Rachel Stern2024-08-13T08:58:22-04:00July 31st, 2024|Newsletter|
Dear Friends, With the Olympic Games going on, I can't resist to share with you Fritz Ascher's drawing of two muscular male nudes wrestling. The drawing will be on view for the first time in the exhibition "Love and Betrayal. The Expressionist Fritz Ascher in New York Private Collections," which will open on November 8th at Haus der Graphischen Sammlung in Freiburg (Germany). Fritz Ascher, Two Male Nudes Wrestling, ca. 1916. Graphite and charcoal on paper, 29 x 22,8 cm. Private Collection This sheet is one of several works in which the artist depicts fighters around 1916. As a sport, wrestling experienced its Golden Age in Germany and Europe at the beginning of the 20th century. This [...]
Rachel Stern2024-08-11T05:49:52-04:00July 3rd, 2024|Newsletter|
Dear Friends, This month, we have two very special online programs for you before we take a short summer break in August. But first of all, we are excited to share with you our 2023 program report (please click on the image): PROGRAM REPORT 2023 Still hurting from the aftermath of COVID, we are proud of the exhibitions and programs we were able to organize in 2023, and your feedback proves that we are doing something right. But we need your help. This summer, we aim to raise $6,000.00 to support our virtual fall programming. This year is the 10th anniversary of The Fritz Ascher Society. If you want to honor this momentous occasion [...]
Rachel Stern2024-07-24T14:45:50-04:00July 2nd, 2024|Events, Lectures, Past Events|
George Grosz (American, b. Germany, 1893–1959) created the “Stick Men” series in Huntington, where he lived from 1947 until shortly before his death. Featuring hollow figures in an apocalyptic landscape, this group of watercolors offers a searing indictment of humanity following World War II, the Holocaust, and the dropping of atomic bombs on Hiroshima and Nagasaki. Grosz was an internationally renowned German-born artist who remained invested in political art following his immigration to the United States in 1933. In the “Stick Men” series, he wrestles with the emergence of Abstract Expressionism and reaffirms the ability of painting to impact society. Image above: Detail of George Grosz (American, b. Germany, 1893–1959), The Grey Man Dances, 1949. Oil on canvas. George [...]
