In her presentation, Dr. Miholca will spotlight the artistic and historical significance of Marcel Janco and the Romanian avant-garde group during a period of tremendous creative experimentation and productivity, when artists and writers merged their Jewish identity with the international identity they sought to foster through their network of dadaist and constructivist magazines. Janco, alongside other Romanian-Jewish artists like M. H. Maxy, Victor Brauner, Mattis Teutsch, and Benjamin Fondane, wished to capitalize on the Dada movement initiated by Janco and Tristan Tzara—alongside Hugo Ball, in Zurich, 1916—with their own avant-garde movement in Bucharest that mainly emerged through magazines such as Contimporanul (1922-1932), 75HP (1924) and Integral (1925-1928). The presentation will be followed by a conversation with Nicola Baird, PhD. [...]

The architecture of the American Jewish community was transformed following World War II by émigré and refugee architects engaged to design synagogues and Jewish Community Centers. Eric Mendelsohn’s synagogues for St. Louis, Cleveland and elsewhere are well known but the work of Fritz Nathan, Mendelsohn’s German-Jewish contemporary, is virtually forgotten. Image above: Hamden, CT, Mishkan Israel sanctuary, photo S. Gruber, 2011. Architects: Fritz Nathan and Bertram Bassuk, Ark: Ben Shahn, Stained Glass: Robert Pinart and Jean-Jacques Duval REGISTER HERE Erich Mendelsohn, sketch for Congregation Bnai Amoona, St Louis, MO Erich Mendelsohn, Model for Congregation Bnai Amoona, St Louis, MO Nathan arrived in the United States [...]