Expressionist
Painting as an Act of Resistance.
The artist Felix Nussbaum (1904-1944)
Anne Sibylle Schwetter, Osnabrück
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
WATCH THE RECORDING OF THIS EVENT HERE. Lecture featuring Anne Sibylle Schwetter, Curator of the Felix Nussbaum Collection in the Felix Nussbaum House in the Osnabrück Museum Quarter, Osnabrück Moderated by Rachel Stern, Executive Director of the Fritz Ascher Society in New York The German-Jewish artist Felix Nussbaum (1904 Osnabrück - 1944 Auschwitz) started a promising career in Berlin around 1930, which ended abruptly when the National Socialists came to power in 1933. Years in exile in Italy and Belgium followed. In 1942 Nussbaum went into hiding in Brussels. The artist's last paintings were created here from June 1943 until shortly before his arrest in June 1944. A little later he was murdered in Auschwitz. Like hardly any other painter [...]
Painting as an Act of Resistance.
The artist Felix Nussbaum (1904-1944)
Anne Sibylle Schwetter, Osnabrück
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
WATCH THE RECORDING OF THIS EVENT HERE. Lecture featuring Anne Sibylle Schwetter, Curator of the Felix Nussbaum Collection in the Felix Nussbaum House in the Osnabrück Museum Quarter, Osnabrück Moderated by Rachel Stern, Executive Director of the Fritz Ascher Society in New York The German-Jewish artist Felix Nussbaum (1904 Osnabrück - 1944 Auschwitz) started a promising career in Berlin around 1930, which ended abruptly when the National Socialists came to power in 1933. Years in exile in Italy and Belgium followed. In 1942 Nussbaum went into hiding in Brussels. The artist's last paintings were created here from June 1943 until shortly before his arrest in June 1944. A little later he was murdered in Auschwitz. Like hardly any other painter [...]
“The Clown on Stage”
Roundtable featuring
Matthew R. Wilson, Ori Z. Soltes, Tricia Manuel / “Pricilla Mooseburger”
Moderated by Elizabeth Berkowitz
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
Watch the recording of this event HERE. Roundtable featuring Matthew R. Wilson Director (SDC), Actor (AEA, SAG-AFTRA), and Fight Director (SAFD, SDC), as well as a scholar and playwright Ori Z. Soltes Teaching Professor at Center for Jewish Civilization, Georgetown University, Washington D.C. Tricia Manuel / "Pricilla Mooseburger" the Clown Tricia Manuel is the unmistakable Pricilla Mooseburger! Moderated by Elizabeth Berkowitz Art Historian and Digital Interpretation Manager, The Fritz Ascher Society in New York How do we define “the clown,” historically, in art, and today, in practice? What is the appeal of the clown in performance, and how has the clown subject impacted popular culture? This roundtable pools the expertise from a diversity of fields to place Fritz Ascher’s interest in “the [...]
Twitter Takeover @Ascher_Society
Matthew R. Wilson, PhD
“Commedia dell’Arte and the Clown in Popular Culture”
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
Twitter @Ascher_Society Actor and theater historian Matthew R. Wilson takes over the FAS Twitter account to discuss the history of the Commedia dell’Arte, key themes in the genre, and how the Commedia dell’Arte has impacted popular culture. Submit your questions in advance by writing to info@fritzaschersociety.org Part of "Send in the Clowns," an interactive two-week digital initiative, which explores the clown as a figure between tragedy and comedy, between self- identification and stage--a character designed to (literally) mask the performer’s true feelings behind a facade of happiness. “Send in the Clowns” uses the prominence of the “clown” figure in Fritz Ascher’s work as a lens through which to explore the duality of the clown both historically and today. Generously sponsored [...]
“The Hospital Clown: Between Joy and Sadness”
Roundtable featuring
Giora Seeliger, Harry Page, Ed Stephan
Moderated by Elizabeth Berkowitz
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
Watch the recording of this event HERE. Roundtable featuring Giora Seeliger Artistic Director and Founder of the Red Noses Clowndoctors International Harry Page “Flash” the Clown Ed Stephan “Dumbbell” the Clown Moderated by Elizabeth Berkowitz Art Historian and Digital Interpretation Manager, The Fritz Ascher Society in New York One of the more appealing aspects of the clown subject to artists like Fritz Ascher was the divide between a public persona committed to joy and happiness, and the pain or sadness that might lurk beneath the real, human surface. Hospital or healthcare clowns straddle this divide every day of their professional lives—working to bring happiness to child patients who are often in circumstances that might otherwise inspire grief or pain. This [...]
Twitterview @Ascher_Society
Giora Seeliger
“Ask A Healthcare Clown!”
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
Twitter @Ascher_Society Giora Seeliger, Artistic Director and Founder of Red Noses Clowndoctors International, takes over the FAS Twitter account to answer your burning questions about clowning, the role of a healthcare clown, and anything else that comes to mind! Submit your questions in advance by writing to info@fritzaschersociety.org Part of "Send in the Clowns," an interactive two-week digital initiative, which explores the clown as a figure between tragedy and comedy, between self- identification and stage--a character designed to (literally) mask the performer’s true feelings behind a facade of happiness. “Send in the Clowns” uses the prominence of the “clown” figure in Fritz Ascher’s work as a lens through which to explore the duality of the clown both historically and today. [...]
John Heartfield (1891-1968)
His Political Engagement and Private Life in London
Rosa von der Schulenburg, Berlin
1014 - space for ideas
1014 5th Avenue, New York, New York, NY, United States
WATCH THE RECORDING OF THIS EVENT HERE. Lecture featuring Rosa von der Schulenburg, Head of the Art Collection of the Academy of Arts in Berlin Moderated by Rachel Stern, Executive Director of the Fritz Ascher Society in New York John Heartfield (1891-1968) was a German visual artist who pioneered the use of art as a political weapon. This presentation starts with preliminary remarks about John Heartfield’s bequest in the Akademie der Künste in Berlin and shows how it is accessible nowadays. A short introduction of how all began follows, showing the background of the birth of Heartfield’s political photo-montages (World War I, Dada, Communist Party, Willi Münzenberg’s Die Arbeiter-Illustrierte-Zeitung in short AIZ), glances at Heartfield’s first exile stage in Prague and then focuses on [...]
Fritz Ascher in Berlin – eine Spurensuche
Kurzvortrag und Führung von Rachel Stern, New York
Augustinermuseum, Haus der Graphischen Sammlung, Freiburg
Augustinermuseum
Augustinerplatz, Freiburg im Breisgau
Der spätexpressionistische Künstler Fritz Ascher (1893-1970) überlebte zwei Weltkriege und die Verfolgung durch das nationalsozialistische Regime. Als aufmerksamer Beobachter der Schrecken des Ersten Weltkriegs und der revolutionären Unruhen wandte er sich christlich-spirituellen Themen zu, die er radikal neu interpretierte. In intimen Zeichnungen beschäftigte er sich ab 1916 mit dem Thema Liebe und Verrat, sowohl in seiner Auseinandersetzung mit dem Kreuzigungsthema als auch mit der Figur des Bajazzo in der tragikomischen Oper „I Pagliacci“. Kurzvortrag und Führung von Rachel Stern zeigen den Künstler in seinem sozialen und politischen Umfeld. Image above: Fritz Ascher, Im Wald, um 1919. Weisse Gouache und schwarze Tusche über Aquarell und Bleistift auf Papier, 34 x 32,2 cm © Bianca Stock The late expressionist [...]
Liebe und Verrat: Fritz Ascher
Kurator Erik Riedel im Gespräch mit Rachel Stern
Jüdisches Museum Frankfurt (Germany)
Jewish Museum Frankfurt
Bertha-Pappenheim-Platz 1, Frankfurt am Main, Germany
Der Maler, Grafiker und Dichter Fritz Ascher (1893-1970) wurde bereits als 16-Jähriger von Max Liebermann an die Akademie in Königsberg empfohlen. Ab 1913 gehörte er zu den gefragten Malern in Berlin. Er war ein genauer Beobachter seiner Zeit; die Urkatastrophe des Ersten Weltkriegs und die revolutionären Unruhen in Berlin führten ihn zu christlichen und mystischen Themen, die er radikal neu interpretierte. Nach 1933 erhielt Ascher als Jude Berufsverbot. Während der Pogrome am 9./10. November 1938 wurde er verhaftet und im Konzentrationslager Sachsenhausen und im Potsdamer Gestapo-Gefängnis interniert. Die Schoa überlebte er ab 1942 versteckt in einem Keller in Berlin-Grunewald. Während dieser einsamen Jahre verfasste er Gedichte. Als Künstler fand Ascher nach 1945 seinen ganz eigenen Stil. Angeregt vom nahe [...]
Love, Betrayal and Ascher’s Unpainted Pictures
Tour by Exhibition Curator Jutta Götzmann
Haus der Graphischen Sammlung, Freiburg (Germany)
Haus der Graphischen Sammlung
Salzstraße 34, Freiburg im Breisgau, Germany
Jutta Götzmann, Kuratorin der Ausstellung „Liebe und Verrat“ im Haus der Graphischen Sammlung, stellt bei einer Führung Fritz Aschers (1893–1970) künstlerische Vielfalt vor. Neben frühen Kohle-, Graphit- und Tuschzeichnungen faszinieren farbintensive Gouachen. Gedichte, die als seine „ungemalten Bilder“ gelten und während des Nationalsozialismus im Verborgenen entstanden, ergänzen die Ausstellung. Die Teilnahme kostet 2,50 Euro plus Eintritt. Image above: Jutta Götzmann. Photo Patrick Seegers Jutta Götzmann, exhibition curator of "Love and Betrayal," presents the artist Fritz Ascher (1893-1970) during a tour. In addition to early charcoal, graphite and ink drawings, colorful gouaches are fascinating. Poems that are considered his "unpainted pictures" and were created in secret during the National Socialist era complement the exhibition. BUY TICKETS HERE [...]
