fbpx

Fritz Ascher Gesellschaft

Jul 17, 2023

A Painter in Search of an Audience:
Marie-Louise von Motesiczky in Exile
Talk by Ines Schlenker, London

2023-08-09T14:35:11-04:00July 17th, 2023|, , |Comments Off on A Painter in Search of an Audience:
Marie-Louise von Motesiczky in Exile
Talk by Ines Schlenker, London

Marie-Louise von Motesiczky was born into a wealthy, aristocratic Jewish family in Vienna in 1906. She trained under the German painter Max Beckmann, a family friend, and embarked on a promising career. When the National Socialists marched into Austria in 1938 Motesiczky fled the country for the Netherlands, eventually settling in England. Her attempts to build a new life in a foreign country were supported by a network of fellow émigrés, among them the painter Oskar Kokoschka and the writer Elias Canetti, with whom she had a long relationship. Lecture by Ines Schlenker, introduced and moderated by Rachel Stern. Image above: Self-Portrait with Red Hat, 1938 (Private Collection) ©️Marie-Louise von Motesiczky Charitable Trust 2023 [...]

Jul 9, 2023

Between America and France:
Varian Fry and the Rescue of Artists
Talk by Ori Z Soltes, PhD

2023-07-19T13:51:04-04:00July 9th, 2023|, , |Comments Off on Between America and France:
Varian Fry and the Rescue of Artists
Talk by Ori Z Soltes, PhD

With a belated reminder of the proximity of the American and French Independent Day celebrations, this talk focuses on the artists’ Schindler, the American journalist, Varian Fry (1907-1967). Using methods both legal and not, Fry managed to rescue some 2,000 individuals from France between 1940 and 1941. France had become largely swallowed up by Nazi Germany, the “free” parts in Southern France (Vichy France) were not necessarily unreluctant to assist with the deportation of Jews into Nazi-held territories, and the US immigration policies were far from open-handed to those seeking refuge. Who was he and who were some of those he helped—or in some cases, could not help—to escape destruction? Lecture by Ori Z. Soltes, introduced and moderated by [...]

Apr 30, 2023

Erwin Blumenfeld (1897-1968), from Berlin to New York.
A life in photography
Talk by granddaughter Nadia Blumenfeld Charbit, Paris (France)

2023-06-07T14:29:04-04:00April 30th, 2023|, , |Comments Off on Erwin Blumenfeld (1897-1968), from Berlin to New York.
A life in photography
Talk by granddaughter Nadia Blumenfeld Charbit, Paris (France)

Photographer Erwin Blumenfeld (1897-1969) survived two world wars to become one of the world's most highly-paid fashion photographers and a key influence on the development of photography as an art form. An experimenter and innovator, he produced an extensive body of work including drawings, collages, portraits and nudes, celebrity portraiture, advertising campaigns and his renowned fashion photography both in black and white and color. In this talk, Paris-based granddaughter Nadia Blumenfeld Charbit gives her personal insights into the life and work of the photographer Erwin Blumenfeld. Introduced by Rachel Stern, director of the Fritz Ascher Society. Image above: Erwin Blumenfeld, Double Self-Portrait with Linhoff, Paris, 1938 © Erwin Blumenfeld Estate  Born to [...]

Apr 19, 2023

Benno Elkan (1877-1960)
and the Definition of Israeli Art
Talk by Ori Z Soltes, PhD

2023-04-26T13:54:56-04:00April 19th, 2023|, , |Comments Off on Benno Elkan (1877-1960)
and the Definition of Israeli Art
Talk by Ori Z Soltes, PhD

In honor of Yom Ha'azmaut, Israel's Independence Day, and this year's 75th anniversary of the establishment of the modern state of Israel in 1948, this talk by Georgetown University professor Ori Z Soltes addresses the question of what defines Israeli art and when it began to take shape. Is it made only by Israelis---then how did Elkan's Menorah become the consummate symbol of Israel when he never lived in the state? Did "Israeli" art begin with or before the birth of the state? How does this relate to the opening of the Bezalel School of Art in 1906--and closing by 1929, only to re-open years later? How does it relate to the question of defining Jewish art? Benno Elkan's stunning work, [...]

Mar 28, 2023

The Missing Archive:
Bauhaus Designers and the Holocaust.
Presentation by Elizabeth Otto, PhD, Buffalo, NY

2023-05-03T14:36:21-04:00March 28th, 2023|, , |Comments Off on The Missing Archive:
Bauhaus Designers and the Holocaust.
Presentation by Elizabeth Otto, PhD, Buffalo, NY

Histories of Germany’s Bauhaus art and design school (1919–33) usually position it exclusively as a movement in exile as soon as the Nazis took power in 1933. In fact, the vast majority of its members remained and embraced Nazism, survived it, or became its victims. In this talk, art historian Elizabeth Otto scrutinizes traces of the work and lives of Bauhäusler who, through their imprisonment and often deaths in the concentration-camp system, have largely been lost to the history of the Bauhaus movement. Using archival sources—often scant materials preserved by family members and friends, including documents, photographs, and private memoirs—she reconstructs aspects of these artists’ work and lives and considers how to write the histories that Nazi violence has taken [...]

Mar 6, 2023

EARLY ISRAELI AND AMERICAN ARTISTS:
RE-VISIONING THE HOLOCAUST.
Talk by Ori Z Soltes, Georgetown University, Washington DC

2023-04-17T19:19:05-04:00March 6th, 2023|, , |Comments Off on EARLY ISRAELI AND AMERICAN ARTISTS:
RE-VISIONING THE HOLOCAUST.
Talk by Ori Z Soltes, Georgetown University, Washington DC

In honor of Yom HaShoah, this talk by Georgetown University professor Ori Z Soltes focuses on three Israeli and three American familiar and unfamiliar artists working in very diverse styles and not typically thought of as focusing on the Holocaust. Each of them, however, has offered powerful reflections on the defining catastrophe of the twentieth century. Barnett Newman, the foremost verbal spokesman for the chromatic side of the abstract expressionist movement redefining American painting in the early 1950s, offers an unexpectedly intense reflection on the question of theodicy. Mordecai Ardon, in the process of assuming leadership of the Bezalel school in Jerusalem at around the same time, balances between abstraction and figuration in depicting the Nazi-engendered chaos. Yigal Tumarkin’s [...]

Jan 24, 2023

The Art of Felix Lembersky (1913-1970)
Yelena Lembersky and Ori Z Soltes, PhD

2023-03-15T14:04:18-04:00January 24th, 2023|, , |Comments Off on The Art of Felix Lembersky (1913-1970)
Yelena Lembersky and Ori Z Soltes, PhD

The program features a talk by Lembersky’s granddaughter, Yelena Lembersky, co-author of the recent and highly acclaimed memoir, Like a Drop of Ink in a Downpour: Memories of Soviet Russia. Yelena will be introduced by Georgetown University professor, Ori Z Soltes, who has known her for many years and has written extensively on the work of Felix Lembersky. “We are merely honest people and see what is good and bad, and we cannot be confused.” – Felix Lembersky, Leningrad, the Soviet Union, 1960 Image above: Felix Lembersky, At the Train Station, ca 1960-64. © Felix Lembersky estate Felix Lembersky (1913-1970) was a Soviet Jewish painter, teacher, theater sets designer, and an organizer of artistic groups in Leningrad and [...]

Jan 8, 2023

Seven Murals by Philip Orenstein (b. 1938)
A French-Jewish Perspective on France During World War II
Philip Orenstein and Dr. Nadine M. Orenstein in conversation

2023-02-15T19:21:41-05:00January 8th, 2023|, , |Comments Off on Seven Murals by Philip Orenstein (b. 1938)
A French-Jewish Perspective on France During World War II
Philip Orenstein and Dr. Nadine M. Orenstein in conversation

Inspired by a visit to his birth country in the 1990s, American artist Philip Orenstein (b. 1938) created seven murals about the French complicity in the persecution of Jews in France during World War II. At that time, the French government had not admitted it had taken part in the persecution. The murals have been shown in various galleries and museums in the United States. In 1999, William Zimmer wrote in the New York Times, “Mr. Orenstein’s method involves combining poignancy with the determination that the viewers not miss the story. To this end, Mr. Orenstein skillfully, and wittily, employs the look of today’s splashy graffiti.” The works have not yet been shown in France. Born in Paris, France, in 1938, [...]

Jan 8, 2023

CASTAWAY MODERNISM. Basel’s Acquisitions of “Degenerate” Art
Presentation by Dr. Eva Reifert, Kunstmuseum Basel
followed by discussion with Rachel Stern

2023-02-06T07:18:23-05:00January 8th, 2023|, , |Comments Off on CASTAWAY MODERNISM. Basel’s Acquisitions of “Degenerate” Art
Presentation by Dr. Eva Reifert, Kunstmuseum Basel
followed by discussion with Rachel Stern

The Kunstmuseum Basel’s department of classic modernism houses one of the most prestigious collections of its kind. It was in fact assembled at a comparatively late date. In the summer of 1939 — shortly before the outbreak of World War II — Georg Schmidt (1896–1966), the museum’s director at the time, managed to acquire twenty-one avant-garde masterpieces all at once. The works were among those denounced in 1937 by Nazi cultural policy as “degenerate” and forcibly removed from German museums. The Third Reich’s Ministry of Propaganda correctly assumed that a portion of such works would find buyers abroad and bring in foreign currency. In this way certain artworks deemed “internationally exploitable” reached the art market via various channels. [...]

Dec 14, 2022

“Sweet Kitsch, I can’t do that.”
Maria Luiko (1904-1941)
With Wolfram P. Kastner and Mascha Erbelding, both Munich (Germany)

2023-03-30T06:59:22-04:00December 14th, 2022|, , |Comments Off on “Sweet Kitsch, I can’t do that.”
Maria Luiko (1904-1941)
With Wolfram P. Kastner and Mascha Erbelding, both Munich (Germany)

The artistic work of Maria Luiko (1904-1941), born Marie Luise Kohn in Munich, is characterized by an impressive diversity. In addition to drawings, watercolors and oil paintings, she created prints using various printing processes and paper cuts, and designed book illustrations, stage sets and marionettes. Already during her studies at the local Academy of Fine Arts and her training at the School of Applied Arts she was included in exhibitions in the Munich Glass Palace (Münchner Glaspalast). Her career was brutally cut short by the Nazi regime. As a Jew, Luiko was not able to join the Reich Chamber of Fine Arts (Reichskammer der bildenden Künste), a Nazi organization founded in 1933. Without membership, she could not obtain work materials, [...]

Dec 11, 2022

DOROTHY BOHM (1924-2023): A WORLD OBSERVED
Lecture by Monica Bohm-Duchen, London (UK)

2023-03-20T06:43:11-04:00December 11th, 2022|, , |Comments Off on DOROTHY BOHM (1924-2023): A WORLD OBSERVED
Lecture by Monica Bohm-Duchen, London (UK)

Dorothy Bohm was born Dorothea Israelit in Königsberg, East Prussia (now Kaliningrad, Russia) in 1924 into an assimilated, affluent and cultured Jewish milieu. In 1932 her father chose to move the family to Memel (now Klaipeda) in Lithuania, but following the Nazi occupation of Memelland in March 1939, her parents decided to send their daughter, aged 14, to the safety of England, where she arrived in June 1939. She wasn’t to see her parents and sister again for over twenty years. Image above (appears as detail): Dorothy Bohm, Venice Carnival, 1987 © Dorothy Bohm Archive Dorothy Bohm, Self-Portrait, 1942, age 18. © Dorothy Bohm Archive Dorothy Bohm, Ascona, 1948. © Dorothy Bohm Archive [...]

Dec 1, 2022

AS SEEN THROUGH THESE EYES
Conversation with Film Director Hilary Helstein, Los Angeles

2023-02-01T06:15:59-05:00December 1st, 2022|, , |Comments Off on AS SEEN THROUGH THESE EYES
Conversation with Film Director Hilary Helstein, Los Angeles

In honor of UN Holocaust Remembrance Day, Hilary Helstein, director of the award-winning documentary "As Seen Through These Eyes" spoke with Rachel Stern, director and CEO of the Fritz Ascher Society New York, about the making of her documentary. As poet Maya Angelou narrates this powerful documentary, she reveals the story of a brave group of people who fought Hitler with the only weapons they had: charcoal, pencil stubs, shreds of paper and memories etched in their minds. These artists took their fate into their own hands to make a compelling statement about the human spirit, enduring against unimaginable odds. Featuring interviews with Simon Wiesenthal as he talks about his art, never before appearing in a film, [...]