Jussuf Prince of Thebes –
Re-constructing the life and work of a forgotten talent from Safed
Featuring Dorothea Schöne, Berlin (Germany)

Marlene Meyerson JCC Manhattan 334 Amsterdam Ave, New York, NY, United States

In the late nineteenth century, the sculptor Joseph M. Abbo (1888–1953) – who later renamed himself Jussuf Abbo – was born in Safed, in the province of Beirut of the Ottoman Empire. As a young man, he began working as a labourer on the restoration site being led by an architect, Hoffmann, on behalf of the German government. Abbo was noticed and was rapidly promoted to the drawing-office and to stone-carving. He was offered a scholarship at the Berlin School of Art. Jussuf Abbo arrived in Germany in 1911 and began studying at the Royal Academy of Fine Arts in Berlin in 1913. By 1919 he had a master studio in the Prussian Academy of Fine Arts. Throughout the [...]

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Prison Diaries by Hans Uhlmann, 1933-1935:
Drawing as Life Line
Featuring Dorothea Schöne, Berlin (Germany)

Marlene Meyerson JCC Manhattan 334 Amsterdam Ave, New York, NY, United States

On October 26, 1933, Hans Uhlmann was arrested by the Gestapo on the street. In the notorious Columbia-Haus, he was interrogated for several weeks and then found guilty by the court of appeal of “preparations for a traitorous enterprise.” He spent a year and a half in prison—first in Moabit and then in Tegel Prison. The artist recorded his experiences of those years in diaries. In parallel with these diaries, he produced four books of sketches. In his diary entries Uhlmann describes his arrest as well as scenes from daily life in confinement but above all his artistic concerns and projects: “I think often of freedom; of my first works; I occupy myself here by imagining these figures” (May [...]

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Peter László Péri (1899-1967).
A Hungarian-born Artist in Berlin and London
Lecture by Arie Hartog, Bremen (Germany)

ONLINE VA, United States

In this talk, Arie Hartog, director of the Gerhard-Marcks-Haus in Bremen, Germany, draws attention to a sculptor who contradicts the common narrative of modern art in the 20th century. Péri began as a constructivist and ended as a figurative artist. Yet he was not an academic traditional sculptor. Introductory remarks by Lilla Farkas, Cultural attaché at the Liszt Institute of the Consulate General of Hungary in New York. Image above: Peter László Péri, Sadness, 1938–1945, pigmented and painted concrete, 52 × 40 × 60 cm. Photo: Jake Wallters © Peter László Péri Estate, London Peter László Péri was born Ladislas Weisz in Budapest in 1889. Peri became the Hungarianized family name in 1918. In 1919, he [...]

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