Rachel Stern2023-11-15T13:37:29-05:00October 23rd, 2023|Events, Lectures, Past Events|
In this talk, Arie Hartog, director of the Gerhard-Marcks-Haus in Bremen, Germany, draws attention to a sculptor who contradicts the common narrative of modern art in the 20th century. Péri began as a constructivist and ended as a figurative artist. Yet he was not an academic traditional sculptor. Introductory remarks by Lilla Farkas, Cultural attaché at the Liszt Institute of the Consulate General of Hungary in New York. Image above: Peter László Péri, Sadness, 1938–1945, pigmented and painted concrete, 52 × 40 × 60 cm. Photo: Jake Wallters © Peter László Péri Estate, London Peter László Péri was born Ladislas Weisz in Budapest in 1889. Peri became the Hungarianized family name in 1918. In 1919, he [...]
Rachel Stern2022-03-25T18:23:56-04:00December 25th, 2021|Newsletter|
Dear Friends, Until December 31, you can still watch the 2019 feature documentary "Lily" - for free! A big thank you to director Adrienne Gruben for making the film available to us. LINK TO FILM SCREENING AND RECORDING OF 11/17 EVENT There, you can also watch the recording of the November 17 discussion about discovering Lily Renée and producing the film, featuring Award-winning Herstorian and writer Trina Robbins, director and producer Adrienne Gruben and producer David Armstrong. December 31 is also the end of the year. For us, it was the busiest year in the (short) history of the Fritz Ascher Society. We continued our virtual programming with our monthly "Flight or Fight" lectures and our investigation into "Trauma, Memory and Art," and we [...]
Elizabeth Berkowitz2024-03-05T08:12:14-05:00November 18th, 2020|Exhibitions|
This digital exhibition includes important examples from the oeuvre of the German Jewish Expressionist artist Fritz Ascher (1893-1970). Ascher’s career extended from prior to the First World War until the late 1960s. However, Ascher’s artistic trajectory was interrupted due to persecution under National Socialism, and he spent much of the Second World War in hiding, concealed in a family friend’s basement. Ascher’s work consequently encompasses both the vibrant artistic scene in early-20th-century Germany, as well as the trauma and aesthetic shifts consequent of Ascher’s persecution and deprivations during the twelve years of the Nazi regime. These selected works are representative not only of critical moments in Ascher’s personal and artistic development, but also of key themes that occupied Ascher’s [...]
