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History

Feb 2, 2024

„I’m always on the go…” –
The painter Franz Domscheit / Pranas Domšaitis (1880-1965)
Lecture by Jan Rüttinger, Lüneburg (Germany)

2024-02-02T06:31:31-05:00February 2nd, 2024|, |Comments Off on „I’m always on the go…” –
The painter Franz Domscheit / Pranas Domšaitis (1880-1965)
Lecture by Jan Rüttinger, Lüneburg (Germany)

Searching, wandering, not arriving - this is how the person and art of Franz Domscheit/Pranas Domšaitis can be characterized. Born into a German-Lithuanian family as the son of a farmer and innkeeper, it was primarily his Lithuanian origins that interested him. The early landscape and cultural impressions of his homeland, Prussian-Lithuania, at the interface of German and Lithuanian culture, shaped his work throughout his life. Landscape is one of the painter's main themes, who is primarily perceived as an expressionist. Image above: Franz Domscheit, Two Peasant Women, 1930s. Oil on canvas. Copyright National Lithuanian Art Museum. REGISTER FOR THIS ONLINE EVENT HERE Franz Domscheit, Potato Peeler, 1926. Oil on cardboard. Copyright National [...]

Feb 1, 2024

The Art of Marc Klionsky:
Shaping a Three-World Condition from Minsk to New York
Lecture by Ori Z Soltes and conversation with daughter Nadia Klionsky

2024-02-14T15:19:09-05:00February 1st, 2024|, , |Comments Off on The Art of Marc Klionsky:
Shaping a Three-World Condition from Minsk to New York
Lecture by Ori Z Soltes and conversation with daughter Nadia Klionsky

In this program Georgetown University professor and author, Ori Z Soltes, explores Marc Klionsky's life and work, in part through conversation with his daughter, the scholar and artist, Nadia Klionsky. Image above: Marc Klionsky, Dizzie Gillespie: The Man and his Trumpet, 1988. Oil on canvas, 52 x 66 inches. National Portrait Gallery, Washington, DC. This exciting program features the paintings of Marc Klionsky (1927–2017). Born in the Soviet Union, Klionsky managed to navigate what has been called a “two-world condition”—creating the particularized Soviet Socialist Realist work that was acceptable to the Stalinist and post-Stalinist State while allowing his soul to reveal itself in work that only a very few trusted viewers might see. As [...]

Jan 16, 2024

In Hitler’s Munich:
Jews, the Revolution, and the Rise of Nazism
A Book Talk by Michael Brenner, Munich and Washington D.C.

2024-01-31T18:36:36-05:00January 16th, 2024|, , |Comments Off on In Hitler’s Munich:
Jews, the Revolution, and the Rise of Nazism
A Book Talk by Michael Brenner, Munich and Washington D.C.

In the aftermath of Germany's defeat in World War I and the failed November Revolution of 1918–19, which was led by many prominent Jewish politicians, the conservative government of Bavaria identified Jews with left-wing radicalism. Munich became a hotbed of right-wing extremism, with synagogues under attack and Jews physically assaulted in the streets. It was here that Adolf Hitler established the Nazi movement and developed his antisemitic ideas. This lecture provides a gripping account of how Bavaria's capital city became the testing ground for Nazism and the Final Solution. Michael Brenner holds the chair of Jewish History and Culture at Ludwig Maximilian University in Munich. He is also Distinguished Professor of History and Seymour and [...]

Dec 26, 2023

The New Man as Man Machine
A Book Talk by Eckhart Gillen, Berlin

2024-01-24T15:36:23-05:00December 26th, 2023|, , |Comments Off on The New Man as Man Machine
A Book Talk by Eckhart Gillen, Berlin

Fifteen years after the great financial crisis of 2008, which shook the capitalist economic system in America and Europe to its foundations, the book “The New Man as Man Machine” presents, for the first time, the interrelationship of art and political economy in the Weimar Republic, the Soviet Union, and the United States of America during the interwar period. By taking a look back at the 1920s and 1930s, it attempts to better understand our own era and its well-founded fears with regard to globalization and a new global economic crisis. Image above: Kliment Redko, Aufstand, 1924-25 This project focuses on how artists reacted to the central questions of the political economy in these three [...]

Oct 27, 2023

Klaus Friedeberger (1922-2019).
Journey Around the World
Lecture by Monica Sidhu, London
Q&A with wife Julie Friedeberger and British Museum curator Stephen Coppel, London

2023-12-06T14:00:09-05:00October 27th, 2023|, , |Comments Off on Klaus Friedeberger (1922-2019).
Journey Around the World
Lecture by Monica Sidhu, London
Q&A with wife Julie Friedeberger and British Museum curator Stephen Coppel, London

Presentation by Monica Sidhu, followed by a conversation with the late Klaus’ wife Julie Friedeberger and British Museum curator Stephen Coppel, London. Image above: Klaus Friedeberger, Children Playing, 1959-1962, oil on canvas. Copyright Klaus Friedeberger estate Born in Berlin in 1922 the artist Klaus Friedeberger escaped Nazi Germany in 1937. After studying at the Quaker School in Holland he arrived in London as a refugee in 1939. Classified as ‘enemy alien’ he was interned and subsequently deported to Australia on the transport ship Dunera. He spent two years in internment camps at Hay in New South Wales. Released in 1942 he joined the Australian Army labour corps and after demobilisation he studied art at East [...]

Oct 23, 2023

Peter László Péri (1899-1967).
A Hungarian-born Artist in Berlin and London
Lecture by Arie Hartog, Bremen (Germany)

2023-11-15T13:37:29-05:00October 23rd, 2023|, , |Comments Off on Peter László Péri (1899-1967).
A Hungarian-born Artist in Berlin and London
Lecture by Arie Hartog, Bremen (Germany)

In this talk, Arie Hartog, director of the Gerhard-Marcks-Haus in Bremen, Germany, draws attention to a sculptor who contradicts the common narrative of modern art in the 20th century. Péri began as a constructivist and ended as a figurative artist. Yet he was not an academic traditional sculptor. Introductory remarks by Lilla Farkas, Cultural attaché at the Liszt Institute of the Consulate General of Hungary in New York. Image above: Peter László Péri, Sadness, 1938–1945, pigmented and painted concrete, 52 × 40 × 60 cm. Photo: Jake Wallters © Peter László Péri Estate, London Peter László Péri was born Ladislas Weisz in Budapest in 1889. Peri became the Hungarianized family name in 1918. In 1919, he [...]

Oct 9, 2023

Horst Eisfelder (1925-2023):
Diasporic Life in Shanghai’s State of Exception
Lecture by Dr Noit Banai, Hong Kong
and Dr Anna Hirsh, Melbourne

2023-11-08T20:46:18-05:00October 9th, 2023|, , |Comments Off on Horst Eisfelder (1925-2023):
Diasporic Life in Shanghai’s State of Exception
Lecture by Dr Noit Banai, Hong Kong
and Dr Anna Hirsh, Melbourne

Lecture by Dr Noit Banai and Dr Anna Hirsh, followed by Q&A with Rodney Eisfelder, son of Horst Eisfelder. Image above: Horst Eisfelder. Street scene in the Shanghai Ghetto, Shanghai, China, circa 1945. Black and white photograph. Copyright: Horst Eisfelder estate After fleeing Berlin a few weeks before Kristallnacht and arriving in Shanghai with his family in late November 1938, Horst Eisfelder (1925-2023) became one of the most prolific photographers of the ‘Shanghai Ghetto’ before emigrating to Australia in May 1947. Embedded within the history and theory of photography, this presentation considers his images of the city of Shanghai as well as the Designated Area for Stateless Refugees as vital representations through which to understand [...]

Sep 29, 2023

Eva Zeisel, Designer Extraordinaire
Lecture by daughter Jean Richards, New York

2023-10-25T13:56:11-04:00September 29th, 2023|, , |Comments Off on Eva Zeisel, Designer Extraordinaire
Lecture by daughter Jean Richards, New York

Eva Zeisel (born Éva Amália Striker, Budapest 1906 –2011 New City, New York) was one of the most important designers of the 20th century. She believed that beautiful things make people happy. Although she was known for her ceramic tableware, she also designed in glass, wood, plastic and metal. Her designs are in major museums around the world, including the Metropolitan Museum, the British Museum and MoMA, where she had the first one woman show in 1946. Lecture by Eva’s daughter Jean Richards. Image above: Eva Zeisel, Red Wing Pottery pieces from "Town and Country" collection. Glazed earthenware, ca. 1945. CC BY 4.0 Photograph of a young Eva Zeisel. © Eva [...]

Sep 1, 2023

Art for the Millions:
American Culture and Politics in the 1930s
Lecture by Allison Rudnick, New York

2023-09-27T14:24:53-04:00September 1st, 2023|, , |Comments Off on Art for the Millions:
American Culture and Politics in the 1930s
Lecture by Allison Rudnick, New York

The 1930s was a decade of political and social upheaval in the United States, and the art and visual culture of the time reflected the unsettled environment. Americans searched for their cultural identity during the Great Depression, a period marked by divisive politics, threats to democracy, and intensified social activism, including a powerful labor movement. The exhibition with the same title, on view at The Metropolitan Museum of Art New York until December 10, 2023, features more than 100 works from the collection and several lenders, and explores how artists expressed political messages and ideologies through a range of media, from paintings, sculptures, prints, and photographs to film, dance, decorative arts, fashion, and ephemera. Highlights include paintings by Georgia [...]

Aug 31, 2023

From Émigré to Englishman: Fred Uhlman, ‘Painter of Dreams’
Lecture by Dr. Nicola Baird, London

2023-09-13T13:30:35-04:00August 31st, 2023|, , |Comments Off on From Émigré to Englishman: Fred Uhlman, ‘Painter of Dreams’
Lecture by Dr. Nicola Baird, London

Manfred [Fred] Uhlman was born on 19th January 1901 in Stuttgart, Germany, the eldest child of Ludwig Uhlman (1869–c.1943), a textile merchant, and his wife, Johanna Grombacher (1879–c.1943), both of whom were later to perish at Theresienstadt concentration camp. He studied law at the Universities of Freiburg, Munich, and Tübingen, graduating with a doctorate in 1923. In 1927 he joined the Social Democrat Party, becoming its official legal representative in 1932. Image above: Fred Uhlman, Still Life with African Figures, oil on canvas, Hatton Gallery, © the artist's estate / Bridgeman Images. Photo credit: Hatton Gallery In March 1933, after a warning that his arrest was imminent because of his political affiliations, he fled [...]

Aug 23, 2023

Samson Schames: Fragments of Exile
Lecture by Annika Friedman, Frankfurt

2023-12-15T11:28:36-05:00August 23rd, 2023|, , |Comments Off on Samson Schames: Fragments of Exile
Lecture by Annika Friedman, Frankfurt

This event is sponsored by Ilona Oltuski in memory of Ruth Drory. Image above: Samson Schames, Kindling of the Lights, c. 1956. Glass tiles on glass, 56 x 71 cm. Jewish Museum Frankfurt Samson Schames (1898-1967) came from a long-established Jewish family in Frankfurt am Main. With the support of his uncle, renowned gallery owner Ludwig Schames, he made his way into the 1920s art scene and began his training as a painter, graphic artist, and stage designer. Schames’ designs, drawings, and oil paintings from the period up to 1933 testify to his deep connection to Frankfurt and her landscapes. Samson Schames, Opernplatz Frankfurt, 1930. Jewish Museum Frankfurt [...]

Nov 18, 2020

“Fritz Ascher: Themes and Variations”
A Digital Exhibition Experience

2024-01-03T06:58:00-05:00November 18th, 2020||Comments Off on “Fritz Ascher: Themes and Variations”
A Digital Exhibition Experience

This digital exhibition includes important examples from the oeuvre of the German Jewish Expressionist artist Fritz Ascher (1893-1970). Ascher’s career extended from prior to the First World War until the late 1960s. However, Ascher’s artistic trajectory was interrupted due to persecution under National Socialism, and he spent much of the Second World War in hiding, concealed in a family friend’s basement. Ascher’s work consequently encompasses both the vibrant artistic scene in early-20th-century Germany, as well as the trauma and aesthetic shifts consequent of Ascher’s persecution and deprivations during the twelve years of the Nazi regime. These selected works are representative not only of critical moments in Ascher’s personal and artistic development, but also of key themes that occupied Ascher’s [...]

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