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Fritz Ascher

Feb 4, 2024

BOOK LAUNCH: Welcoming the Stranger.
Abrahamic Hospitality and Its Contemporary Implications
Fordham University, New York

2024-03-26T17:07:03-04:00February 4th, 2024|, , |Comments Off on BOOK LAUNCH: Welcoming the Stranger.
Abrahamic Hospitality and Its Contemporary Implications
Fordham University, New York

Join us for an evening of stimulating conversation, and refreshments, as we celebrate the publication of Welcoming the Stranger. Abrahamic Traditions and Its Contemporary Implications. Advance copies of the book are available for purchase. This book is a collection of thought-provoking essays exploring the theme of hospitality as a means of building bridges between different cultures and communities. This book is a must-read for anyone interested in interfaith dialogue, social justice, and creating a more inclusive society. Its contents could hardly be more relevant today. Beginning with the story of Abraham’s hospitality to the three strangers described in Genesis18, the narrative explores both the theological evolution in and beyond the Abrahamic traditions of the principle of “welcoming the stranger,” [...]

Dec 22, 2023

Happy Holidays!

2024-01-24T06:16:58-05:00December 22nd, 2023|Newsletter|Comments Off on Happy Holidays!

In 1901, the eight-year-old German-Jewish artist Fritz Ascher (Berlin, 1893-1970) drew mother and son negotiating the purchase of a Christmas tree. This is the first known artwork by the artist, which he sketched in graphite and then executed in ink on paper. Fritz Ascher, Winter Scene, 1901. Graphite and black ink on paper, 13.8 x 10.4 inches. Copyright Bianca Stock Find out more about Fritz Ascher in our short biographical film: WATCH "FRITZ ASCHER, EXPRESSIONIST (1893-1970)" Some years later, around 1913, Fritz Ascher draws a conductor on the verso of that same sheet of paper. The caricature shows Ascher’s tenderness and admiration: music, especially Beethoven’s music, accompanied him wherever [...]

Aug 28, 2022

Flucht ins Überleben [Escape to Survival]. Four Berlin Biographies from the Time of National Socialism
Märkisches Museum, Berlin (Germany)

2022-11-02T01:09:36-04:00August 28th, 2022|, , |Comments Off on Flucht ins Überleben [Escape to Survival]. Four Berlin Biographies from the Time of National Socialism
Märkisches Museum, Berlin (Germany)

Four selected life stories tell of survival strategies in war, flight and persecution - and of the consequences of the traumatic experiences for those affected. EVENT RECORDING FORTHCOMING Today we believe that flight, expulsion, oppression and murder which dominated Europe 70 years ago have been overcome. Recent events in Ukraine show us that this is not the case. And again there are countless individuals whose lives are uprooted and who have to reorient themselves. But what does that do to those affected, what does it do to artists and how do they reflect on this experience? With four selected biographies of Berliners, we recall the survival strategies they had to develop during the National Socialist [...]

Apr 26, 2022

FRITZ ASCHER SOCIETY Newsletter May 2022

2022-04-28T09:33:15-04:00April 26th, 2022|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter May 2022

Dear Friends, Thursday is Yom HaShoah - Holocaust Memorial Day. In January, we invited you to actively commemorate victims of National Socialism by contributing to the Arolsen Archive’s digital memorial #EVERYNAMECOUNTS. I know that some of you found the project so meaningful that you are still donating your time to it. Right now, you can choose to enter data of documents from Buchenwald, Flossenbürg or Dachau: PARTICIPATE HERE This Thursday, I invite all to donate time to help build this important digital memorial. On our website you find further information about the project and our partnership with the Arolsen Archive: https://fritzaschersociety.org/digifas/everynamecounts/ And please share your experience with us! In May, we turn to the experience of [...]

Mar 28, 2022

FRITZ ASCHER SOCIETY Newsletter April 2022

2022-03-28T05:26:02-04:00March 28th, 2022|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter April 2022

Dear Friends, When the artist Ben-Zion was born in 1897, his hometown Starokostiantyniv belonged to the Russian Empire. By the time he left for the United States, it belonged to the Ukraine/Poland. Today it again belongs to the Ukraine, and is brutally attacked and destroyed by the Russian army. As the casualties are mounting, we hope for peace, democracy and independence in the Ukraine. Join us on Wednesday, April 6 for a ZOOM LECTURE in our monthly series "Flight or Fight. stories of artists under repression” about the painter, printmaker, sculptor, educator, and poet: Wednesday, April 6, 12:00pm “Ben-Zion (1897-1987): Man of Many Faces” Featuring Tabita Shalem and Ori Z Soltes ) ZOOM EVENT REGISTRATION Ben-Zion, Prophet [...]

Mar 1, 2022

FRITZ ASCHER SOCIETY Newsletter March 2022

2022-03-28T04:56:27-04:00March 1st, 2022|Newsletter|Comments Off on FRITZ ASCHER SOCIETY Newsletter March 2022

Dear Friends, Join us TOMORROW for a ZOOM LECTURE in our monthly series "Flight or Fight. stories of artists under repression" about a recently re-discovered artist: Wednesday, March 2, 12:00pm EST: Jussuf Prince of Thebes – Re-constructing the life and work of a forgotten talent from Safed Featuring Dorothea Schöne, Berlin (Germany) ZOOM EVENT REGISTRATION Jussuf Abbo, Head of a Black Man, ca. 1939, plaster, painted, H: 28 cm.  Estate of Jussuf Abbo, Brighton/UK, photo: Gunter Lepkowski Born in Safed, in the province of Beirut of the Ottoman Empire, the sculptor Joseph M. Abbo (1888–1953) – who later renamed himself Jussuf Abbo – came to Berlin in 1911 and began studying at the Royal Academy of [...]

Jan 19, 2022

Arnold Schoenberg’s Pierrot Lunaire
and the Role of the Clown
in the Arts

2022-03-11T08:13:14-05:00January 19th, 2022|, |Comments Off on Arnold Schoenberg’s Pierrot Lunaire
and the Role of the Clown
in the Arts

Pierrot, the famous character from the Italian commedia dell’arte, is set by the composer A. Schoenberg as the moonstruck and fantastical clown, who is a symbol for putting on a mask to hide one’s true feelings or opinions. Forever lovelorn and wistfully contemplating the dying moon, he lurches through the night, hiding his face underneath a thick layer of white paint. The extravagance of emotions, the aesthetic of exaggeration, and the distortion of communication through the mask turn Pierrot into an incredibly fascinating and universal figure. Pre-concert talk Rachel Stern, Director and CEO, The Fritz Ascher Society for Persecuted, Ostracized and Banned Art Stephen Decatur Smith, Stony Brook University, Department of Music Concert [...]

Jan 19, 2022

“Identity, Art and Migration”
Online Exhibition

2022-02-16T13:07:29-05:00January 19th, 2022|Comments Off on “Identity, Art and Migration”
Online Exhibition

“Identity, Art and Migration” investigates the experience of seven Jewish European artists who were forced to abandon their country of origin, or remain in hiding for years, in response to Nazi policies in effect from 1933 to 1945. These six artists: Anni Albers, Friedel Dzubas, Eva Hesse, Rudi Lesser, Lily Renée and Arthur Szyk emigrated to the United States, while one, Fritz Ascher, stayed behind in Germany, hiding in a basement for three years. These artists’ lives and work address the multi-layered concept of identity and the particulars of its expression from slightly different angles. We invite you to explore with us how these wrenching experiences affected their sense of who they were, and the art they made. [...]

Oct 8, 2021

Remembering Friedel:
An Intimate View of Friedel Dzubas (1915-1994)
Featuring Karen Wilkin and Sandi Slone

2022-08-26T05:20:00-04:00October 8th, 2021|, , |Comments Off on Remembering Friedel:
An Intimate View of Friedel Dzubas (1915-1994)
Featuring Karen Wilkin and Sandi Slone

In a prolific career that spanned nearly five decades, Friedel Dzubas (b. Berlin, 1915–d. 1994, Newton, Mass.) articulated his mature style by the 1970s, creating a striking visual language from counterpoised abstract shapes of brushed color that he juxtaposed, overlapped, and opened to reveal his gessoed grounds. Yet, in prior years, Dzubas’s early work in Berlin were influenced by Expressionist artist of the two primary groups known as Die Brücke and Die Blaue Reiter. As Dzubas told curator Charles Millard in 1982, “Their unheard-of brashness of color; that was really brave. That was very exciting. Color’s an emotional thing. These people not only spoke directly; they felt deeply. There was passion.” His early pen and ink watercolors embed the [...]

Oct 6, 2021

Fritz Ascher (1893-1970):
Coming back to Life
Featuring Karen Wilkin and Elizabeth Berkowitz, PhD

2022-08-26T05:10:27-04:00October 6th, 2021|, , |Comments Off on Fritz Ascher (1893-1970):
Coming back to Life
Featuring Karen Wilkin and Elizabeth Berkowitz, PhD

Fritz Ascher (Berlin 1893 - 1970 Berlin) almost made it out of Germany as the persecution of the Jews was developing. SINCE HE HAD been arrested and released from concentration camp and prison after several months, friends managed to book passage on a ship to Shanghai, but the German Nazi bureaucracy refused to let him leave the country. Ascher found refuge in the basement of his deceased mother's friend, Martha Grassmann--in a house located in the Grunewald, the heart of the Nazi brass residential neighborhood in Berlin. In hiding--an interior migration--he shifted from vibrantly expressionist paintings and drawings to dense poetry. AFTER the war he emerged to a Germany very different from the one he had known before and [...]

Sep 14, 2021

Boris Lurie:
Searching for Truth in Holocaust Images
Featuring Eckhart Gillen, PhD, Berlin (Germany)

2022-02-06T07:18:15-05:00September 14th, 2021|, , |Comments Off on Boris Lurie:
Searching for Truth in Holocaust Images
Featuring Eckhart Gillen, PhD, Berlin (Germany)

In Claude Lanzmann’s seminal nine-and-a-half-hour film SHOAH, he chose not to use any images of the Holocaust, telling the story instead solely through the words of witnesses. By contrast, art historian Georges Didi-Huberman and contemporary artist Gerhard Richter have both emphasized the power of images to reflect and educate—the former in his book Images in Spite of All: Four Photographs from Auschwitz, and the latter in a series of paintings titled “Birkenau.” Join the Museum of Jewish Heritage and the Fritz Ascher Society for a lecture exploring the tension between these different perspectives on images, words, and the Holocaust with German art historian and curator Eckhart Gillen. Gillen grounds the discussion in the example of Boris Lurie, the subject [...]

Jul 28, 2021

Memory, Empathy and Image:
The Art of Luise Schröder (Germany)
and Kitra Cahana (Canada)

2022-02-18T05:26:38-05:00July 28th, 2021|, , |Comments Off on Memory, Empathy and Image:
The Art of Luise Schröder (Germany)
and Kitra Cahana (Canada)

Discussion with artists Luise Schröder (Germany) and Kitra Cahana (Canada) Moderated by Ori Z Soltes, PHD Teaching Professor at Georgetown University in Washington DC Introduced by Rachel Stern Director and CEO of the Fritz Ascher Society in New York NY This program explores the work of two young artists -- Kitra Cahana, from Canada; and Luise Schroeder, from Germany -- whose photography, documentary filmmaking and other work have been informed by an acute awareness of the myriad complications that have beset diverse individuals and groups within the complexities of the twentieth- and twenty-first-century world. Their inspirational sources range from the Holocaust to the Black Lives Matter movement as, in similar and yet very different ways, they [...]

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