Rachel Stern2024-04-17T15:59:30-04:00April 17th, 2024|Events, Lectures|
As a German refugee who survived World War II in Hong Kong, and subsequently migrated to England, Israel, and the USA, Erna Friedländer’s journey is unique among the many histories of Jewish dispossession. Though few traces remain of Friedländer artistic oeuvre, she was a thoroughly modernist artist. Painter, printmaker, and teacher at the Hong Kong Working Artist Guild, she studied in Berlin under Eugene Spiro and in Paris under Mela Muter, André Lhote, and Othon Friesz before embarking on an artistic career in Milan in 1933. Image above: Erna Friedländer, Chinese Landscape. Undated. Monotype. Courtesy The Studio: An Illustrated Magazine of Fine and Applied Art, London REGISTER FOR THIS ONLINE EVENT HERE [...]
Rachel Stern2024-04-15T16:07:20-04:00April 2nd, 2024|Events, Lectures|
In this presentation Mario Tedeschini Lalli, Italian journalist and scholar of 20th century history, will try to tell the story of Saul Steinberg, before he became STEINBERG, the majuscules with which he signed his name to the art most people know, using some of his public art, some of his clandestine art, some of his personal art and - yes – some of his top secret art. Image above: Saul Steinberg, Seaside, 1941. © The Saul Steinberg Foundation/Artists Rights Society (ARS) New York REGISTER FOR THIS ONLINE EVENT HERE The art of Saul Steinberg (1914-1999) was arguably one of the most recognizable for the US public from the mid-1940s until his death in 1999. Much of [...]
Rachel Stern2024-04-03T13:56:09-04:00March 27th, 2024|Events, Lectures, Past Events|
Benjamin Balint, author of the National Jewish Book Award winning book, and Georgetown University professor Ori Z Soltes in conversation. Bruno Schulz is renowned as a master of twentieth-century imaginative fiction. Isaac Bashevis Singer called him “one of the most remarkable writers who ever lived.” But Schulz was also an exceptionally talented graphic artist whose masochistic drawings would catch the eye of a sadistic Nazi officer. Schulz’s art became the currency in which he bought life. Image above: Bruno Schulz, Mural, 1941-1942. Drohobycz. Discovery Benjamin Geissler, 2001. Drawing on extensive new reporting and archival research, Benjamin Balint chases the inventive murals Schulz painted on the walls of an SS villa—the last traces of his vanished [...]
Rachel Stern2024-03-27T13:42:26-04:00March 6th, 2024|Events, Lectures, Past Events|
One sunny May day in 2022—halfway around the world from Paris where the Jewish artist Ary Arkady Lochakov (1892-1941) died of malnutrition in 1941—a miraculous discovery was made. Maintenance staff came upon 48 abandoned artworks in a waterside park, all of them carefully arranged as if they were meant to be discovered. 38 of the 48 artworks all had the same signature: Ary Arkady Lochakov. Port employees researched Lochakov to discover he was a member of the famed École de Paris and was featured in Hersh Fenster's essential book Our Martyred Artists. San Francisco Standard journalist Julie Zigoris was the first (and only) to report the story to the public, following the trail of breadcrumbs to make some incredible [...]
Rachel Stern2024-03-07T07:17:49-05:00February 26th, 2024|Events, Lectures, Past Events|
In this presentation, Gettysburg College professor and author Kerry Wallach explores the life and work of Rahel Szalit (1888–1942; also: Szalit-Marcus). Szalit was a sought-after illustrator and painter who was active in 1920s Berlin and 1930s Paris. Image above: Rahel Szalit-Marcus, The Drive to the Rabbi, in Milgroym, 1922. Lithograph. Rahel Szalit was among the best-known Jewish women artists in Weimar Berlin. She painted and drew landscapes, Berlin city scenes, animals, and portraits of women, children, and public figures. She produced numerous lithographs and worked in pen and ink, pencil, pastel, chalk, oil paint, and watercolors. Women figured prominently in many scenes, from small-town Jewish life to snapshots of the metropolis. [...]
Rachel Stern2024-01-31T18:36:36-05:00January 16th, 2024|Events, Lectures, Past Events|
In the aftermath of Germany's defeat in World War I and the failed November Revolution of 1918–19, which was led by many prominent Jewish politicians, the conservative government of Bavaria identified Jews with left-wing radicalism. Munich became a hotbed of right-wing extremism, with synagogues under attack and Jews physically assaulted in the streets. It was here that Adolf Hitler established the Nazi movement and developed his antisemitic ideas. This lecture provides a gripping account of how Bavaria's capital city became the testing ground for Nazism and the Final Solution. Michael Brenner holds the chair of Jewish History and Culture at Ludwig Maximilian University in Munich. He is also Distinguished Professor of History and Seymour and [...]
Rachel Stern2024-01-24T15:36:23-05:00December 26th, 2023|Events, Lectures, Past Events|
Fifteen years after the great financial crisis of 2008, which shook the capitalist economic system in America and Europe to its foundations, the book “The New Man as Man Machine” presents, for the first time, the interrelationship of art and political economy in the Weimar Republic, the Soviet Union, and the United States of America during the interwar period. By taking a look back at the 1920s and 1930s, it attempts to better understand our own era and its well-founded fears with regard to globalization and a new global economic crisis. Image above: Kliment Redko, Aufstand, 1924-25 This project focuses on how artists reacted to the central questions of the political economy in these three [...]
Rachel Stern2023-05-03T14:36:21-04:00March 28th, 2023|Events, Lectures, Past Events|
Histories of Germany’s Bauhaus art and design school (1919–33) usually position it exclusively as a movement in exile as soon as the Nazis took power in 1933. In fact, the vast majority of its members remained and embraced Nazism, survived it, or became its victims. In this talk, art historian Elizabeth Otto scrutinizes traces of the work and lives of Bauhäusler who, through their imprisonment and often deaths in the concentration-camp system, have largely been lost to the history of the Bauhaus movement. Using archival sources—often scant materials preserved by family members and friends, including documents, photographs, and private memoirs—she reconstructs aspects of these artists’ work and lives and considers how to write the histories that Nazi violence has taken [...]
