Past Exhibitions

Stiftung Gedenkstätte Lindenstrasse in Potsdam examines for the first time the history of the Potsdam police prison, the prison where Fritz Ascher spent almost 5 months in 1939. When the prison building in what is today Henning-von-Tresckow-Strasse was torn down in 2002, Potsdam historian Hannes Wittenberg was able to save two original artefacts, both today in the collection of the Potsdam Museum: an original prison door and a model of the prison building built by prisoners in the 1980s for fire protection exercises. Both objects are on display in the exhibition, together with original photographs and documents of the prison building. Fritz Ascher is one of the former prisoners, whose biography is being told. (website link) Questions being asked in [...]

The worldwide first Fritz Ascher Retrospective is on view at Museum Schlösschen im Hofgarten in Wertheim/Main until September 9, 2018. Here, a representative group of powerful paintings and drawings spans Ascher's whole oeuvre from first academic studies to monumental Expressionist figure compositions to late landscapes. Fritz Ascher's poems, written while hiding from Nazi persecution, can be discovered as "unpainted paintings" in relation to his artwork. In Wertheim, Ascher’s work can be seen in the context of his supporter Max Liebermann and his teachers Lovis Corinth, Ludwig Dettmann and Curt Agthe, thanks to the Schlösschen’s exquisite collection of Berlin Secession art. (website link) SWR Aktuell reported. (website link) Photos by Elmar Kellner and David Stern. A comprehensive German/English catalogue with [...]

The exhibition "Umkämpfte Wege der Moderne. Wilhelm Schmid und die Novembergruppe" is dedicated to the controversial epoch of 1918-1933 and the radical changes during the following period. (link) Some of the artistic pioneers took the 1918/1919 revolution as an opportunity to unite as the "November Group", probably the most prominent political artistic group of the Weimar Republic. These self-proclaimed "revolutionaries of the mind" set out on new paths of artistic expression with their motives, colors and forms, rejecting the old imperial conventions in form and content. The members of the group not only caused a sensation with their revolutionary demand to participate in the new state in all art-related issues. For in the exhibitions - primarily at the Great Berlin [...]

Last German venue! (link) At the Kallmann-Museum, a representative group of powerful paintings and drawings spans Ascher's whole oeuvre from first academic studies to monumental Expressionist figure compositions to late landscapes. Fritz Ascher's poems, written while hiding from Nazi persecution, can be discovered as "unpainted paintings" in relation to his artwork. With this exhibition, the Kallmann-Museum continues its examination of artists who became victims of the National Socialist art policy. Photos by Gerald Förtsch, Rasmus Kleine and Rachel Stern. A comprehensive German/English catalogue with essays by Jörn Barfod, Eckhart Gillen, Wiebke Hölzer, Ingrid Mössinger, Ori Z. Soltes and Rachel Stern accompanies the exhibition. (catalogue link) The Fritz Ascher retrospective was on view at the Felix-Nussbaum-Haus in Osnabrück (September 25, [...]

Fritz Ascher: Expressionist presents works by this German Jewish artist, who lived through the Weimar Republic, the Nazi regime, and into the postwar years. With the support of prominent Berlin painter Max Liebermann, Fritz Ascher (1893–1970) studied in Berlin before traveling to Oslo, where he met Edvard Munch. During a prolonged stay in Munich, he associated with the artists who contributed to Simplicissimus magazine, and back in Berlin, he fell in with the artists of Die Brücke. His early work is steeped in old myths, spirituality, and reflections on the human condition. From 1933 he was forbidden to produce, exhibit, or sell his art. Interned at the Sachsenhausen Concentration Camp in 1938, he survived the Nazi era mostly in [...]

"Fritz Ascher: Expressionist" presents works by this German Jewish artist, who lived through the Weimar Republic, the Nazi regime, and into the postwar years. With the support of prominent Berlin painter Max Liebermann, Fritz Ascher (1893–1970) studied in Berlin before traveling to Oslo, where he met Edvard Munch. During a prolonged stay in Munich, he associated with the artists who contributed to Simplicissimus magazine, and back in Berlin, he fell in with the artists of Die Brücke. His early work is steeped in old myths, spirituality, and reflections on the human condition. From 1933 he was forbidden to produce, exhibit, or sell his art. Interned at the Sachsenhausen Concentration Camp in 1938, he survived the Nazi era mostly in [...]