Rachel Stern2023-05-03T14:36:21-04:00May 3rd, 2023|Events, Lectures, Past Events|
Histories of Germany’s Bauhaus art and design school (1919–33) usually position it exclusively as a movement in exile as soon as the Nazis took power in 1933. In fact, the vast majority of its members remained and embraced Nazism, survived it, or became its victims. In this talk, art historian Elizabeth Otto scrutinizes traces of the work and lives of Bauhäusler who, through their imprisonment and often deaths in the concentration-camp system, have largely been lost to the history of the Bauhaus movement. Using archival sources—often scant materials preserved by family members and friends, including documents, photographs, and private memoirs—she reconstructs aspects of these artists’ work and lives and considers how to write the histories that Nazi violence has taken [...]
Rachel Stern2023-04-26T13:54:56-04:00April 26th, 2023|Events, Lectures, Past Events|
In honor of Yom Ha'azmaut, Israel's Independence Day, and this year's 75th anniversary of the establishment of the modern state of Israel in 1948, this talk by Georgetown University professor Ori Z Soltes addresses the question of what defines Israeli art and when it began to take shape. Is it made only by Israelis---then how did Elkan's Menorah become the consummate symbol of Israel when he never lived in the state? Did "Israeli" art begin with or before the birth of the state? How does this relate to the opening of the Bezalel School of Art in 1906--and closing by 1929, only to re-open years later? How does it relate to the question of defining Jewish art? Benno Elkan's stunning work, [...]
Rachel Stern2023-04-17T19:19:05-04:00April 17th, 2023|Events, Lectures, Past Events|
In honor of Yom HaShoah, this talk by Georgetown University professor Ori Z Soltes focuses on three Israeli and three American familiar and unfamiliar artists working in very diverse styles and not typically thought of as focusing on the Holocaust. Each of them, however, has offered powerful reflections on the defining catastrophe of the twentieth century. Barnett Newman, the foremost verbal spokesman for the chromatic side of the abstract expressionist movement redefining American painting in the early 1950s, offers an unexpectedly intense reflection on the question of theodicy. Mordecai Ardon, in the process of assuming leadership of the Bezalel school in Jerusalem at around the same time, balances between abstraction and figuration in depicting the Nazi-engendered chaos. Yigal Tumarkin’s [...]
Rachel Stern2023-03-15T14:04:18-04:00March 15th, 2023|Events, Lectures, Past Events|
The program features a talk by Lembersky’s granddaughter, Yelena Lembersky, co-author of the recent and highly acclaimed memoir, Like a Drop of Ink in a Downpour: Memories of Soviet Russia. Yelena will be introduced by Georgetown University professor, Ori Z Soltes, who has known her for many years and has written extensively on the work of Felix Lembersky. “We are merely honest people and see what is good and bad, and we cannot be confused.” – Felix Lembersky, Leningrad, the Soviet Union, 1960 Image above: Felix Lembersky, At the Train Station, ca 1960-64. © Felix Lembersky estate Felix Lembersky (1913-1970) was a Soviet Jewish painter, teacher, theater sets designer, and an organizer of artistic groups in Leningrad and [...]
Rachel Stern2023-02-15T19:21:41-05:00February 15th, 2023|Events, Lectures, Past Events|
Inspired by a visit to his birth country in the 1990s, American artist Philip Orenstein (b. 1938) created seven murals about the French complicity in the persecution of Jews in France during World War II. At that time, the French government had not admitted it had taken part in the persecution. The murals have been shown in various galleries and museums in the United States. In 1999, William Zimmer wrote in the New York Times, “Mr. Orenstein’s method involves combining poignancy with the determination that the viewers not miss the story. To this end, Mr. Orenstein skillfully, and wittily, employs the look of today’s splashy graffiti.” The works have not yet been shown in France. Born in Paris, France, in 1938, [...]
Rachel Stern2023-02-06T07:18:23-05:00February 1st, 2023|Events, Lectures, Past Events|
The Kunstmuseum Basel’s department of classic modernism houses one of the most prestigious collections of its kind. It was in fact assembled at a comparatively late date. In the summer of 1939 — shortly before the outbreak of World War II — Georg Schmidt (1896–1966), the museum’s director at the time, managed to acquire twenty-one avant-garde masterpieces all at once. The works were among those denounced in 1937 by Nazi cultural policy as “degenerate” and forcibly removed from German museums. The Third Reich’s Ministry of Propaganda correctly assumed that a portion of such works would find buyers abroad and bring in foreign currency. In this way certain artworks deemed “internationally exploitable” reached the art market via various channels. [...]
Rachel Stern2023-02-01T06:15:59-05:00January 25th, 2023|Events, Lectures, Past Events|
In honor of UN Holocaust Remembrance Day, Hilary Helstein, director of the award-winning documentary "As Seen Through These Eyes" spoke with Rachel Stern, director and CEO of the Fritz Ascher Society New York, about the making of her documentary. As poet Maya Angelou narrates this powerful documentary, she reveals the story of a brave group of people who fought Hitler with the only weapons they had: charcoal, pencil stubs, shreds of paper and memories etched in their minds. These artists took their fate into their own hands to make a compelling statement about the human spirit, enduring against unimaginable odds. Featuring interviews with Simon Wiesenthal as he talks about his art, never before appearing in a film, [...]
Rachel Stern2022-12-07T18:53:36-05:00December 7th, 2022|Events, Lectures, Past Events|
Image above: Samuel Bak, Warsaw Excavation, 2007. Oil on canvas, 16 x 20 in. Image Courtesy Pucker Gallery © Samuel Bak Samuel Bak was 6 years old when the Nazis began ending his childhood, as the war that they engendered would soon extend to his native Vilnius. The number “6” became an important element in his art, since it is also the number of the Commandment with which God enjoins us not to commit murder, for which the Holocaust represented such a profound abrogation. His father smuggled him out of the ghetto in the sack that he was still permitted to use to gather firewood—and was subsequently murdered by the regime. By then Bak himself had already [...]
Rachel Stern2022-11-24T05:24:57-05:00November 21st, 2022|Events, Past Events|
In the aftermath of the Holocaust, the unprecedented destruction and plight of survivors prompts the unthinkable - German and Jewish leaders meet in secret to grapple with the first reparations in history, resulting in the groundbreaking Luxembourg Agreements of 1952. Screening followed by Q+A with Gideon Taylor and Karen Heilig, from the Conference on Jewish Material Claims Against Germany. Watch the Trailer: SCREENINGS In the aftermath of the Holocaust, German and Jewish leaders met in secret to negotiate the unthinkable – compensation for the survivors of the largest mass genocide in history. Survivors were in urgent need of help, but how could reparations be determined for the unprecedented destruction [...]
Rachel Stern2022-09-07T15:52:51-04:00September 7th, 2022|Events, Lectures, Past Events|
Maurice Blik has lived in England since being liberated from Bergen Belsen concentration camp, where he was taken as a small child from his birthplace, Amsterdam. The ability to come to terms with this experience and to confront the face of humanity that he has witnessed, stayed silent in his life for some 40 years. It finally found a voice in the passionate sculptures which began to emerge in the late 1970s when he created a series of horses’ heads. These noble and benevolent creatures posses an energy and a life force that seem just barely harnessed long enough to take their shape in the clay itself. Later he progressed to more figurative work in which the irrepressible joy [...]
Rachel Stern2022-08-03T14:52:23-04:00August 3rd, 2022|Events, Lectures, Past Events|
When Ludwig and Else Meidner met in 1925, he was already an established artist well-known for his so-called Apocalyptic Landscapes. Although Else started as Ludwig’s student, she developed a distinct independent style and he always praised her art as more refined than his own “coarse” works. As Else Meidner slowly gained recognition in Berlin art circles, her career was abruptly cut short by the Nazi-regime in 1933. She moved to Cologne with her husband in 1935; and they emigrated to England in 1939 only a few weeks before the war started. In London both lived largely unnoticed by the English art scene. But while Ludwig frustratedly returned to Germany, she decided to stay in England. Their complicated relationship developed from [...]
Rachel Stern2022-08-25T13:01:20-04:00July 26th, 2022|Events, Lectures, Past Events|
Ludwig Pollak (Prague 1868-1943 Auschwitz) was an extraordinary connoisseur of antiquities--an Austro-Hungarian Jew whose path into academia was impeded by his religion, but who settled in Rome, where he carved out a unique place for himself as an expert in recognizing, understanding, and organizing great works of art. It was he who shaped and articulated the magnificent collections of JP Morgan. Of perhaps even greater consequence, his astute eye saw a sculpted fragment of an arm in a flea market that, he deduced, was the limb missing from the spectacular Hellenistic-Roman sculptural group known as Laocoon. He gifted that arm fragment to the Vatican so that it might complete the work that occupied an important place within [...]
