Modern Art

Aug 12, 2025

The Three Exiles of the German-born artist Samson Schames (1898-1967)
Conversation with Annika Friedman (Germany), Rachel Dickson, PhD (UK) and Ori Z Soltes, PhD (USA)

2025-08-27T17:31:03-04:00August 12th, 2025|, , |Comments Off on The Three Exiles of the German-born artist Samson Schames (1898-1967)
Conversation with Annika Friedman (Germany), Rachel Dickson, PhD (UK) and Ori Z Soltes, PhD (USA)

In this virtual event, a transatlantic panel discusses the artist Samson Schames. Annika Friedman (Germany) elaborates on the artist’s beginnings in Frankfurt, Rachel Dickson, PhD (UK) gives an insight into the work he made in British exile, and Ori Z. Soltes, PhD (USA) speaks about the work he created in his new home, New York. The presentations are followed by a moderated discussion and Q&A. Image above: Samson Schames, Granite Quarry No. 1, 1958. Casein on board, 20.75 in. x 26.25 in. Leo Baeck Institute New York 2007.97 Samson Schames was a German-Jewish artist born in 1898 in Frankfurt am Main, Germany, into a prominent Jewish family involved in the textile business. He initially trained [...]

Aug 11, 2025

Samson Schames (1898-1967): Family and Friends
Conversation with Natalie Green Giles, James McCaffrey and Charlie Scheidt.
Moderated by William Weitzer

2025-08-27T18:50:03-04:00August 11th, 2025|, |Comments Off on Samson Schames (1898-1967): Family and Friends
Conversation with Natalie Green Giles, James McCaffrey and Charlie Scheidt.
Moderated by William Weitzer

In this virtual event, a distinguished panel comprising family members, friends, and their descendants from New York will share memories of the German-born artist Samson Schames (1898-1967). His work, which blends modernist aesthetics with spiritual and historical depth, is recognized for its innovative technique and poignant reflections on exile, memory, and identity. Born in Frankfurt am Main, Germany, he fled Nazi persecution to England in 1939 and later emigrated to the United States with his wife, Edith, in 1948.  Image above: Samson Schames, Blowing the Shofar, c. 1956. Shards of glass, polychrome, layered in relief, 25.4 x 29.7 in. (64.5 x 75.5 cm). Jewish Museum Frankfurt REGISTER HERE If you are interested but can’t attend the [...]

Aug 4, 2025

Theodore Fried (1902-1980): In Hiding and Beyond
Presentation by Sofia Thornblad, Tulsa (OK)

2025-08-27T19:09:04-04:00August 4th, 2025|, |Comments Off on Theodore Fried (1902-1980): In Hiding and Beyond
Presentation by Sofia Thornblad, Tulsa (OK)

This presentation will explore the historical background and creative works of Hungarian-born Jewish artist Theodore Fried (1902-1980). He was educated at the Budapest Academy of Fine Arts and moved to Vienna in 1924 and to Paris in 1925. He met and married his first wife Anna and his son Christopher was born in 1928. That same year, the artist had his first one-man show, and was included in important shows in Vienna, Prague, Berlin, and Paris. Image above: Detail of Theodore Fried, Self Portrait, not dated. Oil on canvas. Sherwin Miller Museum of Jewish Art, Tulsa (OK) REGISTER HERE If you are interested but can’t attend the event, please register anyways and you will receive the [...]

Jul 10, 2025

Matisse at War. Art and Resistance in Nazi Occupied France
Book talk by Christopher C. Gorham

2025-07-10T16:00:13-04:00July 10th, 2025|, |Comments Off on Matisse at War. Art and Resistance in Nazi Occupied France
Book talk by Christopher C. Gorham

When the Degenerate Art exbibit opened in Munich in the summer of 1937, works by notable foreign modernists were denigrated along with German artists. Henri Matisse’s Blue Window (1913) was legally seized by the Nazi regime for inclusion in the traveling exhibit, and his work was banned from German museums. REGISTER HERE If you are interested but can’t attend the event, please register anyways and you will receive the link to the recording. Participating in the event enables you to ask questions and be part of the discussion following the talk. Henri Matisse was among the modernists derided by the Nazis. That did not stop them from stealing his art. At the Jeu [...]

Mar 24, 2025

Léo Maillet (1902-1990): The Broken Mirror
Presentation by Erik Riedel, Frankfurt am Main (Germany)

2025-04-09T14:22:41-04:00March 24th, 2025|, , |Comments Off on Léo Maillet (1902-1990): The Broken Mirror
Presentation by Erik Riedel, Frankfurt am Main (Germany)

Curator Erik Riedel presents the work of the painter and graphic artist Léo Maillet, who changed his original name Leopold Mayer in exile, reflecting the numerous fractures in his biography. Image above: Léo Maillet, Le Graveur (Self-Portrait), 1944. Oil on cardboard. Permanent loan by the Adolf und Luisa Haeuser-Stiftung für Kunst und Kulturpflege. © estate of Léo Maillet: Daniel Maillet and Nikolaus Mayer After his dramatic escape from a deportation train bound for Auschwitz, Maillet lived in the French Cévennes under a false identity from 1942 onwards. He painted and drew with the simplest of materials. Some years later, he took up the works he had created during his flight and persecution and transformed them [...]

Mar 6, 2025

Art and Conscience in a Time of Upheaval.
Ben Shahn (1898-1969)
Presentation by Ori Z Soltes, Washington (DC)

2025-03-12T14:22:13-04:00March 6th, 2025|, , |Comments Off on Art and Conscience in a Time of Upheaval.
Ben Shahn (1898-1969)
Presentation by Ori Z Soltes, Washington (DC)

Georgetown University professor Ori Z Soltes will speak about Ben Shahn (1898-1969), who arrived in 1906 as a child to the United States from Tsarist-governed Lithuania. Four years after the Tsarist authorities had exiled his father to Siberia for alleged revolutionary activities, his mother managed to bring the family to New York. There they reconnected with Ben's father who had escaped from Siberia and made it to the US by way of South Africa. Image above: Ben Shahn, Detail of the Mural "The Meaning of Social Security," Wilbur J. Cohen Federal Building, Washington, D.C. Within 25 years Shahn emerged as perhaps the key figure in the developing arena of American Social [...]

Feb 14, 2025

“There is something mad about the art”
The German-Jewish Art Dealer Alfred Flechtheim and his Heirs’ Fight for Restitution
Presentation by Journalist Michael Sontheimer, Berlin (Germany)

2025-03-26T16:04:21-04:00February 14th, 2025|, , |Comments Off on “There is something mad about the art”
The German-Jewish Art Dealer Alfred Flechtheim and his Heirs’ Fight for Restitution
Presentation by Journalist Michael Sontheimer, Berlin (Germany)

Journalist and author Michael Sontheimer speaks about Alfred Flechtheim, who was born in 1878 in Münster as the son of a wealthy German Jewish grain dealer. He was trained as a trader but did not want to stay in the family business. As he was fascinated with art, he left his hometown and moved to Düsseldorf, where he opened a gallery in 1913. Image above: Rudolf Großmann, Alfred Flechtheim, 1922-27. Pencil, ink, and gouache on paper, 5.3 x 3.8 in. Museum für Moderne Kunst, Freiburg (Germany) G 62/008 b. After serving in the German Army during the First World War, in 1921 he opened a second gallery in Berlin, the place to be in the 1920s. [...]

Jan 20, 2025

Love and Betrayal. The German-Jewish artist Fritz Ascher (1893-1970)
A presentation by Rachel Stern, organized by Saint Elizabeth University, Morristown (NJ)

2025-03-02T04:34:45-05:00January 20th, 2025|, , |Comments Off on Love and Betrayal. The German-Jewish artist Fritz Ascher (1893-1970)
A presentation by Rachel Stern, organized by Saint Elizabeth University, Morristown (NJ)

Rachel Stern will present insights into the art and life of the German-Jewish artist Fritz Ascher and the mission of The Fritz Ascher Society for Persecuted, Ostracized and Banned Art. Introduced by Richard Quinlan, Director of the Center for Holocaust and Genocide Education at Saint Elizabeth University in Morristown (NJ). Image above: Fritz Ascher, Male Portrait in Red, c. 1915. Private collection © Bianca Stock Fritz Ascher (1893-1970), a painter, graphic artist, and poet, was recommended to the art academy in Königsberg by the renown German painter Max Liebermann at the age of 16. From 1913 onwards, he gained recognition as a painter in Berlin. Ascher was a keen observer of his era; the [...]

Dec 22, 2024

Making Way for Berthe Weill—
Art Dealer of the Parisian Avant-Garde
A presentation by Lynn Gumpert, New York

2025-01-22T13:31:12-05:00December 22nd, 2024|, , |Comments Off on Making Way for Berthe Weill—
Art Dealer of the Parisian Avant-Garde
A presentation by Lynn Gumpert, New York

Berthe Weill was a trailblazing art dealer who exhibited works by emerging artists in her Parisian gallery from 1901 to 1941. Even though many of them went on to become key avant-garde figures, Weill’s role has been omitted from most historical accounts of 20th-century modernism. In this presentation, Lynn Gumpert, a co-curator of the first exhibition on Weill, provides an overview of this remarkable woman. Image above: Amedeo Modigliani, Fille rousse (Girl with red hair), c. 1915. Oil on canvas, 16 x 14 3/8 in. (40.5 x 36.5 cm). Musée de l’Orangerie, Paris. Jean Walter and Paul Guillame Collection, 1960.46 © Photo: Musée de l’Orangerie / Sophie Crépy Passionate and outspoken, Weill was the [...]

Aug 12, 2024

LOVE AND BETRAYAL – The Expressionist Fritz Ascher from New York Private Collections
November 8, 2024 – March 2, 2025
Haus der Graphischen Sammlung, Freiburg, Germany

2025-03-03T12:08:54-05:00August 12th, 2024|, |Comments Off on LOVE AND BETRAYAL – The Expressionist Fritz Ascher from New York Private Collections
November 8, 2024 – March 2, 2025
Haus der Graphischen Sammlung, Freiburg, Germany

The late Expressionist artist Fritz Ascher (1893-1970) survived two world wars and persecution by the National Socialist regime. A close observer of the horrors of World War I and revolutionary unrest, he turned to Christian spiritual themes, which he radically reinterpreted. In intimate drawings, he dealt with the theme of love and betrayal from 1916 onward, both in his exploration of the crucifixion theme and with the figure of Bajazzo in the tragicomic opera "I Pagliacci." Ascher's strong and unique artistic voice is evident not only in his artwork, but also in his poems. These were written when he was no longer allowed to work under National Socialism because of his Jewish roots and as a representative of modernism, [...]

Feb 2, 2024

„I’m always on the go…” –
The painter Franz Domscheit / Pranas Domšaitis (1880-1965)
Lecture by Jan Rüttinger, Lüneburg (Germany)

2024-02-28T14:34:35-05:00February 2nd, 2024|, , |Comments Off on „I’m always on the go…” –
The painter Franz Domscheit / Pranas Domšaitis (1880-1965)
Lecture by Jan Rüttinger, Lüneburg (Germany)

Searching, wandering, not arriving - this is how the person and art of Franz Domscheit/Pranas Domšaitis can be characterized. Born into a German-Lithuanian family as the son of a farmer and innkeeper, it was primarily his Lithuanian origins that interested him. The early landscape and cultural impressions of his homeland, Prussian-Lithuania, at the interface of German and Lithuanian culture, shaped his work throughout his life. Landscape is one of the painter's main themes, who is primarily perceived as an expressionist. Image above: Franz Domscheit, Two Peasant Women, 1930s. Oil on canvas. Copyright National Lithuanian Art Museum. Trained at the Königsberg Art Academy by Ludwig Dettmann, among others, Domscheit then moved out into the world. Berlin, [...]

Feb 1, 2024

The Art of Marc Klionsky:
Shaping a Three-World Condition from Minsk to New York
Lecture by Ori Z Soltes and conversation with daughter Nadia Klionsky

2024-02-14T15:19:09-05:00February 1st, 2024|, , |Comments Off on The Art of Marc Klionsky:
Shaping a Three-World Condition from Minsk to New York
Lecture by Ori Z Soltes and conversation with daughter Nadia Klionsky

In this program Georgetown University professor and author, Ori Z Soltes, explores Marc Klionsky's life and work, in part through conversation with his daughter, the scholar and artist, Nadia Klionsky. Image above: Marc Klionsky, Dizzie Gillespie: The Man and his Trumpet, 1988. Oil on canvas, 52 x 66 inches. National Portrait Gallery, Washington, DC. This exciting program features the paintings of Marc Klionsky (1927–2017). Born in the Soviet Union, Klionsky managed to navigate what has been called a “two-world condition”—creating the particularized Soviet Socialist Realist work that was acceptable to the Stalinist and post-Stalinist State while allowing his soul to reveal itself in work that only a very few trusted viewers might see. As [...]