Rachel Stern2022-02-18T05:30:25-05:00April 25th, 2021|Events, Lectures, Past Events|
Lecture by Nicola Baird Research Officer and Curator at Ben Uri Gallery and Museum, London Introduced by Rachel Stern Director and CEO of the Fritz Ascher Society in New York Born in Germany to Polish-Jewish orthodox parents in 1926, Gustav Metzger (1926-2017) was one of 10,000 Jewish children evacuated in 1939 to London as part of the Kindertransport. His parents, eldest brother, and maternal grandparents, all perished in the Holocaust. Upon the advice of Henry Moore, Metzger spent six months at the Cambridge School of Art, before enrolling at the Sir John Cass Institute in 1946, where he studied sculpture and attended David Bomberg’s life drawing classes at the Borough Polytechnic, alongside contemporaries [...]
Rachel Stern2022-02-18T05:27:54-05:00April 20th, 2021|Events, Lectures, Past Events|
Lecture by Helen Shiner Director/Editor at the Moissey Kogan Catalogue Raisonné of Sculpture & Prints, Oxford (UK) Introduced by Rachel Stern Director and CEO of the Fritz Ascher Society in New York Moissey Kogan (1879-1943) was an innovative, influential sculptor-craftsman and printmaker, whose career straddled the European avant-gardes of the first half of the 20th century. A cosmopolitan Russian Jew, whose work was marked by his interest in Jewish mysticism and theosophical beliefs, Kogan looked to non-European cultures and ancient sources, in common with many of his contemporaries in Munich, Berlin, Amsterdam, and Paris, to root his avant-garde experimentations and revivals of ancient techniques, in what were considered more authentic means of expression. On the day [...]
Newsletter #6, May 2016
Rachel Stern2018-12-04T12:44:40-05:00May 19th, 2016|Newsletter|
Dear Friends, As we are drawn to spend more time outside in the lovely spring weather, this newsletter is all about Fritz Ascher’s late landscapes that became the focus of his work after 1945. Trees, late 1950s ©Bianca Stock, Munich Frank Auerbach, Mornington Crescent Looking South, 1997 ©Frank Auerbach, courtesy Marlborough Fine Art In dozens and dozens of intense paintings and gouaches intoxicated with color, Ascher turns to nature painting in the broadest sense. Among them are landscapes, woodland scenes, portraits of individual trees, groups of trees, all inspired by hours of walking in the nearby Grunewald. In his catalogue essay accompanying the upcoming Fritz Ascher retrospective, Eckhart Gillen relates the aesthetic practice and behavior of the two painters Fritz [...]
