In this presentation, Carla Maria Huttenloher brings women’s photographic agency to the forefront of the Bauhaus story, uncovering the rich and long-underexplored links between their lives and their powerful bodies of work. Image above: Grit Kallin-Fischer, Self-portrait with cigarette, around 1928. Courtesy Bauhaus-Archiv Berlin . Women have worked behind the camera since photography’s beginnings, but their contributions have been sidelined in art‑historical narratives. The Bauhaus offers a clear case: during the Weimar Republic women engaged with and shaped photographic modernism in multiple ways, yet their work is insufficiently acknowledged to date. In the 1920s and early 1930s, the social figure of the New Woman — ideologically linked to greater independence, professional [...]