concentration camp
Behind the Bronze.
The Sculptor Maurice Blik (born 1939 Amsterdam)
Featuring Maurice Blik and Julian Freeman (both London, UK)
Marlene Meyerson JCC Manhattan
334 Amsterdam Ave, New York, NY, United States
Maurice Blik has lived in England since being liberated from Bergen Belsen concentration camp, where he was taken as a small child from his birthplace, Amsterdam. The ability to come to terms with this experience and to confront the face of humanity that he has witnessed, stayed silent in his life for some 40 years. It finally found a voice in the passionate sculptures which began to emerge in the late 1970s when he created a series of horses’ heads. These noble and benevolent creatures posses an energy and a life force that seem just barely harnessed long enough to take their shape in the clay itself. Later he progressed to more figurative work in which the irrepressible joy [...]
RECKONINGS – The First Reparations
Film Screening at Marlene Meyerson JCC Manhattan
Followed by Q+A with Gideon Taylor and Karen Heilig
Marlene Meyerson JCC Manhattan
334 Amsterdam Ave, New York, NY, United States
In the aftermath of the Holocaust, the unprecedented destruction and plight of survivors prompts the unthinkable - German and Jewish leaders meet in secret to grapple with the first reparations in history, resulting in the groundbreaking Luxembourg Agreements of 1952. Screening followed by Q+A with Gideon Taylor and Karen Heilig, from the Conference on Jewish Material Claims Against Germany. Watch the Trailer: SCREENINGS In the aftermath of the Holocaust, German and Jewish leaders met in secret to negotiate the unthinkable – compensation for the survivors of the largest mass genocide in history. Survivors were in urgent need of help, but how could reparations be determined for the unprecedented destruction [...]
The Shape and Color of Survival.
Samuel Bak (born Vilnius, Lithuania, 1933)
Lecture by Ori Z Soltes, PhD
ONLINE
VA, United States
Image above: Samuel Bak, Warsaw Excavation, 2007. Oil on canvas, 16 x 20 in. Image Courtesy Pucker Gallery © Samuel Bak Samuel Bak was 6 years old when the Nazis began ending his childhood, as the war that they engendered would soon extend to his native Vilnius. The number “6” became an important element in his art, since it is also the number of the Commandment with which God enjoins us not to commit murder, for which the Holocaust represented such a profound abrogation. His father smuggled him out of the ghetto in the sack that he was still permitted to use to gather firewood—and was subsequently murdered by the regime. By then Bak himself had already [...]
AS SEEN THROUGH THESE EYES
Conversation with Film Director Hilary Helstein, Los Angeles
ONLINE
VA, United States
In honor of UN Holocaust Remembrance Day, Hilary Helstein, director of the award-winning documentary "As Seen Through These Eyes" spoke with Rachel Stern, director and CEO of the Fritz Ascher Society New York, about the making of her documentary. As poet Maya Angelou narrates this powerful documentary, she reveals the story of a brave group of people who fought Hitler with the only weapons they had: charcoal, pencil stubs, shreds of paper and memories etched in their minds. These artists took their fate into their own hands to make a compelling statement about the human spirit, enduring against unimaginable odds. Featuring interviews with Simon Wiesenthal as he talks about his art, never before appearing in a film, [...]
The Missing Archive:
Bauhaus Designers and the Holocaust.
Presentation by Elizabeth Otto, PhD, Buffalo, NY
ONLINE
VA, United States
Histories of Germany’s Bauhaus art and design school (1919–33) usually position it exclusively as a movement in exile as soon as the Nazis took power in 1933. In fact, the vast majority of its members remained and embraced Nazism, survived it, or became its victims. In this talk, art historian Elizabeth Otto scrutinizes traces of the work and lives of Bauhäusler who, through their imprisonment and often deaths in the concentration-camp system, have largely been lost to the history of the Bauhaus movement. Using archival sources—often scant materials preserved by family members and friends, including documents, photographs, and private memoirs—she reconstructs aspects of these artists’ work and lives and considers how to write the histories that Nazi violence has taken [...]
