drawing
George Grosz (1893-1959):
The Stick Men
Presentation by Karli Wurzelbacher, PhD, Huntington (New York)
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VA, United States
George Grosz (American, b. Germany, 1893–1959) created the “Stick Men” series in Huntington, where he lived from 1947 until shortly before his death. Featuring hollow figures in an apocalyptic landscape, this group of watercolors offers a searing indictment of humanity following World War II, the Holocaust, and the dropping of atomic bombs on Hiroshima and Nagasaki. Grosz was an internationally renowned German-born artist who remained invested in political art following his immigration to the United States in 1933. In the “Stick Men” series, he wrestles with the emergence of Abstract Expressionism and reaffirms the ability of painting to impact society. Image above: Detail of George Grosz (American, b. Germany, 1893–1959), The Grey Man Dances, 1949. Oil on canvas. George [...]
Fritz Ascher in Berlin – eine Spurensuche
Kurzvortrag und Führung von Rachel Stern, New York
Augustinermuseum, Haus der Graphischen Sammlung, Freiburg
Augustinermuseum
Augustinerplatz, Freiburg im Breisgau
Der spätexpressionistische Künstler Fritz Ascher (1893-1970) überlebte zwei Weltkriege und die Verfolgung durch das nationalsozialistische Regime. Als aufmerksamer Beobachter der Schrecken des Ersten Weltkriegs und der revolutionären Unruhen wandte er sich christlich-spirituellen Themen zu, die er radikal neu interpretierte. In intimen Zeichnungen beschäftigte er sich ab 1916 mit dem Thema Liebe und Verrat, sowohl in seiner Auseinandersetzung mit dem Kreuzigungsthema als auch mit der Figur des Bajazzo in der tragikomischen Oper „I Pagliacci“. Kurzvortrag und Führung von Rachel Stern zeigen den Künstler in seinem sozialen und politischen Umfeld. Image above: Fritz Ascher, Im Wald, um 1919. Weisse Gouache und schwarze Tusche über Aquarell und Bleistift auf Papier, 34 x 32,2 cm © Bianca Stock The late expressionist [...]
Liebe und Verrat: Fritz Ascher
Kurator Erik Riedel im Gespräch mit Rachel Stern
Jüdisches Museum Frankfurt (Germany)
Jewish Museum Frankfurt
Bertha-Pappenheim-Platz 1, Frankfurt am Main, Germany
Der Maler, Grafiker und Dichter Fritz Ascher (1893-1970) wurde bereits als 16-Jähriger von Max Liebermann an die Akademie in Königsberg empfohlen. Ab 1913 gehörte er zu den gefragten Malern in Berlin. Er war ein genauer Beobachter seiner Zeit; die Urkatastrophe des Ersten Weltkriegs und die revolutionären Unruhen in Berlin führten ihn zu christlichen und mystischen Themen, die er radikal neu interpretierte. Nach 1933 erhielt Ascher als Jude Berufsverbot. Während der Pogrome am 9./10. November 1938 wurde er verhaftet und im Konzentrationslager Sachsenhausen und im Potsdamer Gestapo-Gefängnis interniert. Die Schoa überlebte er ab 1942 versteckt in einem Keller in Berlin-Grunewald. Während dieser einsamen Jahre verfasste er Gedichte. Als Künstler fand Ascher nach 1945 seinen ganz eigenen Stil. Angeregt vom nahe [...]
Love, Betrayal and Ascher’s Unpainted Pictures
Tour by Exhibition Curator Jutta Götzmann
Haus der Graphischen Sammlung, Freiburg (Germany)
Haus der Graphischen Sammlung
Salzstraße 34, Freiburg im Breisgau, Germany
Jutta Götzmann, exhibition curator of "Love and Betrayal," presents the artist Fritz Ascher (1893-1970) during a tour. In addition to early charcoal, graphite and ink drawings, colorful gouaches are fascinating. Poems that are considered his "unpainted pictures" and were created in secret during the National Socialist era complement the exhibition. BUY TICKETS HERE The Fritz Ascher Society is a not-for-profit 501(c)3 organization. Your donation is fully tax deductible. YOUR SUPPORT MAKES OUR WORK POSSIBLE. THANK YOU. DONATE HERE
Behind the Glass: The Villa Tugendhat and Its Family
A book talk by Michael Lambek, Toronto (Canada)
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VA, United States
In this book talk, Michael Lambek follows the intertwined history of Mies van der Rohe’s iconic Villa Tugendhat and the family who inhabited it from 1930-1938. Part memoir, part social history, the book traces the family from its origins in a Jewish ghetto to the present day, focussing on the author’s maternal grandmother, Grete Tugendhat who commissioned and championed the house, which is now a World Heritage Site in Brno, Czechia. Image above: Ludwig Mies van der Rohe, Villa Tugendhat, Brno (Czechia), photo David Zidlicky The Villa Tugendhat, designed by Mies van der Rohe in 1929, is an icon of architectural modernism in Brno, Czechia. It was also a family home. [...]
Making Way for Berthe Weill—
Art Dealer of the Parisian Avant-Garde
A presentation by Lynn Gumpert, New York
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VA, United States
Berthe Weill was a trailblazing art dealer who exhibited works by emerging artists in her Parisian gallery from 1901 to 1941. Even though many of them went on to become key avant-garde figures, Weill’s role has been omitted from most historical accounts of 20th-century modernism. In this presentation, Lynn Gumpert, a co-curator of the first exhibition on Weill, provides an overview of this remarkable woman. Image above: Amedeo Modigliani, Fille rousse (Girl with red hair), c. 1915. Oil on canvas, 16 x 14 3/8 in. (40.5 x 36.5 cm). Musée de l’Orangerie, Paris. Jean Walter and Paul Guillame Collection, 1960.46 © Photo: Musée de l’Orangerie / Sophie Crépy Passionate and outspoken, Weill was the [...]
Love and Betrayal. The German-Jewish artist Fritz Ascher (1893-1970)
A presentation by Rachel Stern, organized by Saint Elizabeth University, Morristown (NJ)
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VA, United States
Rachel Stern will present insights into the art and life of the German-Jewish artist Fritz Ascher and the mission of The Fritz Ascher Society for Persecuted, Ostracized and Banned Art. Introduced by Richard Quinlan, Director of the Center for Holocaust and Genocide Education at Saint Elizabeth University in Morristown (NJ). Image above: Fritz Ascher, Male Portrait in Red, c. 1915. Private collection © Bianca Stock Fritz Ascher (1893-1970), a painter, graphic artist, and poet, was recommended to the art academy in Königsberg by the renown German painter Max Liebermann at the age of 16. From 1913 onwards, he gained recognition as a painter in Berlin. Ascher was a keen observer of his era; the devastation of World War I and [...]
Art and Conscience in a Time of Upheaval.
Ben Shahn (1898-1969)
Presentation by Ori Z Soltes, Washington (DC)
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VA, United States
Georgetown University professor Ori Z Soltes will speak about Ben Shahn (1898-1969), who arrived in 1906 as a child to the United States from Tsarist-governed Lithuania. Four years after the Tsarist authorities had exiled his father to Siberia for alleged revolutionary activities, his mother managed to bring the family to New York. There they reconnected with Ben's father who had escaped from Siberia and made it to the US by way of South Africa. Image above: Ben Shahn, Detail of the Mural "The Meaning of Social Security," Wilbur J. Cohen Federal Building, Washington, D.C. Within 25 years Shahn emerged as perhaps the key figure in the developing arena of American Social Realist painting with a strongly political bent. He became renowned for [...]
“There is something mad about the art”
The German-Jewish Art Dealer Alfred Flechtheim and his Heirs’ Fight for Restitution
Presentation by Journalist Michael Sontheimer, Berlin (Germany)
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VA, United States
Journalist and author Michael Sontheimer speaks about Alfred Flechtheim, who was born in 1878 in Münster as the son of a wealthy German Jewish grain dealer. He was trained as a trader but did not want to stay in the family business. As he was fascinated with art, he left his hometown and moved to Düsseldorf, where he opened a gallery in 1913. Image above: Rudolf Großmann, Alfred Flechtheim, 1922-27. Pencil, ink, and gouache on paper, 5.3 x 3.8 in. Museum für Moderne Kunst, Freiburg (Germany) G 62/008 b. After serving in the German Army during the First World War, in 1921 he opened a second gallery in Berlin, the place to be in the 1920s. He brought works from modern [...]
Léo Maillet (1902-1990): The Broken Mirror
Presentation by Erik Riedel, Frankfurt am Main (Germany)
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VA, United States
Curator Erik Riedel presents the work of the painter and graphic artist Léo Maillet, who changed his original name Leopold Mayer in exile, reflecting the numerous fractures in his biography. Image above: Léo Maillet, Le Graveur (Self-Portrait), 1944. Oil on cardboard. Permanent loan by the Adolf und Luisa Haeuser-Stiftung für Kunst und Kulturpflege. © estate of Léo Maillet: Daniel Maillet and Nikolaus Mayer After his dramatic escape from a deportation train bound for Auschwitz, Maillet lived in the French Cévennes under a false identity from 1942 onwards. He painted and drew with the simplest of materials. Some years later, he took up the works he had created during his flight and persecution and transformed them into paintings and etchings. The [...]
