Elizabeth Berkowitz2020-10-07T15:08:59-04:00September 16th, 2020|Lectures|
WATCH THE RECORDING OF THIS EVENT HERE. Lecture featuring Anne Sibylle Schwetter, Curator of the Felix Nussbaum Collection in the Felix Nussbaum House in the Osnabrück Museum Quarter, Osnabrück Moderated by Rachel Stern, Executive Director of the Fritz Ascher Society in New York The German-Jewish artist Felix Nussbaum (1904 Osnabrück - 1944 Auschwitz) started a promising career in Berlin around 1930, which ended abruptly when the National Socialists came to power in 1933. Years in exile in Italy and Belgium followed. In 1942 Nussbaum went into hiding in Brussels. The artist's last paintings were created here from June 1943 until shortly before his arrest in June 1944. A little later he was murdered in Auschwitz. Like hardly any other painter [...]
Rachel Stern2020-10-07T15:06:33-04:00August 31st, 2020|Events, Past Events|
WATCH THE RECORDING OF THIS EVENT HERE. Lecture featuring Anne Sibylle Schwetter, Curator of the Felix Nussbaum Collection in the Felix Nussbaum House in the Osnabrück Museum Quarter, Osnabrück Moderated by Rachel Stern, Executive Director of the Fritz Ascher Society in New York The German-Jewish artist Felix Nussbaum (1904 Osnabrück - 1944 Auschwitz) started a promising career in Berlin around 1930, which ended abruptly when the National Socialists came to power in 1933. Years in exile in Italy and Belgium followed. In 1942 Nussbaum went into hiding in Brussels. The artist's last paintings were created here from June 1943 until shortly before his arrest in June 1944. A little later he was murdered in Auschwitz. Like hardly any other painter [...]
Rachel Stern2021-02-25T04:48:57-05:00January 18th, 2015|Select Press Coverage|
Fritz Ascher: from Golems to Landscapes by Ori Z. Soltes Given the enormous number of people who were victimized during the Holocaust—both those who perished and those who somehow did not—it should not surprise us that, as time goes by, narratives still continue to emerge reflecting the varied experiences of these victims and their tormentors or saviors. Among these there are many artists—artists, like Felix Nussbaum (1904-1944), who were producing high-level work, and others less skilled—who did not survive but left behind bodies of work that provoke the question: what if? Had these artists not been destroyed by the Nazis, what might they have accomplished and what songs of praise might art historians now be singing about them? There [...]
