Rachel Stern2020-09-17T22:58:37-04:00September 17th, 2020|Newsletter|
Forum Jacob Pins in Höxter, Germany Dear Friends, The Jewish New Year is upon us, and it feels as if the New keeps coming. The exhibition “The Loner. Clowns in Fritz Ascher's Art (1893-1970)” at Forum Jacob Pins in Höxter, Germany was opened with an event following social distancing rules, my video greeting and a concert in the courtyard. The exhibition is on view until November 29, and I very much encourage you to see it (more information HERE). In the exhibition, Ascher’s depictions of clowns are contrasted with depictions of nature, which dominated his post-Holocaust work. Inspired by the nearby Grunewald, the artist created vivid landscapes and powerful close-ups of the sun, trees and flowers, which [...]
Rachel Stern2020-08-20T21:32:19-04:00August 20th, 2020|Newsletter|
Dear Friends, What a strange summer this is. But I have exciting news of some degree of normalcy: an exhibition in Germany! This is no small feast in these times, and I am thankful to my co-curator Julia Diekmann for her flexibility and creativity in co-organizing the exhibition. Who would have thought that the largest hurdle is getting the artwork out of the locked down campus of Richmond University? In the end it all worked - our shipper Cadogan Tate had just taken up operation again and flight schedules for art opened up, the drawings, which have never been shown before will be matted and framed practically overnight, the artwork will be hanged as fast as it probably never [...]
Rachel Stern2020-11-29T20:32:16-05:00August 7th, 2020|Events, Past Events|
View a recording of the event HERE. Lecture featuring Aya Soika, Professor of Art History at Bard College Berlin, Germany Moderated by Rachel Stern, Executive Director of the Fritz Ascher Society in New York The German Expressionist Emil Nolde is arguably one of most prominent victims of the Nazis' art politics: No other painter had so many works confiscated, or was presented as prominently in the show „Degenerate Art,“ which opened in Munich in July 1937. Yet, his position differs fundamentally from that of many other artists who will be presented in the Fritz Ascher Society's lecture series "From Flight to Fight": Nolde was not just a victim but also a loyal supporter of the regime whose world views were radicalized by antisemitic propaganda in [...]
