Fritz Ascher Gesellschaft

Oct 21, 2026

Kafka’s last Unknown:
The Story and Character of his Drawings
Presentation by Prof. Dr. Andreas Kilcher, Zurich (Switzerland)

2026-10-21T01:04:06-04:00October 21st, 2026|, |Comments Off on Kafka’s last Unknown:
The Story and Character of his Drawings
Presentation by Prof. Dr. Andreas Kilcher, Zurich (Switzerland)

Locked away for decades following also a history of persecution, the drawings of the iconic 20th-century writer Franz Kafka remained one of the final unknowns of his work. In 2021, the literary scholar Andreas Kilcher brought them to light. Image above: Franz Kafka, Drawing of a whip-wielding jockey on a horse vaulting over an obstacle. Photograph: Ardon Bar-Hama. Max Brod Archive. The National Library of Israel REGISTER HERE Franz Kafka, Drawing of a male figure, entitled “The Dancer” by Kafka’s executor Max Brod. Photograph: Ardon Bar-Hama. Max Brod Archive. The National Library of Israel Franz Kafka, A Beggar and a Generous Elegant Man, 1906. Photograph: Ardon Bar-Hama. Max Brod [...]

Oct 5, 2026

Armin Stern. Journeys and Escapes
Presentation by Erik Riedel, Frankfurt a.M. (Germany)

2026-10-07T05:53:04-04:00October 5th, 2026|, |Comments Off on Armin Stern. Journeys and Escapes
Presentation by Erik Riedel, Frankfurt a.M. (Germany)

The artist Armin Stern (1883–1944), born near Pressburg (now Bratislava), moved to Frankfurt in 1900 to study painting. Despite numerous travels and periods of study in Paris, Brittany, the Netherlands, and Ticino, Frankfurt remained the center of his life. After being excluded from an exhibition at the Frankfurt Kunstverein in 1933 because he was a "non-Aryan artist," he relocated with his family to Bratislava, which had by then become part of Czechoslovakia. Image above: Armin Stern, Ascona, 1928. Watercolor. Donated by the descendants of Armin Stern. Jewish Museum Frankfurt REGISTER HERE Armin Stern, Self-Portrait at the Easel, ca. 1930. Oil on painting board. Donated by the descendants of Armin Stern. Jewish [...]

Oct 5, 2026

Pictures of Resistance:
The Wartime Photography of Jewish Partisan Faye Schulman
Presentation by Sheri Rosenblum, San Francisco (CA)

2026-10-15T06:34:32-04:00October 5th, 2026|, , |Comments Off on Pictures of Resistance:
The Wartime Photography of Jewish Partisan Faye Schulman
Presentation by Sheri Rosenblum, San Francisco (CA)

In the forests of Nazi-occupied Eastern Europe, Jewish partisan Faye Schulman carried two extraordinary weapons: a rifle and a camera. After witnessing the murder of her family and the destruction of her community, she joined the partisans, documenting daily life, resistance, and survival. Her photographs—taken while living and fighting with a partisan unit—are the only known images captured from within a partisan camp. Image above: Faye Schulman, Forest near Lenin, Winter 1944. This presentation explores Schulman's remarkable life through her wartime photography, highlighting its historical significance and artistic legacy. Drawing from the Pictures of Resistance exhibition, participants will discover how her images challenge misconceptions about Jewish resistance during the Holocaust while serving as [...]

Sep 1, 2026

Newish and Jewish from Europe:
Refugees, Survivors and the Spread of Modernism
Presentation by Samuel D. Gruber

2026-09-30T13:51:28-04:00September 1st, 2026|, , |Comments Off on Newish and Jewish from Europe:
Refugees, Survivors and the Spread of Modernism
Presentation by Samuel D. Gruber

The architecture of the American Jewish community was transformed following World War II by émigré and refugee architects engaged to design synagogues and Jewish Community Centers. Image above: Hamden, CT, Mishkan Israel sanctuary, photo S. Gruber, 2011. Architects: Fritz Nathan and Bertram Bassuk, Ark: Ben Shahn, Stained Glass: Robert Pinart and Jean-Jacques Duval Eric Mendelsohn’s synagogues for St. Louis, Cleveland and elsewhere are well known but the work of Fritz Nathan, Mendelsohn’s German-Jewish contemporary, is virtually forgotten. Erich Mendelsohn, sketch for Congregation Bnai Amoona, St Louis, MO Erich Mendelsohn, Model for Congregation Bnai Amoona, St Louis, MO Nathan arrived in the United [...]

Sep 1, 2026

Reconciling Identities:
Marcel Janco and the Romanian Avant-Garde in the Interwar Years
Presentation by Amelia Miholca
followed by a conversation with Nicola Baird, PhD, London (UK)

2026-09-16T14:42:28-04:00September 1st, 2026|, , |Comments Off on Reconciling Identities:
Marcel Janco and the Romanian Avant-Garde in the Interwar Years
Presentation by Amelia Miholca
followed by a conversation with Nicola Baird, PhD, London (UK)

In her presentation, Dr. Miholca will spotlight the artistic and historical significance of Marcel Janco and the Romanian avant-garde group during a period of tremendous creative experimentation and productivity, when artists and writers merged their Jewish identity with the international identity they sought to foster through their network of dadaist and constructivist magazines. Janco, alongside other Romanian-Jewish artists like M. H. Maxy, Victor Brauner, Mattis Teutsch, and Benjamin Fondane, wished to capitalize on the Dada movement initiated by Janco and Tristan Tzara—alongside Hugo Ball, in Zurich, 1916—with their own avant-garde movement in Bucharest that mainly emerged through magazines such as Contimporanul (1922-1932), 75HP (1924) and Integral (1925-1928). The presentation will be followed by a conversation with Nicola Baird, PhD. [...]

Apr 16, 2026

THE RESTLESS HUNGARIAN
Conversation with Film Director Tom Weidlinger

2026-06-24T13:42:59-04:00April 16th, 2026|, , |Comments Off on THE RESTLESS HUNGARIAN
Conversation with Film Director Tom Weidlinger

The Restless Hungarian (2021) is a personal narrative set against the backdrop of the Hungarian Jewish diaspora, the rise of Modernism, and the Cold War. The film centers on Paul Weidlinger, one of the most important structural engineers of the twentieth century who created the strength behind iconic skyscrapers, churches, museums, embassies, and monumental sculptures by Picasso, Noguchi, and Dubuffet. Early in his career, he broke from mainstream modernism with his concept of the “Joy of Space”. Behind his professional success, however, was a deeply troubled private life marked by loss, denial, and family tragedy. As the filmmaker—his son—begins to explore Paul’s past, the story shifts into a deeply personal journey across continents, uncovering hidden Jewish roots and the family’s [...]

Mar 1, 2026

For the Love of Labor.
The Life of Pauline Newman
Book talk by Cathryn J. Prince

2026-04-15T13:27:08-04:00March 1st, 2026|, , |Comments Off on For the Love of Labor.
The Life of Pauline Newman
Book talk by Cathryn J. Prince

In this book talk, author Cathryn J. Prince follows Pauline Newman’s life from a youth split between Lithuania and New York City sweatshops to her work as an advisor to New Deal–era labor secretary Frances Perkins. From her start as one of the youngest activists in US history, Pauline Newman helped shape the International Ladies' Garment Workers’ Union (ILGWU) into a dominant force in industrial America. Cathryn J. Prince tells the story of a self-educated Jewish immigrant who dedicated herself to a legion of causes and lifelong battles against sexism and classism. Newman’s long hours at the Triangle Shirtwaist Factory informed her entrée into labor activism. In the following years, she tirelessly advocated for workers, [...]

Jan 26, 2026

Jacob Pins (1917-2005): The Art of Laughter and Tears
Presentation by Ori Z. Soltes, Washington (DC)

2026-02-11T15:54:02-05:00January 26th, 2026|, , |Comments Off on Jacob Pins (1917-2005): The Art of Laughter and Tears
Presentation by Ori Z. Soltes, Washington (DC)

In this image-rich talk, Ori Z. Soltes explores the pioneering Israeli printmaker Jacob Pins (1917-2005) and the unique place that he holds in the history of Israeli and modern Jewish art. Born into a Jewish family in Höxter, Germany, he immigrated to Palestine in 1936. He studied under German émigré Jacob Steinhardt (1941-45) and became a noted exponent of the woodcut as well as a noted collector. From 1956 to 1977, Pins also taught at Israel's leading art schools, most notably Bezalel School of Arts and Design in Jerusalem. Image above: Jacob Pins, Dance of Death, 1957. Color woodcut, 995 x 597 mm. Forum Jacob Pins, Höxter. Jacob Pins (January 1917 – [...]

Jan 18, 2026

Costume as Character:
Celebrating the Legacy of Ruth Morley
Center for Jewish History
15 West 16th Street, New York, NY

2026-03-20T16:22:11-04:00January 18th, 2026|, , |Comments Off on Costume as Character:
Celebrating the Legacy of Ruth Morley
Center for Jewish History
15 West 16th Street, New York, NY

Costume designer Ruth Morley was behind the iconic looks of several characters now considered legendary in cinema history. A Kindertransport child refugee from Vienna, in the 1950s she studied under German-American painter Hans Hofmann and went on to design costumes for opera and ballet before moving into theater, film and television. Her work can be seen in such iconic films as The Hustler (1961), The Miracle Worker (1962, Academy Award nomination), Taxi Driver (1976), Annie Hall (1977), Kramer vs Kramer (1979), One from the Heart (1981), The Chosen (1981), Tootsie (1982, BAFTA nomination) and Ghost (1990). In the 1980’s she began teaching and mentoring costume design graduate students at Brandeis and NYU. Join panelists Deborah Nadoolman Landis (Costume Designer and Distinguished Professor at UCLA’s School of Theater, Film and Television, Founding [...]

Jan 9, 2026

The Third Generation.
‘So are these the footsteps of my grandmother or my own?’
Presentation by Sabine Apostolo, Vienna (Austria)

2026-03-27T07:03:29-04:00January 9th, 2026|, , |Comments Off on The Third Generation.
‘So are these the footsteps of my grandmother or my own?’
Presentation by Sabine Apostolo, Vienna (Austria)

Curator Sabine Apostolo gives a virtual tour through the internationally traveling exhibition “The Third Generation. The Holocaust in Family Memory”, which was developed by the Jewish Museum Vienna. Image above: Die Dritte Generation Titel, Zitat: Cécile Wajsbrot, Mémorial, Göttingen 2023, 87 © JMW / Drahtzieher Design & Kommunikation Eighty years after the Holocaust, the last eyewitnesses are dying. Their stories, but also their trauma, have been passed on to their children and grandchildren. While the Second Generation grew up as direct observers of their parents’ psychological and physical damage, the Third Generation can look with greater distance at the family histories, in which memories and silence, family myths and secrets, and overwhelming or missing family [...]

Dec 16, 2025

Filmmaker Stefan Roloff discusses THE RED ORCHESTRA
A documentary film about the Anti-Nazi Group in Berlin, 1933-1942

2026-01-29T16:01:20-05:00December 16th, 2025|, , |Comments Off on Filmmaker Stefan Roloff discusses THE RED ORCHESTRA
A documentary film about the Anti-Nazi Group in Berlin, 1933-1942

Join film director Stefan Roloff in conversation with Rachel Stern about the The Red Orchestra, a Berlin-based resistance group that fought against the Nazis from 1933 to 1942. A special focus will be artist Rainer Küchenmeister (1926-2010), who became a painter while incarcerated at the age of sixteen, inspired by a fellow female inmate and resister who was later beheaded. After the war his work was shown at documenta among other venues. WATCH THE TRAILER: The Red Orchestra (2003) is a documentary by Stefan Roloff about a Berlin-based anti-Nazi resistance group that operated during WWII, using interviews with survivors and their children, and pioneering animation to tell their story. [...]

Dec 16, 2025

Under Il Duce’s Shadow:
Italian Art and Artists During the Fascist Regime
Presentation by Nicola Lucchi, PhD, New York (NY)

2026-01-14T16:27:59-05:00December 16th, 2025|, , |Comments Off on Under Il Duce’s Shadow:
Italian Art and Artists During the Fascist Regime
Presentation by Nicola Lucchi, PhD, New York (NY)

Italian artistic life under Mussolini was defined less by rigid prescriptions than by a continuous negotiation between competing aesthetic and political demands. Italy, the birthplace of Futurism, had long experimented with modernist innovation, and elements of that movement’s rhetoric and visual language found sympathetic audiences within the fascist state. At the same time, powerful factions within the regime promoted a return to classicism, academicism, and the revival of Italy’s artistic past. The government’s cultural policy therefore oscillated between these poles, attempting to reconcile—and ultimately absorb—contradictory artistic currents into the fascist body politic. Image above: Xanti Schawinsky, Sì , 1934. Artists responded in very different ways: some worked with the regime [...]