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Weimar Republik

May 30, 2020

FRITZ ASCHER SOCIETY Newsletter #32, May 2020

2020-06-02T16:23:50-04:00May 30th, 2020|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter #32, May 2020

Dear Friends, I hope you and your families are well despite the continuing challenges, both physical and psychological.  “Fritz Ascher, Expressionist” at the Joel and Lila Harnett Museum of Art in Richmond, Virginia “Fritz Ascher, Expressionist” at the Joel and Lila Harnett Museum of Art in Richmond, Virginia These are the last impressions of “Fritz Ascher, Expressionist” at the Harnett Museum of Art in Richmond. The exhibition is now officially closed, even though the artwork will stay in solitary confinement until the art shippers are back in business. This past week, we celebrated Fritz Ascher, the exhibition in Richmond, and the winners of our competition, with a virtual event. [...]

Mar 26, 2020

FRITZ ASCHER SOCIETY Newsletter #31, March 2020

2020-03-26T08:37:32-04:00March 26th, 2020|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter #31, March 2020

Dear Friends, How much has our life changed over the past few days! “Fritz Ascher, Expressionist” at the Joel and Lila Harnett Museum of Art in Richmond, Virginia is closed. Until our online exhibition is up, you can see photos of the installation here. “Fritz Ascher, Expressionist” at the Joel and Lila Harnett Museum of Art in Richmond, Virginia We also invite you to be part of our free online conversations, which we will announce on our website, on Facebook, and on Twitter. “Housebound and Hiding. From Fritz Ascher in 1942 to Ourselves Today in 2020” is the first conversation on Thursday, on March 26th, at 8:00pm EDT, commemorating the 50th anniversary of [...]

Feb 6, 2020

FRITZ ASCHER SOCIETY Newsletter #30, February 2020

2020-02-06T08:01:15-05:00February 6th, 2020|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter #30, February 2020

Dear Friends, “Fritz Ascher, Expressionist” is now on view at the Joel and Lila Harnett Museum of Art in Richmond, Virginia, until May 24 (link). You can listen to my opening lecture here. “Fritz Ascher, Expressionist” at the Joel and Lila Harnett Museum of Art in Richmond, Virginia In every venue, different hanging bring out new aspects of single artworks, and unexpected connections between artworks provide new insights. The Harnett Museum of Art is no exception. For the first time, “The Tortured” (“Der Gequälte”) takes up center stage. It is a monumental painting measuring 59 x 79.4 inches. Fritz Ascher created it in the 1920s, as social and racial tensions in [...]

Dec 10, 2019

FRITZ ASCHER SOCIETY Newsletter #29, December 2019

2019-12-10T06:06:07-05:00December 10th, 2019|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter #29, December 2019

Dear Friends, Today I have exciting news: on November 13, the Fritz Ascher Stiftung (Fritz Ascher Foundation) was founded at Stiftung Stadtmuseum Berlin (City Museum Berlin) (link). The foundation's board of trustees consists of Paul Spies, director of Stiftung Stadtmuseum Berlin, Eckhart Gillen, art historian and curator, and Rachel Stern, director of the Fritz Ascher Society. from left: Paul Spies, Peter-Stephan Prause, Eva Bünte, Rachel Stern, Martina Weinland, Peter Bünte Ephraim Palais, Stiftung Stadtmuseum Berlin, Berlin (Germany) The foundation was initiated by private collectors of the artistic work of Fritz Ascher, to give his work a publicly accessible home and to present it in the context of his artistic contemporaries in [...]

Sep 23, 2019

FRITZ ASCHER SOCIETY Newsletter #28, September 2019

2019-09-23T17:36:19-04:00September 23rd, 2019|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter #28, September 2019

Dear Friends, Fall is finally upon us. Fritz Ascher’s “Landscape with a Cloudy Sky” from c. 1960 captures the rich colors and dramatic light of late afternoon, brought forth with spontaneous, dynamic brushstrokes that characterize the artist’s late work. Fritz Ascher, Landscape with a Cloudy Sky, 1960s. Oil on canvas, 39.4 x 37.4 in. While he was hiding from the Nazis 1942-1945, the artist wrote: I have spent the summer re-reading the poems I have access to, marveling at their rich verbal imagery and thinking about a publication of this powerful manifestation of the artist’s creativity, which translates so easily into disciplines other than the visual [...]

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