Rachel Stern2024-04-18T10:58:06-04:00April 17th, 2024|Events, Lectures|
As a German refugee who survived World War II in Hong Kong, and subsequently migrated to England, Israel, and the USA, Erna Friedländer’s journey is unique among the many histories of Jewish dispossession. Though few traces remain of Friedländer artistic oeuvre, she was a thoroughly modernist artist. Painter, printmaker, and teacher at the Hong Kong Working Artist Guild, she studied in Berlin under Eugene Spiro and in Paris under Mela Muter, André Lhote, and Othon Friesz before embarking on an artistic career in Milan in 1933. Image above: Erna Friedländer, Chinese Landscape. Undated. Monotype. Courtesy The Studio: An Illustrated Magazine of Fine and Applied Art, London REGISTER FOR THIS ONLINE EVENT HERE [...]
Rachel Stern2024-04-15T16:07:20-04:00April 2nd, 2024|Events, Lectures|
In this presentation Mario Tedeschini Lalli, Italian journalist and scholar of 20th century history, will try to tell the story of Saul Steinberg, before he became STEINBERG, the majuscules with which he signed his name to the art most people know, using some of his public art, some of his clandestine art, some of his personal art and - yes – some of his top secret art. Image above: Saul Steinberg, Seaside, 1941. © The Saul Steinberg Foundation/Artists Rights Society (ARS) New York REGISTER FOR THIS ONLINE EVENT HERE The art of Saul Steinberg (1914-1999) was arguably one of the most recognizable for the US public from the mid-1940s until his death in 1999. Much of [...]
Rachel Stern2023-05-03T14:36:21-04:00March 28th, 2023|Events, Lectures, Past Events|
Histories of Germany’s Bauhaus art and design school (1919–33) usually position it exclusively as a movement in exile as soon as the Nazis took power in 1933. In fact, the vast majority of its members remained and embraced Nazism, survived it, or became its victims. In this talk, art historian Elizabeth Otto scrutinizes traces of the work and lives of Bauhäusler who, through their imprisonment and often deaths in the concentration-camp system, have largely been lost to the history of the Bauhaus movement. Using archival sources—often scant materials preserved by family members and friends, including documents, photographs, and private memoirs—she reconstructs aspects of these artists’ work and lives and considers how to write the histories that Nazi violence has taken [...]
