn and wistfully contemplating the dying moon, he lurches through the night, hiding his face underneath a thick layer of white paint. The extravagance of emotions, the aesthetic of exaggeration, and the distortion of communication through the mask turn Pierrot into an incredibly fascinating and universal figure. Pre-concert talk Rachel Stern, Director and CEO, The Fritz Ascher Society for Persecuted, Ostracized and Banned Art Stephen Decatur Smith, Stony Brook University, Department of Music Concert [...]

Mar 31, 2021

FRITZ ASCHER SOCIETY Newsletter March 2021

Rachel Stern2021-03-31T18:24:40-04:00March 31st, 2021|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter March 2021

Dear Friends, What a surprise: The Arolsen Archives own a copy of a name list of Jews released from the concentration camp Sachsenhausen on December 23, 1938 with Fritz Ascher's name! Copy of Doc. No. 4094051#1 in conformity with Arolsen Archives Name List of Jews Released from the Concentration Camp Sachsenhausen on December 23, 1938 I am overwhelmed by your interest in our crowdsourcing initiative “everynamecounts,” in which we are partnering with the Arolsen Archives to help build the largest digital memorial to the victims of Nazism. On our designated project page, you can watch the recording of our Zoom event with Floriane Azoulay (Director) and Giora Zwilling (Deputy Head [...]

Feb 25, 2021

FRITZ ASCHER SOCIETY Newsletter February 2021

Rachel Stern2021-02-25T20:35:24-05:00February 25th, 2021|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter February 2021

Dear Friends, Did you ever wonder who created the large Menorah that is standing in front of the Knesset in Jerusalem? We’ll bring the story to your screen, on Wednesday, March 3, 2021, at 12:00pm US ET! Christian Walda (Dortmund, Germany) will speak about “Becoming Jewish: The Sculptor Benno Elkan (1877-1960),” followed by focused presentations by Wolfgang E. Weick (Dortmund) and Ori Z. Soltes (Washington DC). Please register for this Zoom event HERE. Benno Elkan, Menorah, 1956. Knesset, Jerusalem The oeuvre of the German born sculptor was largely made up of commissions. In the beginning, he mainly created tombs. Medals, portrait busts of well-known personalities, monuments to victims and [...]

Feb 24, 2021

2020 – Rachel Stern (Ed.)
Fritz Ascher. Poesiealbum 357

Rachel Stern2021-02-24T05:40:28-05:00February 24th, 2021|Selected Publications|Comments Off on 2020 – Rachel Stern (Ed.)
Fritz Ascher. Poesiealbum 357

Ascher composed, wrote, drew and painted: Between 1942 and 45 - three long years - he hid from the persecution of the fascists in the basement of a bombed-out house in Berlin-Grunewald. Immobility, loneliness and hunger as well as the fear of betrayal and discovery, torture and death did not leave him during this time. In this situation he found poignant words for his “unpainted pictures”. He conveys both the intensity of his thought processes and his sensitivity for - and his use of - words as well as their nuances and sound patterns. Above all, he demonstrates the indomitable spirit of the artist Fritz Ascher, which no circumstance, regardless of the medium, can prevent from creating with vehement and [...]

Feb 24, 2021

2020 – Rachel Stern and Julia Diekmann (Ed.)
Der Vereinsamte. Clowns in der Kunst
Fritz Aschers (1893-1970)

Rachel Stern2021-02-24T04:27:46-05:00February 24th, 2021|Selected Publications|Comments Off on 2020 – Rachel Stern and Julia Diekmann (Ed.)
Der Vereinsamte. Clowns in der Kunst
Fritz Aschers (1893-1970)

For Fritz Ascher, the ambivalence of the clown as an outsider in society was a central motive. Fritz Ascher found his Bajazzo motif during the First World War, a time of political, societal and social upheaval. In her introduction to this catalog, Rachel Stern traces Ascher's world as well as his artistic development and illuminates the further life of the persecuted and ostracized artist through the horrors of the Nazi regime. In the catalog essays, the authors Jutta Götzmann and Ori Z. Soltes highlight Fritz Ascher's Bajazzo works in a focused way. In addition to Ascher's Bajazzo works, the catalog also includes depictions of landscapes created after 1945, which clearly show the personal and artistic break through experiencing persecution, ostracism by [...]

Oct 14, 2020

FRITZ ASCHER SOCIETY Newsletter #36, October 2020

Rachel Stern2020-11-24T20:14:35-05:00October 14th, 2020|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter #36, October 2020

Dear Friends, On October 17 we celebrate Fritz Ascher’s birthday - this year with the launch of DigiFAS - diverse, innovative digital initiatives that provide new ways of engagement with the art and life of artists persecuted by an authoritarian regime. DigiFAS is generously sponsored by Allianz Partners. This launch includes the Society’s first-ever fully digital exhibition “Fritz Ascher: Themes and Variations.” You can explore the exhibition HERE. We have worked on this for months and can’t wait for your reactions! We also invite you to participate in the 2- week digital engagement project “Send in the Clowns,” which explores the clown as a figure between tragedy and comedy, between self- identification [...]

Sep 30, 2020

Twitterview @Ascher_Society
Giora Seeliger
“Ask A Healthcare Clown!”

Rachel Stern2020-11-02T20:09:58-05:00September 30th, 2020|Events, Past Events, Send in the Clowns|Comments Off on Twitterview @Ascher_Society
Giora Seeliger
“Ask A Healthcare Clown!”

Twitter @Ascher_Society Giora Seeliger, Artistic Director and Founder of Red Noses Clowndoctors International, takes over the FAS Twitter account to answer your burning questions about clowning, the role of a healthcare clown, and anything else that comes to mind! Submit your questions in advance by writing to info@fritzaschersociety.org Part of "Send in the Clowns," an interactive two-week digital initiative, which explores the clown as a figure between tragedy and comedy, between self- identification and stage--a character designed to (literally) mask the performer’s true feelings behind a facade of happiness. “Send in the Clowns” uses the prominence of the “clown” figure in Fritz Ascher’s work as a lens through which to explore the duality of the clown both historically and today. [...]

Sep 30, 2020

“The Hospital Clown: Between Joy and Sadness”
Roundtable featuring
Giora Seeliger, Harry Page, Ed Stephan
Moderated by Elizabeth Berkowitz

Rachel Stern2020-10-28T14:24:47-04:00September 30th, 2020|Events, Past Events, Send in the Clowns|Comments Off on “The Hospital Clown: Between Joy and Sadness”
Roundtable featuring
Giora Seeliger, Harry Page, Ed Stephan
Moderated by Elizabeth Berkowitz

Watch the recording of this event HERE. Roundtable featuring Giora Seeliger Artistic Director and Founder of the Red Noses Clowndoctors International Harry Page “Flash” the Clown Ed Stephan “Dumbbell” the Clown Moderated by Elizabeth Berkowitz Art Historian and Digital Interpretation Manager, The Fritz Ascher Society in New York One of the more appealing aspects of the clown subject to artists like Fritz Ascher was the divide between a public persona committed to joy and happiness, and the pain or sadness that might lurk beneath the real, human surface. Hospital or healthcare clowns straddle this divide every day of their professional lives—working to bring happiness to child patients who are often in circumstances that might otherwise inspire grief or pain. This [...]

Sep 30, 2020

Kunstpause
Guided Tour through the Exhibition
“The Loner. Clowns in the Art of Fritz Ascher”
by Curator Julia Diekmann, Höxter (Germany)

Rachel Stern2020-10-28T14:29:52-04:00September 30th, 2020|Comments Off on Kunstpause
Guided Tour through the Exhibition
“The Loner. Clowns in the Art of Fritz Ascher”
by Curator Julia Diekmann, Höxter (Germany)

Exhibition curator Julia Diekmann guides through the exhibition. Whether in dramatic context or as individual figure, the clown always plays the role of the outsider, of the one opposite the many. He is laughed at and ridiculed, is the fool, despised, and humiliated, always operating from the margin. In Ascher’s work, the figure of the clown, the Bajazzo, appears first around 1916. It becomes a lifelong interest, expressed in paintings, drawings, lithographs and poems. Based on the opera I Pagliacci by Ruggero Leoncavallo (1857-1919), which was popular in the 1920s, Ascher creates both dramatic scenes of the tragic love burlesque and studies of the Bajazzo, the Pagliaccio or clown as a single figure. The intensity in the artistic expression of the figure, [...]

Sep 30, 2020

Bilder im Gespräch: Bajazzo
Guided Tour through the Exhibition
“The Loner. Clowns in the Art of Fritz Ascher”
by Curator Julia Diekmann, Höxter (Germany)

Rachel Stern2020-10-28T14:58:31-04:00September 30th, 2020|Events, Past Events|Comments Off on Bilder im Gespräch: Bajazzo
Guided Tour through the Exhibition
“The Loner. Clowns in the Art of Fritz Ascher”
by Curator Julia Diekmann, Höxter (Germany)

Exhibition curator Julia Diekmann guides through the exhibition. Whether in dramatic context or as individual figure, the clown always plays the role of the outsider, of the one opposite the many. He is laughed at and ridiculed, is the fool, despised, and humiliated, always operating from the margin. In Ascher’s work, the figure of the clown, the Bajazzo, appears first around 1916. It becomes a lifelong interest, expressed in paintings, drawings, lithographs and poems. Based on the opera I Pagliacci by Ruggero Leoncavallo (1857-1919), which was popular in the 1920s, Ascher creates both dramatic scenes of the tragic love burlesque and studies of the Bajazzo, the Pagliaccio or clown as a single figure. The intensity in the artistic expression of the figure, [...]

Sep 29, 2020

Twitter Takeover @Ascher_Society
Matthew R. Wilson, PhD
“Commedia dell’Arte and the Clown in Popular Culture”

Rachel Stern2020-09-29T20:08:44-04:00September 29th, 2020|Events, Send in the Clowns|Comments Off on Twitter Takeover @Ascher_Society
Matthew R. Wilson, PhD
“Commedia dell’Arte and the Clown in Popular Culture”

Twitter @Ascher_Society Actor and theater historian Matthew R. Wilson takes over the FAS Twitter account to discuss the history of the Commedia dell’Arte, key themes in the genre, and how the Commedia dell’Arte has impacted popular culture. Submit your questions in advance by writing to info@fritzaschersociety.org Part of "Send in the Clowns," an interactive two-week digital initiative, which explores the clown as a figure between tragedy and comedy, between self- identification and stage--a character designed to (literally) mask the performer’s true feelings behind a facade of happiness. “Send in the Clowns” uses the prominence of the “clown” figure in Fritz Ascher’s work as a lens through which to explore the duality of the clown both historically and today. Generously sponsored [...]