Rachel Stern2022-08-26T05:07:57-04:00October 7th, 2021|Events, Lectures, Past Events|
Shaped in accordance with the theme of the current Fritz Ascher Society online project, "Identity, Art and Migration," this brief conference focusses on psychological, historical and art historical aspects of migration—broadly and in particular within the context of artists seeking refuge in the United States during the Holocaust. Expert Panel: Rebecca Erbelding, PhD, USHMM historian in Washington DC Katya Grokhovsky, artist and founder of The Immigrant Artist Biennal in New York NY and Ori Z Soltes, PhD, Teaching Professor at Georgetown University in Washington DC These diverse experts will address the specifics of American immigration policies in the first half of the twentieth century and how they particularly affected those seeking refuge from the ravages [...]
Rachel Stern2022-08-26T05:10:27-04:00October 6th, 2021|Events, Lectures, Past Events|
Fritz Ascher (Berlin 1893 - 1970 Berlin) almost made it out of Germany as the persecution of the Jews was developing. SINCE HE HAD been arrested and released from concentration camp and prison after several months, friends managed to book passage on a ship to Shanghai, but the German Nazi bureaucracy refused to let him leave the country. Ascher found refuge in the basement of his deceased mother's friend, Martha Grassmann--in a house located in the Grunewald, the heart of the Nazi brass residential neighborhood in Berlin. In hiding--an interior migration--he shifted from vibrantly expressionist paintings and drawings to dense poetry. AFTER the war he emerged to a Germany very different from the one he had known before and [...]
Rachel Stern2022-08-26T05:14:46-04:00October 6th, 2021|Events, Lectures, Past Events|
Prior to World War II, Polish-born Arthur Szyk (Lodz 1894 – 1951 New Canaan, CT) was best known for his ornately detailed renderings of historical subjects and Jewish themes. But after the German invasion of Poland in September 1939, he gained the accolades of international audiences for his biting caricatures of Nazi leaders and his efforts to garner support for the Allied cause and Europe’s persecuted Jews. In 1940, Szyk took his mighty pen to the United States, where he quickly became a popular artistic sensation. His images graced the covers and inside pages of leading magazines, like Time, Colliers, Esquire, Look, The American Mercury, Coronet, and Liberty. Szyk’s cartoons regularly appeared in The New York Post, The Chicago [...]
