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Realist

Feb 2, 2024

„I’m always on the go…” –
The painter Franz Domscheit / Pranas Domšaitis (1880-1965)
Lecture by Jan Rüttinger, Lüneburg (Germany)

2024-02-28T14:34:35-05:00February 2nd, 2024|, , |Comments Off on „I’m always on the go…” –
The painter Franz Domscheit / Pranas Domšaitis (1880-1965)
Lecture by Jan Rüttinger, Lüneburg (Germany)

Searching, wandering, not arriving - this is how the person and art of Franz Domscheit/Pranas Domšaitis can be characterized. Born into a German-Lithuanian family as the son of a farmer and innkeeper, it was primarily his Lithuanian origins that interested him. The early landscape and cultural impressions of his homeland, Prussian-Lithuania, at the interface of German and Lithuanian culture, shaped his work throughout his life. Landscape is one of the painter's main themes, who is primarily perceived as an expressionist. Image above: Franz Domscheit, Two Peasant Women, 1930s. Oil on canvas. Copyright National Lithuanian Art Museum. Trained at the Königsberg Art Academy by Ludwig Dettmann, among others, Domscheit then moved out into the world. Berlin, [...]

Feb 1, 2024

The Art of Marc Klionsky:
Shaping a Three-World Condition from Minsk to New York
Lecture by Ori Z Soltes and conversation with daughter Nadia Klionsky

2024-02-14T15:19:09-05:00February 1st, 2024|, , |Comments Off on The Art of Marc Klionsky:
Shaping a Three-World Condition from Minsk to New York
Lecture by Ori Z Soltes and conversation with daughter Nadia Klionsky

In this program Georgetown University professor and author, Ori Z Soltes, explores Marc Klionsky's life and work, in part through conversation with his daughter, the scholar and artist, Nadia Klionsky. Image above: Marc Klionsky, Dizzie Gillespie: The Man and his Trumpet, 1988. Oil on canvas, 52 x 66 inches. National Portrait Gallery, Washington, DC. This exciting program features the paintings of Marc Klionsky (1927–2017). Born in the Soviet Union, Klionsky managed to navigate what has been called a “two-world condition”—creating the particularized Soviet Socialist Realist work that was acceptable to the Stalinist and post-Stalinist State while allowing his soul to reveal itself in work that only a very few trusted viewers might see. As [...]

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