Modern Art

Oct 23, 2025

Flight or Fight? Artists in Nazi Germany, 1933-1945
Presentation by Rachel Stern, New York
Kupferberg Holocaust Center @ Queensborough Community College, Queens, NY

2025-11-16T14:29:16-05:00October 23rd, 2025|, |Comments Off on Flight or Fight? Artists in Nazi Germany, 1933-1945
Presentation by Rachel Stern, New York
Kupferberg Holocaust Center @ Queensborough Community College, Queens, NY

Between 1933 and 1945, the National Socialist regime controlled artistic work in Germany. Join Rachel Stern, founding director of the Fritz Ascher Society for Persecuted, Ostracized and Banned Art, for a discussion about the system of fear and control installed by the Nazis, its impact on the national cultural landscape, and artists’ strategies of survival. This event is part of the 2025-26 KHC and National Endowment for the Humanities Colloquium, “Resistance, Resilience and Reinvention: Artists and Academics Escaping Nazism.” It is co-sponsored by the Holocaust & Human Rights Education Center in White Plains; the Center for Genocide and Human Rights Research in Africa and the Diaspora at Northeastern Illinois University; the Center for the Study of Genocide and Human [...]

Oct 23, 2025

From Vienna to Movies:
Costume Designer Ruth Morley at 100, a birthday commemoration.
Presentation by Melissa Hacker and Susan Gammie

2025-11-21T07:00:38-05:00October 23rd, 2025|, , |Comments Off on From Vienna to Movies:
Costume Designer Ruth Morley at 100, a birthday commemoration.
Presentation by Melissa Hacker and Susan Gammie

In this virtual event, the life and work of Costume Designer Ruth Morley will be discussed by her daughter Melissa Hacker and Susan Gammie, her assistant, protégé and close friend. Ruth Morley (1925-1991) fled her childhood home in Vienna on a Kindertransport as an unaccompanied child refugee, arrived in New York City as a teenager, and became a noted costume designer whose career spanned decades and disciplines, including dance, opera, theater, film and television. Her film credits include American classics Tootsie, Annie Hall, Taxi Driver, The Chosen, Kramer vs Kramer and The Hustler; her theater, opera and dance credits include Death of Salesman (with Dustin Hoffman), The Threepenny Opera, Deathtrap, Miracle Worker (stage and film, for the film, she received an Oscar nomination), Billy Budd, the Golem, and many more. Television includes Playing for Time with Vanessa Redgrave and Mussolini with George C [...]

Oct 19, 2025

Confronting the Holocaust in Midcentury American Art
Presentation by Jennifer McComas, Bloomington (Indiana)

2025-11-12T13:39:10-05:00October 19th, 2025|, , |Comments Off on Confronting the Holocaust in Midcentury American Art
Presentation by Jennifer McComas, Bloomington (Indiana)

The Holocaust’s profound impact on midcentury American art has been underrecognized and understudied. Jennifer McComas, curator of the current exhibition Remembrance and Renewal: American Artists and the Holocaust, 1940-1970 at Indiana University’s Eskenazi Museum of Art and primary author of the accompanying catalogue, explores the ways that American artists—American-born, immigrants, refugees from Nazi-occupied Europe, and Holocaust survivors—confronted the Holocaust in their work during the war and in the decades just after. Image above: Anna Walinska (American, born England, 1906-1997), Survivors – Exodus, 1958. Oil on canvas, 60 x 84 in. (152.4 x 213.4 cm). Gift of Rosina Rubin, Eskenazi Museum of Art, Indiana University, 2023.29. © Atelier Anna Walinska. Photo: Shanti Knight. [...]

Aug 12, 2025

The Three Exiles of the German-born artist Samson Schames (1898-1967)
Conversation with Annika Friedman (Germany), Rachel Dickson, PhD (UK) and Ori Z Soltes, PhD (USA)

2025-09-26T07:49:38-04:00August 12th, 2025|, , |Comments Off on The Three Exiles of the German-born artist Samson Schames (1898-1967)
Conversation with Annika Friedman (Germany), Rachel Dickson, PhD (UK) and Ori Z Soltes, PhD (USA)

In this virtual event, a transatlantic panel discusses the artist Samson Schames. Annika Friedman (Germany) elaborates on the artist’s beginnings in Frankfurt, Rachel Dickson, PhD (UK) gives an insight into the work he made in British exile, and Ori Z. Soltes, PhD (USA) speaks about the work he created in his new home, New York. The presentations are followed by a moderated discussion and Q&A. Image above: Samson Schames, Granite Quarry No. 1, 1958. Casein on board, 20.75 in. x 26.25 in. Leo Baeck Institute New York 2007.97 Samson Schames was a German-Jewish artist born in 1898 in Frankfurt am Main, Germany, into a prominent Jewish family involved in the textile business. He initially trained [...]

Aug 11, 2025

Samson Schames (1898-1967): Family and Friends
Conversation with Natalie Green Giles, James McCaffrey and Charlie Scheidt.
Moderated by William Weitzer

2025-09-26T07:54:22-04:00August 11th, 2025|, , |Comments Off on Samson Schames (1898-1967): Family and Friends
Conversation with Natalie Green Giles, James McCaffrey and Charlie Scheidt.
Moderated by William Weitzer

In this virtual event, a distinguished panel comprising family members, friends, and their descendants from New York share memories of the German-born artist Samson Schames (1898-1967). His work, which blends modernist aesthetics with spiritual and historical depth, is recognized for its innovative technique and poignant reflections on exile, memory, and identity. Born in Frankfurt am Main, Germany, he fled Nazi persecution to England in 1939 and later emigrated to the United States with his future wife, Edith, in 1948 and 1947.  Image above: Samson Schames, Blowing the Shofar, c. 1956. Shards of glass, polychrome, layered in relief, 25.4 x 29.7 in. (64.5 x 75.5 cm). Jewish Museum Frankfurt A short film created [...]

Aug 4, 2025

Theodore Fried (1902-1980): In Hiding and Beyond
Presentation by Sofia Thornblad, Tulsa (OK)

2025-09-03T14:31:57-04:00August 4th, 2025|, , |Comments Off on Theodore Fried (1902-1980): In Hiding and Beyond
Presentation by Sofia Thornblad, Tulsa (OK)

This presentation explores the historical background and creative works of Hungarian-born Jewish artist Theodore Fried (1902-1980). He was educated at the Budapest Academy of Fine Arts and moved to Vienna in 1924 and to Paris in 1925. He met and married his first wife Anna and his son Christopher was born in 1928. That same year, the artist had his first one-man show, and was included in important shows in Vienna, Prague, Berlin, and Paris. Image above: Detail of Theodore Fried, Self Portrait, 1938. Oil on canvas. Sherwin Miller Museum of Jewish Art, Tulsa (OK) When the Nazis came to power in 1933, Fried’s work was labeled as “degenerate”. He fled with [...]

Jul 10, 2025

Matisse at War. Art and Resistance in Nazi Occupied France
Book talk by Christopher C. Gorham

2025-10-22T14:46:04-04:00July 10th, 2025|, , |Comments Off on Matisse at War. Art and Resistance in Nazi Occupied France
Book talk by Christopher C. Gorham

In this book talk, author Christopher C. Gorham speaks about the artist Henri Matisse (1869-1954) and his steadfastness to live and work during the years of World War II and the Nazi occupation of France. When the Degenerate Art exbibit opened in Munich in the summer of 1937, works by notable foreign modernists were denigrated along with German artists. Henri Matisse’s Blue Window (1913) was legally seized by the Nazi regime for inclusion in the traveling exhibit, and his work was banned from German museums. Henri Matisse was among the modernists derided by the Nazis. That did not stop them from stealing his art. At the Jeu de Paume Museum, Paris, [...]

Mar 24, 2025

Léo Maillet (1902-1990): The Broken Mirror
Presentation by Erik Riedel, Frankfurt am Main (Germany)

2025-04-09T14:22:41-04:00March 24th, 2025|, , |Comments Off on Léo Maillet (1902-1990): The Broken Mirror
Presentation by Erik Riedel, Frankfurt am Main (Germany)

Curator Erik Riedel presents the work of the painter and graphic artist Léo Maillet, who changed his original name Leopold Mayer in exile, reflecting the numerous fractures in his biography. Image above: Léo Maillet, Le Graveur (Self-Portrait), 1944. Oil on cardboard. Permanent loan by the Adolf und Luisa Haeuser-Stiftung für Kunst und Kulturpflege. © estate of Léo Maillet: Daniel Maillet and Nikolaus Mayer After his dramatic escape from a deportation train bound for Auschwitz, Maillet lived in the French Cévennes under a false identity from 1942 onwards. He painted and drew with the simplest of materials. Some years later, he took up the works he had created during his flight and persecution and transformed them [...]

Mar 6, 2025

Art and Conscience in a Time of Upheaval.
Ben Shahn (1898-1969)
Presentation by Ori Z Soltes, Washington (DC)

2025-03-12T14:22:13-04:00March 6th, 2025|, , |Comments Off on Art and Conscience in a Time of Upheaval.
Ben Shahn (1898-1969)
Presentation by Ori Z Soltes, Washington (DC)

Georgetown University professor Ori Z Soltes will speak about Ben Shahn (1898-1969), who arrived in 1906 as a child to the United States from Tsarist-governed Lithuania. Four years after the Tsarist authorities had exiled his father to Siberia for alleged revolutionary activities, his mother managed to bring the family to New York. There they reconnected with Ben's father who had escaped from Siberia and made it to the US by way of South Africa. Image above: Ben Shahn, Detail of the Mural "The Meaning of Social Security," Wilbur J. Cohen Federal Building, Washington, D.C. Within 25 years Shahn emerged as perhaps the key figure in the developing arena of American Social [...]

Feb 14, 2025

“There is something mad about the art”
The German-Jewish Art Dealer Alfred Flechtheim and his Heirs’ Fight for Restitution
Presentation by Journalist Michael Sontheimer, Berlin (Germany)

2025-03-26T16:04:21-04:00February 14th, 2025|, , |Comments Off on “There is something mad about the art”
The German-Jewish Art Dealer Alfred Flechtheim and his Heirs’ Fight for Restitution
Presentation by Journalist Michael Sontheimer, Berlin (Germany)

Journalist and author Michael Sontheimer speaks about Alfred Flechtheim, who was born in 1878 in Münster as the son of a wealthy German Jewish grain dealer. He was trained as a trader but did not want to stay in the family business. As he was fascinated with art, he left his hometown and moved to Düsseldorf, where he opened a gallery in 1913. Image above: Rudolf Großmann, Alfred Flechtheim, 1922-27. Pencil, ink, and gouache on paper, 5.3 x 3.8 in. Museum für Moderne Kunst, Freiburg (Germany) G 62/008 b. After serving in the German Army during the First World War, in 1921 he opened a second gallery in Berlin, the place to be in the 1920s. [...]

Jan 20, 2025

Love and Betrayal. The German-Jewish artist Fritz Ascher (1893-1970)
A presentation by Rachel Stern, organized by Saint Elizabeth University, Morristown (NJ)

2025-03-02T04:34:45-05:00January 20th, 2025|, , |Comments Off on Love and Betrayal. The German-Jewish artist Fritz Ascher (1893-1970)
A presentation by Rachel Stern, organized by Saint Elizabeth University, Morristown (NJ)

Rachel Stern will present insights into the art and life of the German-Jewish artist Fritz Ascher and the mission of The Fritz Ascher Society for Persecuted, Ostracized and Banned Art. Introduced by Richard Quinlan, Director of the Center for Holocaust and Genocide Education at Saint Elizabeth University in Morristown (NJ). Image above: Fritz Ascher, Male Portrait in Red, c. 1915. Private collection © Bianca Stock Fritz Ascher (1893-1970), a painter, graphic artist, and poet, was recommended to the art academy in Königsberg by the renown German painter Max Liebermann at the age of 16. From 1913 onwards, he gained recognition as a painter in Berlin. Ascher was a keen observer of his era; the [...]

Dec 22, 2024

Making Way for Berthe Weill—
Art Dealer of the Parisian Avant-Garde
A presentation by Lynn Gumpert, New York

2025-01-22T13:31:12-05:00December 22nd, 2024|, , |Comments Off on Making Way for Berthe Weill—
Art Dealer of the Parisian Avant-Garde
A presentation by Lynn Gumpert, New York

Berthe Weill was a trailblazing art dealer who exhibited works by emerging artists in her Parisian gallery from 1901 to 1941. Even though many of them went on to become key avant-garde figures, Weill’s role has been omitted from most historical accounts of 20th-century modernism. In this presentation, Lynn Gumpert, a co-curator of the first exhibition on Weill, provides an overview of this remarkable woman. Image above: Amedeo Modigliani, Fille rousse (Girl with red hair), c. 1915. Oil on canvas, 16 x 14 3/8 in. (40.5 x 36.5 cm). Musée de l’Orangerie, Paris. Jean Walter and Paul Guillame Collection, 1960.46 © Photo: Musée de l’Orangerie / Sophie Crépy Passionate and outspoken, Weill was the [...]