Rachel Stern2026-02-11T15:54:02-05:00January 26th, 2026|Events, Lectures, Past Events|
In this image-rich talk, Ori Z. Soltes explores the pioneering Israeli printmaker Jacob Pins (1917-2005) and the unique place that he holds in the history of Israeli and modern Jewish art. Born into a Jewish family in Höxter, Germany, he immigrated to Palestine in 1936. He studied under German émigré Jacob Steinhardt (1941-45) and became a noted exponent of the woodcut as well as a noted collector. From 1956 to 1977, Pins also taught at Israel's leading art schools, most notably Bezalel School of Arts and Design in Jerusalem. Image above: Jacob Pins, Dance of Death, 1957. Color woodcut, 995 x 597 mm. Forum Jacob Pins, Höxter. Jacob Pins (January 1917 – [...]
Rachel Stern2023-04-26T13:54:56-04:00April 19th, 2023|Events, Lectures, Past Events|
In honor of Yom Ha'azmaut, Israel's Independence Day, and this year's 75th anniversary of the establishment of the modern state of Israel in 1948, this talk by Georgetown University professor Ori Z Soltes addresses the question of what defines Israeli art and when it began to take shape. Is it made only by Israelis---then how did Elkan's Menorah become the consummate symbol of Israel when he never lived in the state? Did "Israeli" art begin with or before the birth of the state? How does this relate to the opening of the Bezalel School of Art in 1906--and closing by 1929, only to re-open years later? How does it relate to the question of defining Jewish art? Benno Elkan's stunning work, [...]
Rachel Stern2023-04-17T19:19:05-04:00March 6th, 2023|Events, Lectures, Past Events|
In honor of Yom HaShoah, this talk by Georgetown University professor Ori Z Soltes focuses on three Israeli and three American familiar and unfamiliar artists working in very diverse styles and not typically thought of as focusing on the Holocaust. Each of them, however, has offered powerful reflections on the defining catastrophe of the twentieth century. Barnett Newman, the foremost verbal spokesman for the chromatic side of the abstract expressionist movement redefining American painting in the early 1950s, offers an unexpectedly intense reflection on the question of theodicy. Mordecai Ardon, in the process of assuming leadership of the Bezalel school in Jerusalem at around the same time, balances between abstraction and figuration in depicting the Nazi-engendered chaos. Yigal Tumarkin’s [...]
